Prey for Rock & Roll

I was interested in this movie because of the "do your dreams have to die because you are over 40?" angle, but was completely blown away by the total quality of the movie. I'm not a huge rock fan so much (preferring jazz), but this movie made me a believer in the power of rock and I swear I am now going to regularly devour the entertainment listings in the "L.A. Weekly" with hopes of catching Cheri Lovedog (who wrote the autobiographical script) and I will be lining up at the Dragonfly or wherever with the rest of the explosive fans if she is still performing and I sure hope to God she is. Cheri--as you know better than most, dreams are eternal and age is a cipher. Maybe with this movie, you have made it like you deserve.

The music is hot and the women are even hotter--but there are no boundaries between the music and the women. Tender and tough all in the same package, those women are true stars. And these are no cookie-cutter characters, not by a long shot, and every single one of them is interesting to the max and were portrayed as not only very real, but people you have to care about despite how tough they come across--or maybe BECAUSE they are so tough, because no matter what life throws at them, they measure up to the challenge. They're fighters and survivors and I count that as an inspiring thing.

Probably my favorite character was "Faith," played by Lori Petty, although the entire cast was outstanding (and I have a tender place in my heart for Animal) but I have now firmly placed Gina Gershon at the head of the "sex is sex, I don't care which body parts you've got" list on which she was the charter member after her role in the movie "Bound". If I ever am asked why I won't explain whether I am gay or bi or whatever-the-hell, all I have to say is "Gina Gershon" and I hope that explains it all. This movie is the answer to so many questions I didn't even know I was asking. For those who love the power of music, for artists, for men and women, for the older and the younger, and for people everywhere just trying to love and to make it in life with as many pieces as possible, go see this film. I guess that includes everybody!

PREY FOR ROCK AND ROLL (2003) *** Gina Gershon, Drea da Matteo, Lori Petty, Shelly Cole, Marc Blucas, Ivan Martin, Eddie Driscoll, Greg Rikaart, Sandra Seacat, Ashley Drane, Joannah Portman. Highly energetic and scrappy depiction of women in rock and roll and the dreams that always seem within grasp even if it takes decades to achieve. Gershon (she also co-executive produced and sings and performs all her own original songs to boot) is the lead singer (think the love child of Iggy Pop and Joan Jett) of a woman's rocking band attempting to score a recording contract to a ticket to the big time but the usual melodramas of bad choices in boyfriends, drugs and life in general delay them despite their game camaraderie and love for one another. The autobiographical screenplay by rocker Cheri Lovedog (and Robin Whitehouse) shows the warts and all look at a tough industry with some tough cookies clawing their way to gain some respect for their artistry (and from within). Petty gives her best performance since `Point Break' while da Matteo and Cole provide enough sugar and spice to mix things up believeably. Great soundtrack and again Gershon (who I love) clearly shows her blood, sweat and tears in this personal project with her trademark ballsy yet vulnerable and sexy-as-hell aplomb; she shoots and scores! (Dir: Alex Steyermark)

I've always thought of punk rock as the most pure variant of what 'rock and roll' really is. Anarchy, chaos, pure violent emotion. Basically we are going to say what we came here to say and f*ck you if you don't like it.

In this film we are treated to those who would dare to devote some or all of their lives to the creation and perpetuation of this form of musical expression. We see how life and all its harsh realities are synthesized into musical form. This film is not a simple 'band chasing a contract stereotypical Hollywood rubbish' though I think that is how its marketers are trying to falsely spin it. This film is about each character and how they influence and are influenced by the music they create. Punk rock isn't pretty, thoughtless or safe music and the characters depicted in the film aren't either. We see both the humor and the tragedy that makes that humor possible in each of the characters lives (and there is plenty of each). Also, the lifestyle of those who choose to 'pray' at the alter of rock and roll pay a price. I think the double almost triple meaning of the title of the film says it all. Perhaps one really must suffer for ones art.

Basically, everything about the film is extremely well done from writing to the cast, direction, music, costumes, etc... Its obvious that this was a work of love for all involved. That being said this film isn't for everyone and there is plenty for people to hate and fear. If you're one of those unfortunate few who sympathize with the title of this review then you have more problems than I can help you with because Gina Gershon is hot no matter who she is kissing!

Overall Rating 9/10

oh, and f*ck you!

I like it, but dang- I was expecting just a fun punk rock movie, but instead got a movie that gets pretty dark and serious. And that ending nearly ruins it for me, but... well, all in all, it does still have a fun punk rock feel about it, so I can't hate it on the whole.

Worth noting is that the film's star, Gina Gershon was coached by real-life Rock star Joan Jett on how to properly play electric guitar, and if you really pay attention, you can see Joan's influence in her stance and mannerisms as-well. Also, the tie/rope necklace Gina wears throughout the film was given to her by Joan. That said, Gina's way of talking and other things about her say more Chrissie Hynde of The Pretenders to me (the Rock star Gina herself says she relates to more, in real life). All in all, it seems she basically channels a combo of the two.

The whole film is well-made and casted, and if it weren't for how depressing it gets, I would like it a lot more than I do, but I still like it. Besides, one thing a lot of people don't seem to realize is that this movie is loosely based on the real-life impressions and recollections of a woman named Cheri Lovedog during her time working in and around the music scene. And she who actually wrote the story for the film (so no, not based on Joan Jett as some of her fans joke). Thus, I guess the dark details needed to be in there for authenticity.

FYI- my girl Joan Jett was supposed to make an appearance in this film AND the guitar parts in the songs were supposed to be done by her on the soundtrack, but financial issues and disagreements between Joan's team and the movie's team meant that Joan dropped out and the idea for her cameo was abandoned, and her guitar parts replaced. Too bad too, cause there're some good songs in this movie.

"Prey for Rock and Roll" sticks B-movie diva Gershon in the spotlight of yet another B-flick as the lesbo lead of an all-girl small time club rock band. This slice-of-rock-life look at the aging rock musician almost works but can't seem to avoid those oh so very Hollywoodish excursions into lesbian sex, sex for drugs, rape, revenge, etc. More music and fewer gratuities and this could have been a reasonable representation of the plight of the aging rocker, the narcotic-like hold music has over the musician, and the trade-offs and sacrifices they make for their art. However, when all is said and done, "Prey..." plays out like just another B-flick wannabe. Recommended for rockers and Gershon fans. (C+)