Shinjuku kuroshakai: Chaina mafia sensô

I really like Miikes movies about Yakuza, this one I saw about 2 years ago and it really fu**ed my head. Never before seen such a sick and twisted thing. The Story is good and the actors do their thing very well. I haven't seen the UK or Japan version, but I have to say that I believe that the German DVD is a bit censored. If you haven't seen the movie already and live in Germany maybe you better look out for a DVD from the Nederlands or Austria. The I-ON DVD contains a lot of very hard and nasty scenes, but at the showdown I felt that something was missing, about one or two very short scenes.

All in all a good perverted movie with crazy characters and a high level of violence, that's what I like Miike for!!

This movie is the first of Miikes triad society trilogy, and the trilogy kicks of to a great start. The movies in the trilogy are only connected thematically, and these themes are actually apparent in all his films, if you look close enough. Shinjuku Triad Society is about a cop trying to prevent his kid brother from getting too involved with a rather extreme gang of outsiders, struggling their way to the top of Tokyos yakuza. The kid brother is a lawyer, and the triad gang is becoming increasingly in need of one, as the movie progresses. The movie takes place in a very harsh environment, and is therefore pretty violent and tough. Miike has done worse, but since this is a serious movie it hits you very hard. As usual there is also a lot of perverted sex, mostly homosexual in this one. The movie is in many ways a typical gangster movie, but with a great drive and true grittiness. If you've only seen Miikes far-out movies (Ichi the killer, Fudoh etc.) this is worth checking out since it is sort of a compromise between his aggressive over-the-top style displayed in those movies and his more serious side, as seen in the other films of the trilogy. And as always with Miike, there are at least two scenes in this that you'll NEVER forget (see it and figure out which ones for yourself).

8/10

A lot has been said about Shinjuku Triad Society as the first true "Miike" film and I thought this sort of description might have been a cliché. But, like all clichés, it is based on the truth. All the Miike trademarks are here, the violence, the black humour, the homosexuality, the taboo testing and the difficult to like central character. Shinjuku is however, one of Miike's most perfectly formed films. He says in an interview that if he made it again it would be different, but not necessarily better. I think what he means is that the film possesses a truly captivating energy and raw edge which seems so fresh that although he might be able to capture a more visually or technically complex movie he could not replicate or better the purity of this film.

As you might expect, the violence is utterly visceral, gushing blood and gritty beatings are supplemented by a fantastic scene in which a woman has a chair smashed over her face. (Only a Miike film could let you get away with a sentence like that.) The film has a fantastic pace, unlike Dead or Alive which begins and ends strongly and dips in the middle. Dead or Alive also deals with similar issues, Miike is clearly concerned about the relations between the Japanese and Chinese in the postwar period and this emotive subject is handled well here, the central character really coming to life when you begin to understand his past.

I cannot sing Shinjuku's praises enough. I do not want to give away too much. This is Miike before he began to use CGI to animate his films and is almost reminiscent of something like Kitano's Sonatine. The central characters are superbly realized and the final twist guarantees that as soon as the film has finished you'll be popping it back on again to work it all out.

I found this a bit hard to follow to the extent that it seemed to dip in the middle while I tried to make head or tail of who was fighting who and why. One of the problems is the cultural/language one. Here we have a Chinese/Taiwanese/Japanese problem of which we know little and because we are simply reading English subtitles inevitably loose some of the subtleties. Another problem is that there seem to be just too many only half explained twists and coincidences. Nevertheless, it seems unlikely that there is a wholly bad Miiki film and this certainly is not that. Plenty of stylish and bone crunching violence, a window upon some less than orthodox sexual goings on plus the family aspect. All in all a decent ride but maybe checking out the storyline might actually be helpful before watching this one. PLEASE SEE later re-appraisal 11/2/19

When I heard about Takashi Miike I thougt he was like Quentin Tarantino of Japan. Well, after this movie I realized he's more than that & these two directors are completely different. Also, if we consider some other movies by Miike, I don't think Tarantino could go that far about taboo subjects.

Movie: Tatsuhito Kiriya, a Japanese cop with Chinese descent trying to take care of his old parents while trying to either catch or eliminate a triad boss who's running the organ trafficking business and Kiriya also wants to keep his younger brother Yoshihito (who is a lawyer working for that gang's legal department) away from the underworld.

Now, this movie is definitely not for everyone. Violence and sexuality plays a big role and movie never shies away from using bizzare images, which can be uncomfortable to watch sometimes. Even the main character who supposed to represent the ''goodness'' isn't that much of a good person. In fact, there isn't a ''good guy'' in this film. It's about bad guys vs. worse guys, guns, beating and stuff. You shouldn't overthink it.

Note: Even though this movie is often mentioned as a Yakuza film, it's mostly about a Chinese triad.

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8/10