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IMDbPro

La raíz del miedo

Título original: Primal Fear
  • 1996
  • B15
  • 2h 9min
CALIFICACIÓN DE IMDb
7.7/10
266 k
TU CALIFICACIÓN
POPULARIDAD
440
19
Richard Gere in La raíz del miedo (1996)
Trailer
Reproducir trailer2:28
6 videos
94 fotos
Legal ThrillerPsychological ThrillerCrimeDramaMysteryThriller

Se acusa a un monaguillo de asesinar a un sacerdote, y la verdad está enterrada a varias capas de profundidad.Se acusa a un monaguillo de asesinar a un sacerdote, y la verdad está enterrada a varias capas de profundidad.Se acusa a un monaguillo de asesinar a un sacerdote, y la verdad está enterrada a varias capas de profundidad.

  • Dirección
    • Gregory Hoblit
  • Guionistas
    • William Diehl
    • Steve Shagan
    • Ann Biderman
  • Elenco
    • Richard Gere
    • Laura Linney
    • Edward Norton
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    266 k
    TU CALIFICACIÓN
    POPULARIDAD
    440
    19
    • Dirección
      • Gregory Hoblit
    • Guionistas
      • William Diehl
      • Steve Shagan
      • Ann Biderman
    • Elenco
      • Richard Gere
      • Laura Linney
      • Edward Norton
    • 429Opiniones de los usuarios
    • 73Opiniones de los críticos
    • 47Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 10 premios ganados y 12 nominaciones en total

    Videos6

    Primal Fear
    Trailer 2:28
    Primal Fear
    Primal Fear
    Trailer 2:29
    Primal Fear
    Primal Fear
    Trailer 2:29
    Primal Fear
    Primal Fear
    Clip 0:59
    Primal Fear
    Primal Fear
    Clip 0:46
    Primal Fear
    Primal Fear
    Clip 0:44
    Primal Fear
    Primal Fear
    Clip 0:54
    Primal Fear

    Fotos94

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    Elenco principal55

    Editar
    Richard Gere
    Richard Gere
    • Martin Vail
    Laura Linney
    Laura Linney
    • Janet Venable
    Edward Norton
    Edward Norton
    • Aaron…
    John Mahoney
    John Mahoney
    • Shaughnessy
    Alfre Woodard
    Alfre Woodard
    • Shoat
    Frances McDormand
    Frances McDormand
    • Molly
    Terry O'Quinn
    Terry O'Quinn
    • Yancy
    Andre Braugher
    Andre Braugher
    • Goodman
    Steven Bauer
    Steven Bauer
    • Pinero
    Joe Spano
    Joe Spano
    • Stenner
    Tony Plana
    Tony Plana
    • Martinez
    Stanley Anderson
    Stanley Anderson
    • Rushman
    Maura Tierney
    Maura Tierney
    • Naomi
    Jon Seda
    Jon Seda
    • Alex
    Reg Rogers
    Reg Rogers
    • Connerman
    Kenneth Tigar
    Kenneth Tigar
    • Weil
    Brian Reddy
    Brian Reddy
    • Woodside
    Christopher Carroll
    • M.C.
    • Dirección
      • Gregory Hoblit
    • Guionistas
      • William Diehl
      • Steve Shagan
      • Ann Biderman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios429

    7.7265.7K
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    Opiniones destacadas

    tweeterbirdy

    Edward norton does an excellent job

    I had just gotten done seeing the movie Fight Club when a relative of mine said " If you like that movie, you'll like Primal Fear." I didn't believe him, because I had believed that Fight Club was the best movie on the face of the planet. Well, he just so happened to have a copy of Primal Fear with him. I watched it and was amazed. I was speechless.The movie has so many twists! I was convinced that it was one of the best movies I had ever seen. Gere's performance is average. I say this because it seems that in many movies he plays the same cocky character. Linney's monologue in the courtroom is mesmerizing . It was just great. And Norton? Well this may be one of his best performances ever. The fact that this was made during the starting of his acting career was unbelievable. It was a great film and Edward norton does an excellent job
    8philip_vanderveken

    Not just another court room drama

    I was convinced that "Primal Fear" would be the type of courtroom drama that Hollywood seems to use to pave the streets with. You know what I mean: Someone gets wrongly accused of some mischief, he can't pay a lawyer, but of course there is one who is really interested in the case and he is prepared to defend the poor guy anyway. The defender finds some wholes in the police investigation or in the statement of the other party and knows to prove the innocence of his client and even get a big indemnity. Well, I was wrong, for once this was a courtroom drama that had a bit more to offer than the usual story line and twists. In fact, this was even a very enjoyable movie.

    Even though I'm not really a fan of Richard Gere (I'm not a woman, so no I don't like him because the way he looks, I only look at his acting), I have to admit that this time he really did a very good job as the slick, media-friendly, arrogant lawyer Martin Vail. Still, in my opinion the real star in this movie is Edward Norton. He's really excellent as the altar boy who is accused of murdering a Catholic bishop.

    For once the story isn't as predictable as usual. At first the case seems rather clear: an altar boy is running away from the home of the bishop, with blood all over his clothes. No doubt about it you think, he did it, case closed, next movie! But than the first interesting twist in the movie appears: Yes, he was at the murder scene, but he can't remember anything about the grisly murder, because at that exact moment he got a blackout. He's convinced that there was a third person in the room. That third person must have killed the bishop, he's innocent. His lawyer tries to prove the third man theory in the court room, but as the process comes nearer to the end, some new evidence will make everything a lot clearer and more interesting...

    As I already said, this movie is more than just worth a watch, thanks to the rather innovative story line and characters. For once, this movie didn't annoy me more than I could ever like it. That's already worth a lot, so I give it a well deserved 8/10.
    8Maverick1962

    My first opportunity to comment on a film

    Riveting courtroom drama, starring Richard Gere, with occasional flashes of action. New to me faces that impressed are Laura Linney and Edward Norton, both of whom give outstanding performances against the ever reliable Gere, a sometimes underated star actor.

    Kept me on the edge of my chair throughout. One of the best of the courtroom genre films that I have seen.

    A coherent script, well directed and edited, leaving me guessing to the end, with a really neat twist in the final stage. Excellent.
    advixen

    The birth of a star and the resurrection of another

    It's not often that viewers get a chance to watch a star being born - that a talented unknown actor's performance that is so spectacular it leads to the A-list in one role is rare: Julia Roberts in Pretty Woman, Brad Pitt in Thelma & Louise to name a recent few. But Edward Norton's turn as the "defendant/victim" in Primal Fear is one of those "Wow" moments that leaves the audience salivating for his next performance. In this feature debut, Norton outdistances his role, as does Richard Gere, in a resurrection no less impressive than Norton's star-making turn. Heretofore, Gere has specialized in assorted intelligent professional cad roles. Here, he gets a chance to inhabit one that not only wears his dubious character on his sleeve, but wears it, drives it, drinks it... revels in it. Yeah, sure somewhere there's a heart of gold, but like his client, the layers on top serve him better, and the heart of gold is tarnished. Gere is at his peak, comfortably, cheerfully inhabiting the role.

    Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes.

    See it to watch the ascension of Norton and Gere.
    8RanchoTuVu

    country boy does Chicago

    Into big city Chicago political corruption and moral decay comes an ingeniously deceptive sociopath from nearby backwoods Kentucky who we see at the opening as an altar boy singing in an all boy church choir that's performing for the city's elite at a social fundraiser for charity. Like another Gregory Hoblit film (Fracture), you have to accept a certain amount of implausibilities. Like the murder itself, for instance, around which the film evolves. But also like Fracture, this is another (earlier) and surprisingly good take on lawyers and prosecutors (Richard Gere and Lara Linney) and the elusive perfect crime. As well, is the part played by Edward Norton. He's got that backwoods hardscrabble menace down about as well as anyone since those Georgia hillbillies in Deliverance.

    Más como esto

    El juego
    7.7
    El juego
    Perfume de mujer
    8.0
    Perfume de mujer
    Río místico
    7.9
    Río místico
    Cabo de miedo
    7.3
    Cabo de miedo
    Identidad
    7.3
    Identidad
    Besos que matan
    6.6
    Besos que matan
    El abogado del diablo
    7.5
    El abogado del diablo
    Tiempo de matar
    7.5
    Tiempo de matar
    Primal Fear
    4.9
    Primal Fear
    Zodiaco
    7.7
    Zodiaco
    Crimen perfecto
    7.2
    Crimen perfecto
    Los hijos de la calle
    7.5
    Los hijos de la calle

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      This is Edward Norton's motion picture debut.
    • Errores
      It is stated by several characters that a plea cannot be changed mid-trial. However, it is entirely possible to change a plea before sentencing.
    • Citas

      [last lines SPOILER]

      [while in a holding cell in the back of the courthouse]

      Roy: Mr. Vail?

      Martin Vail: Yeah?

      Roy: [stammering] Will you t-tell Miss Venable I'm sorry? Tell her I hope her neck is okay.

      Martin Vail: Yeah... I will.

      [begins walking away, then turns back]

      Martin Vail: Wait... What did you just say? What? You told me just a few minutes ago that you didn't remember. You blacked out. You "lost time" yet again. So, how do you know about her neck?

      Roy: [slow clapping sardonically; sneers] Well... good for you, Marty. I was going to let it go at that. You was looking so happy just now. I was thinking, hmmm God. But to tell you the truth, I'm glad you figured it out, because I have been dying to tell you. I just didn't know who you'd wanna hear it from, you know? Aaron or Roy... or Roy or Aaron. Well, I'll let you in on a little secret. A sort of a client-attorney-privilege type of a secret, you know what I mean? It don't matter who you hear it from. It's the same story.

      [stammering as Aaron]

      Roy: [in a southern accent] I j-j-just... had to kill Linda, Mr. Vail.

      [normal voice as Roy]

      Roy: That cunt just got what she deserved. But... cutting up that son of a bitch Rushman? That was just a fucking work of art.

      Martin Vail: You're good. You are really good.

      Roy: Yeah. I did get caught, though, didn't I?

      Martin Vail: So there never... there never was a Roy?

      Roy: Jesus Christ, Marty. If that's what you think, I am disappointed in you, I don't mind telling you. There never was an Aaron... counselor! Come on, Marty! I thought you had it figured, there at the end. The way you put me on the stand like that? That was fucking brilliant, Marty! And that whole thing like "act-like-a-man"? Jesus, I knew exactly what you wanted from me. It was like we were dancing, Marty!

      Martin Vail: Guard!

      Roy: [as Vail walks away] Oh come on, don't be like that, Marty. We did it, man. We fucking did it! We're a great team, you and me. You think I could've done this without you? You're just feeling a little angry here, because you started to care about old Aaron, I can understand that, but... you know, love hurts, Marty. What can I say? Hey, I'm just kidding, bud! I didn't mean to hurt your feelings! What else was I supposed to do? Hey, you're gonna thank me down the road, because this is gonna toughen you right up, Martin Vail! You hear me? That's a promise!

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Sgt. Bilko/Jack and Sarah/A Family Thing/Carried Away/From the Journals of Jean Seberg (1996)
    • Bandas sonoras
      Introitus: Cibavit Eos
      by William Byrd

      Performed by The Voices of Christ Church Cathedral Choir

      Conducted by Stephen Darlington

      Courtesy of Nimbus Records

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    Preguntas Frecuentes

    • How long is Primal Fear?
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    • What is "Primal Fear" about?
    • Is "Primal Fear" based on a book?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de abril de 1996 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Primal Fear
    • Locaciones de filmación
      • Chicago, Illinois, Estados Unidos
    • Productoras
      • Paramount Pictures
      • Rysher Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 30,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 56,116,183
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 9,871,222
      • 7 abr 1996
    • Total a nivel mundial
      • USD 102,616,183
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 9 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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