CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However his fear of nothing soon causes problems.A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However his fear of nothing soon causes problems.A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However his fear of nothing soon causes problems.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Mikio Ôsawa
- Masato Yoshikawa
- (as Mikio Oosawa)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Anyone expecting "just another Miike flick" might get very disappointed, as I'd claim this remake, of Kinji Fukasaku's 1975 success, to differ quite much from Miike's other works. There's a lack of comic events here, while the amount of violence is steady and non-compromising straight throughout the movie. While Miike's other works may have a sort of balance between the cold terror of Yakuza violence and fun punchlines, dark and light or whatever you'd like, this piece is leaning way more to the darker side. No one gets away with anything, women and men, they're all facing their dramatic paths down the line.
As I've mentioned above, the piece feels quite different, and at the beginning I thought it may even be bad. However, such a case didn't await me and afterward I thought it was all good. Different, but good. I prefer the other works of Miike, but that didn't disqualify this one to be a good view. Shattering, touching and filled up with non-sympathy. 7/10.
As I've mentioned above, the piece feels quite different, and at the beginning I thought it may even be bad. However, such a case didn't await me and afterward I thought it was all good. Different, but good. I prefer the other works of Miike, but that didn't disqualify this one to be a good view. Shattering, touching and filled up with non-sympathy. 7/10.
A slow burning Miike movie interspersed with bouts of extreme and graphic violence that is toe-curling real. I found the story almost Shakespearian in its handling of the dishwashers "journey to hell" and the strong themes of honour and loyalty that run throughout. I find Miikes misogynistic treatment of women disturbing, but interesting. He seems to relish every kick and slap.. but then he relishes the violence wreaked on everyone. It just jars (my Western sensibility ?)so much to see Ishimatsu brutalise his "wife".
Look out for Miike as the assassin who Ishimatsu knocks out and thereby starts his self-destructing rampage ... and what a scene ! As good as the intro of "Dead or Alive"
I may try to find Kinji Fukasaku's 1975 original which was equally controversial on its release....
All I can say is move over Coppola and Scorsese.. here comes Miike..
Look out for Miike as the assassin who Ishimatsu knocks out and thereby starts his self-destructing rampage ... and what a scene ! As good as the intro of "Dead or Alive"
I may try to find Kinji Fukasaku's 1975 original which was equally controversial on its release....
All I can say is move over Coppola and Scorsese.. here comes Miike..
If Japan is "perfect", how does "imperfection" look like? The protagonist in this movie embodies exactly that. Which takes away a lot of the "Scarface"-like thriller elements. There is a story about a guy stepping up in a mafia environment, but his stoic anti-will, the fact he hurts EVERYone - helpers, supporters, lovers and foes - is meant to be allegorically political.
It's stated somewhere and in fact, there's some few scenes that appear very illogical. Not so, if you watch the movies "the right way".
Movie is calm, depressing, melancholic, bloody painful, sometimes crazy (in one scene he shoots at everyone: police, bypassers etc., then going "SORRY, OUTTA AMMO!" and delivers himself).
Good, disturbing, mature Miike-movie. Not as cartoonish as most of his films.
It's stated somewhere and in fact, there's some few scenes that appear very illogical. Not so, if you watch the movies "the right way".
Movie is calm, depressing, melancholic, bloody painful, sometimes crazy (in one scene he shoots at everyone: police, bypassers etc., then going "SORRY, OUTTA AMMO!" and delivers himself).
Good, disturbing, mature Miike-movie. Not as cartoonish as most of his films.
Most of Miike's yakuza movies include alot of humor and over the top gore, in which I love. I was sort of expecting that with this movie and had my hopes up high, but I was introduced to a new style of Yakuza movie.
Ishimatsu is a dishwasher at a resturaunt who saves the life of a Yakuza boss when a assassin was ordered to kill him at Ishimatsu's resturaunt. Ishimatsu is let into the family at a high rank and but he isn't what was expected. He starts p***ing people off in the family by starting a little gang-war, and after theres a settlment between the two gangs, they are all trying to get rid of Ishimatsu. He also gets pretty wound up with heroin.
Alot of character develoupment in this movie. The movie has a low tone but glossy color that sets and really good atmosphere with a slow jazz soundtrack.
The blood in this movie isnt very abundent but the violence is strong a realistic. Not very many bloodsprays like in most of Miike's movies, but you dont really look for that because IMHO this movie is so stylish without the need of strong blood or gore.
It doesnt seem like to many people like this movie but when I got done watching this movie I felt really good like I have never felt after a movie.
Ishimatsu is a dishwasher at a resturaunt who saves the life of a Yakuza boss when a assassin was ordered to kill him at Ishimatsu's resturaunt. Ishimatsu is let into the family at a high rank and but he isn't what was expected. He starts p***ing people off in the family by starting a little gang-war, and after theres a settlment between the two gangs, they are all trying to get rid of Ishimatsu. He also gets pretty wound up with heroin.
Alot of character develoupment in this movie. The movie has a low tone but glossy color that sets and really good atmosphere with a slow jazz soundtrack.
The blood in this movie isnt very abundent but the violence is strong a realistic. Not very many bloodsprays like in most of Miike's movies, but you dont really look for that because IMHO this movie is so stylish without the need of strong blood or gore.
It doesnt seem like to many people like this movie but when I got done watching this movie I felt really good like I have never felt after a movie.
10kuuzo
This is one movie that needs to be released in the West, it is a hardcore dark violent drama, not the typical cartoony Miike. This is probably one of the better Miike movies I've seen, no bizarre cartoon violence or strange events, a straight up yakuza crime violence extravaganza, and apparently a remake of a 1975 movie of the same name. Definitely better than the sort of dragging Araburu Tamashitachi. The lead character Ishimatsu is played by Kishitani Goro, the bad guy from "Returner". In an interview on the DVD, Miike said he wanted to make a movie about a man who didn't learn to be a Yakuza by becoming a Yakuza, but who was born that way... The main character is BAD, far worse than "Ichi the Killer's" Kakihara. Whereas Kakihara is a sort of good-natured amoral sado-masochist, Ishimatsu is a bad natured insane sociopathic drug addict killer rapist. Lots of corpses in this one, men, women, doesn't matter to Ishimatsu. Even more corpses than Ichi the killer or Dead or Alive, and some real violent and realistic knife kills and handgun assassinations, pipe beatings, and other fun. Not for people who shy away from realistic violence and sadism.
¿Sabías que…?
- ConexionesFeatured in Yakuza Eiga, une histoire du cinéma yakuza (2009)
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Detalles
- Tiempo de ejecución2 horas 11 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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