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IMDbPro

Déjame vivir

Título original: White Oleander
  • 2002
  • B
  • 1h 49min
CALIFICACIÓN DE IMDb
7.1/10
35 k
TU CALIFICACIÓN
Michelle Pfeiffer, Renée Zellweger, Robin Wright, and Alison Lohman in Déjame vivir (2002)
Trailer
Reproducir trailer0:31
9 videos
72 fotos
DramaLa mayoría de edad

El viaje de una adolescente a través de numerosos hogares de acogida después de que su madre entre en prisión por un crimen pasional.El viaje de una adolescente a través de numerosos hogares de acogida después de que su madre entre en prisión por un crimen pasional.El viaje de una adolescente a través de numerosos hogares de acogida después de que su madre entre en prisión por un crimen pasional.

  • Dirección
    • Peter Kosminsky
  • Guionistas
    • Janet Fitch
    • Mary Agnes Donoghue
  • Elenco
    • Michelle Pfeiffer
    • Renée Zellweger
    • Robin Wright
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    35 k
    TU CALIFICACIÓN
    • Dirección
      • Peter Kosminsky
    • Guionistas
      • Janet Fitch
      • Mary Agnes Donoghue
    • Elenco
      • Michelle Pfeiffer
      • Renée Zellweger
      • Robin Wright
    • 180Opiniones de los usuarios
    • 72Opiniones de los críticos
    • 61Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 7 nominaciones en total

    Videos9

    White Oleander
    Trailer 0:31
    White Oleander
    White Oleander Scene: This Is Starr Thomas
    Clip 0:56
    White Oleander Scene: This Is Starr Thomas
    White Oleander Scene: This Is Starr Thomas
    Clip 0:56
    White Oleander Scene: This Is Starr Thomas
    White Oleander Scene: I Won't Bite
    Clip 1:20
    White Oleander Scene: I Won't Bite
    White Oleander Scene: First Time In Mac?
    Clip 1:12
    White Oleander Scene: First Time In Mac?
    White Oleander Scene: Additional Scenes
    Clip 1:03
    White Oleander Scene: Additional Scenes
    White Oleander Scene: How Long Has My Mother Been Writing You?
    Clip 1:05
    White Oleander Scene: How Long Has My Mother Been Writing You?

    Fotos72

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    + 66
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    Elenco principal62

    Editar
    Michelle Pfeiffer
    Michelle Pfeiffer
    • Ingrid Magnussen
    Renée Zellweger
    Renée Zellweger
    • Claire Richards
    Robin Wright
    Robin Wright
    • Starr
    • (as Robin Wright Penn)
    Alison Lohman
    Alison Lohman
    • Astrid Magnussen
    Amy Aquino
    Amy Aquino
    • Miss Martinez
    John Billingsley
    John Billingsley
    • Paramedic
    Elisa Bocanegra
    Elisa Bocanegra
    • Girl in Fight
    Darlene Bohorquez
    • Prisoner
    Solomon Burke Jr.
    Solomon Burke Jr.
    • Guard
    Scott Allan Campbell
    • Bill Greenway
    Sam Catlin
    Sam Catlin
    • Teacher
    Debra Christofferson
    Debra Christofferson
    • Marlena
    Billy Connolly
    Billy Connolly
    • Barry Kolker
    Marc Donato
    Marc Donato
    • Davey Thomas
    Svetlana Efremova
    Svetlana Efremova
    • Rena Gruschenka
    Patrick Fugit
    Patrick Fugit
    • Paul Trout
    Vernon Haas
    • Guard
    Sean Happy
    • Dirt Bike Boyfriend
    • Dirección
      • Peter Kosminsky
    • Guionistas
      • Janet Fitch
      • Mary Agnes Donoghue
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios180

    7.135.2K
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    Opiniones destacadas

    8ferguson-6

    Pfabulous Pfeiffer

    Greetings again from the darkness. Based on the terrific novel of the same name, director Peter Kosminsky's film version of "White Oleander" is quite powerful, yet at times, hollow and choppy. Due to the intricate details of the book, this is somewhat expected, however, as filmgoers, we do not get the full impact of the three years in Astrid's life. Stunning performances by Michelle Pfeiffer and Alison Lohman give the film its power. Their scenes together are as painful for us as for them. Pfeiffer, the most beautiful convict one will ever encounter, shoots a couple of "evil eyes" that are pure genius. She is truly a cobra - don't get too close. I really think Alison Lohman's performance is one of the best I have seen in a while. Touching, heart-breaking, independent, distant and loving, she longs for someone to trust. When she does find her soul mate, she fights the urge, assuming they will somehow disappoint each other. The movie is told through the episodes of each of her foster homes and her struggles to make them work. Robin Wright ("The Princess Bride") plays a sexy, desparate born-again Christian, who mistrusts Astrid, but needs the state funds. Rene Zellweger is fantastic as the broken, no self esteem, wanna-be actress who is desperate for companionship and finds it in Astrid. This is another of Astrids heartbreaking relationships and nearly turns her against the world. Patrick Fugit ("Almost Famous") offers a nice turn as the one who provides the out for Astrid. Subtlety abounds in his performance. Don't miss Billy Connally as the recepient of the flower in the title. Keep an eye out for future films with Alison Lohman - she shows much of the fine acting abilities of Jena Malone. These two should be fun to watch for years.
    8Puppet_Master

    Superb film version of a fine novel

    Strong performances by Lohman, Penn, Zellweger and especially Michelle Pfeiffer in a faithful adaptation of Janet Fitch's novel. Not hard to see why this one didn't attract more attention in theaters, since it lacks the ingredients that seem to characterize hit films nowadays -- such as action, violence, sex and stunning special effects. It's just a very moving story, well-crafted and well-acted. I'd recommend it to anyone.
    jessied

    light review of weighty material

    The white oleander looks beautiful but its poison kills. Social service agencies take children from their abusive parents but place them in homes and institutions where violence reigns. Ingrid Magnussen (Michelle Pfeiffer) puts her daughter, Astrid (Alison Lohman), in the center of her artwork but pushes her to the perimeter of her reality. Life is a contradiction in which nothing is purely good or purely evil.

    White Oleander is a story about life's contradictions and the complexities of control, power, loneliness, betrayal, loyalty, and love. Janet Fitch won rave reviews in 2000 for this novel; screenwriter Mary Agnes Donoghue did not match Fitch's brilliance, but turned a weighty narrative-both in terms of content and size-into an admirable film blueprint.

    Director Peter Kosminsky and accomplished actresses Pfeiffer, Robin Wright Penn, Renée Zellweger, and newcomer Lohman used this blueprint to create a gripping film that both readers and nonreaders of the original text will appreciate.

    Pfeiffer is as cool and controlling as she is stunning even in prison garb, and her mastery of personality subtleties deserves acclaim. Audiences will hate the character because she is too smart, too manipulative, and too real.

    And anticipate an Oscar-worthy breakthrough performance from Lohman. She shines in her portrayal of a daughter who worships her mother until she realizes the superficial nature of her beauty and the cruelty of her heart. Ingrid Magnussen is not as perfect as she thinks, and her love is as poisonous as the white oleander.

    Stereotypes cheapen some of the film's richness and choices made to avoid an `R' rating sap some of its strength, but overall the film is as compelling as its sad and truthful characters.
    secordman

    If you enjoyed the book, look out.

    White Oleander was a great book, but there are a few nagging omissions in the movie. For some reason, Michelle Pfeiffer is an artist and not a poet in the movie (was the focus group confused?) Noah Wyle's character's name changed from Ron to Mark for some unknown reason.

    More importantly, so much was left out of the movie. Before Alison Lohman's character goes to Claire's place (Zellwegger's), she endures lots more than what the movie shows. There is zero mention of the Van Nuys house with the racist foster mom, the black woman next door, the next place which was the Argentinian woman who had a padlock on the fridge etc.. In the book, Claire's place was like an oasis of peace and tranquility, and love. This did not come through the way it should have. Claire was just a short episode in the movie too, which was wrong.

    On the plus side the acting was great, Pfeiffer; beautiful but with that dagger glare; Wright Penn as the white trash hypocrite; Renee as the insecure actress and Alison Lohman as a girl going through foster homes and living in her own prison. Good enough movie if you haven't read the book, but a letdown for me.
    JohnDeSando

    It's been a while since I've seen as good a job at depicting the effects of a strong but flawed mother on her strong but impressionable daughter.

    "White Oleander," adapted from Janet Fitch's best-selling novel, is hard and edgy about the bond between single mother and daughter, letting us see the reality of a strong artistic mother (Michelle Pfeiffer) tyrannizing her gifted daughter (Alison Lohman). After murdering her lover, mom goes to prison and daughter goes on an odyssey of self discovery in foster families, reminiscent of Burt Lancaster's episodic journey in John Cheever's `The Swimmer.'

    In the first home, Robin Wright Penn's fundamental Christian presides over a frenetic household but reveals the sweet chaos of people who really love each other. In the next home, vulnerable actress, foster mom Renee Zellweger brings intimate caring to Lohman at an emotional price. Russian rag picker Svetlana Efremova brings hard-nosed business into Lohman's sights to complete an education of survival. Lohman finds loving understanding with Patrick Fugit, another artist in her life, but one without an agenda.

    It's been a while since I've seen as good a job at depicting the effects of a strong but flawed mother on her strong but impressionable daughter. `Divine Secrets of the Ya-Ya Sisterhood' tried with Ellen Burstyn as mother and Sandra Bullock as daughter, but the film failed to engage beyond a few shouts and eccentric southerners. `Oleander' has a brilliant artist manipulator teaching her daughter to be independent, even cold, to survive, yet the daughter has a need to be loved that draws her to older men, Christianity, and rebellion. Her psychic search for her absent father serves only to exacerbate the matter.

    Pfeiffer does her best work here-- beautiful even in prison, she plays an ugly soul capable of the worst emotional tyranny over her sensitive, intelligent daughter, played with heart-breaking insight by Lohman. I was pleased with Kirsten Dunst last year in "crazy/beautiful." Just substitute Alison Lohman this year.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Alison Lohman wore a wig because she was bald throughout this movie, as she had just previously filmed a role as a cancer patient.
    • Errores
      When Astrid, Starr, and Carolee are driving to go get clothes, Starr refers to the reverend of their church as "Reverend Thomas." However, in every other scene before and after this, the reverend is referred to as "Reverend Daniels." Perhaps his name is Thomas Daniels.
    • Citas

      Ingrid: Don't attach yourself to anyone who shows you the least bit of attention because you're lonely. Loneliness is the human condition. No one is ever going to fill that space. The best you can do is know yourself... know what you want.

    • Versiones alternativas
      Additional scenes featured on the DVD release that is not from the final print:
      • A scene where Astrid defends her brother (in the first foster home) after Starr beats him up.
      • A scene immediately after featuring Astrid and her brother (still in the first foster home) lying to the parademic asking how he broke his arm.
      • A scene where Claire can't decide which cereal they want to eat for breakfast and makes Astrid choose one.
      • A scene featuring Claire and Astrid riding home in the car after visiting Ingrid (Michelle Pfeiffer). Claire tells Astrid what Ingrid told her.
      • A scene where Astrid is drawing Claire's picture and Mark asking Astrid if she took his pen.
      • A scene where Astrid leaves to go back to Mac. Mark asks Astrid if she wants to go to Claire's funeral in which she declines to. He then gives her a lot of money before getting to the van.
    • Conexiones
      Featured in HBO First Look: The Journey of 'White Oleander' (2002)
    • Bandas sonoras
      Melissa's Dream
      Written by Earl Rose

      Performed by Earl Rose

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    Preguntas Frecuentes

    • How long is White Oleander?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 6 de diciembre de 2002 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Warner Bros.
    • Idiomas
      • Inglés
      • Ruso
    • También se conoce como
      • White Oleander
    • Locaciones de filmación
      • Santa Clarita, California, Estados Unidos
    • Productoras
      • Warner Bros.
      • Gaylord Films
      • John Wells Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 16,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 16,357,770
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 5,607,480
      • 13 oct 2002
    • Total a nivel mundial
      • USD 21,672,284
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 49 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 1.85 : 1

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