Tierra de nadie

In a trench in Bosnia-Herzegovina, two Serbs are looking for Bosnian soldiers. They find one of them apparently dead, and one of the Serbs puts a fragmentation mine under his body. Ciki (Branko Djuric), another Bosnian soldier hidden in the trench, shoots at them. In the end, the apparently dead Bosnian soldier Cera (Filip Sovagovic) is indeed alive with a mine under his body, and Bosnian Ciki and the Serb Nino (Rene Bitorajac) are hurt and equally armed in an even situation. They decide to ask for help in a very peculiar way. The French UN soldier Marchand (Georges Siatidis) tries to help the men and disobeys his superiors order, using the journalist Jane Livingstone (Katrin Cartlidge) as a kind of scapegoat in a very uncommon situation. In the end, a circus is armed in the trench and nothing is resolved. Yesterday, I saw this excellent movie for the third time. In a surrealistic situation, the director Danis Tanovic offers the universe of this insane war using a few characters. It is very metaphoric and has a kind of black humor. We have two Bosnians and two Serbs, one of them having the sick idea of mining a dead body. The rage among the three survivors alternates with some dialogs about a common friend and who initiated the war. Indeed, they do not clearly know why they are fighting against each other, and the other soldiers are unable to identify who is who without wearing uniforms. The ridiculous, bureaucratic and hypocrite role of the UN in this war is explicitly demonstrated. Maybe this is the unique film that really touches the wound relative to the performance of UN in this war. The idealist soldier is unable to help whom needs and feels very frustrated when the situation is ended. The journalists trying to obtain a matter, but not taking care in investigating `the trench' a little further after achieving their objectives. `No Man's Land' is another excellent movie about the Bosnian war, inclusive an Oscar winner for Best Foreign Language Film in 2001, and highly recommended for any audience. If the reader likes this theme, I would like to suggest the excellent `Harrison's Flowers', `Vukovar', `Pretty Village, Pretty Flame', `Shot Through the Heart', `Welcome to Sarajevo' and `Savior'. My vote is nine.

Title (Brazil): `Terra de Ninguém' (`No Man's Land')

So much I have read, so much has been written about this academy award movie, but it's still somewhere in the dark. Any why is that?

Probably because it doesn't fit in the usual concept of a movie today. And that is: watch it, be amused and by tomorrow forget about it. Living in Croatia and understanding the war horror that occurred in former Yugoslavia isn't the only reason why I mark this film with a high grade. This film isn't just about tragedy in the Balcans. It's actually about human nature.

Although people that don't understand our language(s) might miss something that puts this movie in a special kind of humorous mood, the general concept always remains the same. It's a film about humanity. It's shows us how EVERY war is absurd, with only losers involved. Special feature of this movie is objectiveness...there is no usual bad guy-good guy classification..there are no pathetic tones we see everyday in a common war movie. the only thing present here is the reality of innocent people who were pushed to kill each other.

Remarkable! 9/10

The movie talks upon three soldiers , one Serbian and two Bosnian who are trapped in a trench amidst the contenders lines during Servia-Bosnia Herzegovina war in 1993 , at the time of the heaviest fighting between the two warring sides . One Bosnian finds himself unlucky hooked to a bomb that in movement case can cause blow-up .

It's a sour denounce facing the war realized with dark humor . There's a keen critic to the role of United Nations , ¨U.N.¨ , in which two soldiers from opposing sides in the conflict , become trapped in no man's land , whilst a third soldier becomes a living booby trap . The screenplay tackles issues about the war horror , morality and ethic but with notes of acute and sharp comedy developed in great sense of ductility and fairness . The story is nicely narrated in hight sensitivity and intelligence . It's a fascinating warlike film described in a serious-comic style . The flick obtained a well deserved Oscar winner for best foreign language picture . The film tries to remain neutral but appear Radovan Karazkic's images commanding the Sarajevo siege . The motion picture takes part of the Servian war subgenre , such as :¨Welcome to Sarajevo¨ or ¨Before the Rain¨ and other numerous films . The principal actors , although unknown , are excellent . The support cast is more known , thus shows up Katrin Aldridge who unfortunately dead recently by a stroke , she interprets an impulsive journalist . Simon Callow as an United Nations colonel is equally magnificent . The picture was finely directed by debuting Danis Tanovic (¨Tigers¨, "An Episode in the Life of an Iron Picker" , ¨Triage¨) who also wrote the screenplay and even the music . Rating : Above average . Well catching.

The story was set in the Yugoslavian civil war in the early 90's. One soldier from each side of the battle was trapped between the front lines of the two rivals. They cannot leave the trench because if they do, the army will fire and kill them. To make things worse, there was a third soldier who was placed on a landmine, which would explode when the pressure on the landmine is released (i.e. when he gets up from a lying down position).

This is such a sad story with plenty of extremely touching scenes. It provokes people to think that there are so many ridiculous things that people do to each other during wars. People think that by killing each other the problem can be solved. This is a highly upsetting idea. It also revealed the terrible bureaucracy of some organisations, which gives little regard for human life.

Although it portrayed that the two rival soldiers had a lot of anger and distrust between them, there are times that it showed that they are also human. The two of them talked and found out that there was a girl that they both knew. I think that they were living in the same country, and they were just like any other civilians, just like you and me. They could have been living the same type of life, and suddenly friends became enemies.

In this film there were no large scale battle scenes like in `Saving Private Ryan' or `Gallipoli'. However, this film is just as sad and emotionally provoking like any other outstanding anti-war movie. It tells people the absurdity of war, and how crazy people can be during war. I was very shocked to know that the soldiers in Yugoslavia really put landmines beneath bodies, so that when the bodies are cleared away, the landmine would explode and kill the dead man's friends and relatives. This behaviour is extremely sickening. The inventor of such landmines is also very disgusting. I wonder, how can people create such a sophisticated device, and use it in such a ruthless way to kill? I have always thought that, if these people who invent killing machines go to invent some other machines instead, maybe we would be living in the `future world' portrayed in the film already. Our technology would be more advanced than it is now.

However, nowadays the weapons are getting more complicated, advanced, deadly and destructive every day. It saddens me a lot, because I never understood why a war has to start. The most ironic thing is that, the man who decides to wage a war against another country is always unharmed, because he sits in his office and has a large team of army to protect him. He does not die in the war. But because of his decision, millions of young men have to die.

Though there is such a grave message behind this film, there is also a lighter side to it. There were a lot of scenes which are funny, and all the viewers laughed and clapped for the witty statements. For example, when the two soldiers were trapped in the trench, they were discussing which side did more war crimes. The soldier who got the gun won the argument, and the possession of the gun changed a few times. There was another scene which a soldier searched the pockets of a soldier whom he just killed, and found a picture of a naked man.

Another scene which everyone laughed was that, a soldier asked the soldier lying on the landmine if he was OK. The poor soldier replied 'Of course I am OK, I got shot, and then I was unconscious, and then woke up and found there is a landmine beneath me, and then the whole world is watching me, and then I want to go to toilet, and now I was greeted by rubbish statements from my friend'.

I hope this film would make people understand that wars are completely vile and barbaric, and no one would start a war again.

First of all, I think it's a shame that this film isn't listed under its Slovenian title 'Nikogarsnja zemlja'. Anyway, what we have here is quite an impressive piece of work. Danis Tanovic wrote and directed a debut that easily is one of the best films since the new Millennium. Seemly without trying, Tanovic succeeds in bringing what so many other directors desperately attempt and fail: namely a satirical attack on the absurdity and uselessness of war! But without losing grip on the suspenseful and credible story, an that's an extra achievement. The story is simple but efficient and stuffed with little ingenious findings and subtle sarcasm. No Man's Land involves three soldiers – two Bosnians and one Serb – trapped in a trench between the two fronts. One of the Bosnians is wounded and lying on a mine that will explode and kill everybody in a range of 50 metres. While he carefully tries not to move an inch, the other two soldiers are bickering about what side actually began the war. There's a group of UN soldiers trying to help them but these people are constantly facing obstacles, intrusive press people and obnoxious superiors that prevent them from saving the trapped soldiers. Tanovic sense of clever dialogue and his courage to openly condemn the situation in his homeland make this one of the most admirable films of the last few decades. I'm really really glad that this No Man's Land won the Academy Award for best foreign language film over that dreadfully over-hyped 'Le fabuleux destin d'Amélie Poulain'. One of the best choices the Academy ever made!