CALIFICACIÓN DE IMDb
6.1/10
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TU CALIFICACIÓN
Larry Cook, el patriarca de una gran familia, posee una extensa y fértil propiedad agrícola. Cuando decide repartirla entre sus tres hijas, la semilla de la discordia divide a la familia. In... Leer todoLarry Cook, el patriarca de una gran familia, posee una extensa y fértil propiedad agrícola. Cuando decide repartirla entre sus tres hijas, la semilla de la discordia divide a la familia. Inspirada en Rey Lear de Shakespeare.Larry Cook, el patriarca de una gran familia, posee una extensa y fértil propiedad agrícola. Cuando decide repartirla entre sus tres hijas, la semilla de la discordia divide a la familia. Inspirada en Rey Lear de Shakespeare.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A Jane Smiley novel, loosely based on Shakespeare's KING LEAR about the Cook family and its dark secrets. Director Moorhouse seems tamed in her approach, allowing the characters to step forward and take a bow. And how could you go wrong with the talents of Pfeiffer, Lange, Leigh, Firth, Carradine and Robards?
Given the way the film begins - lots of slow tracking shots of the thousand acres - I expected this to be a dull but worthy effort only brightened by Michelle Pfeiffer (the reason I bought the tape). To an extent this was true - Pfeiffer's character was by far the most interesting. Her anger throughout, although utterly justified, carried an air of self-destruction and manipulation that made the story most watchable. There were points when I wondered if the film was going to miss any tragedian tricks (perhaps I mean soap opera headlines: death, abandonment, loss with no true deliverance, etc), but it was the believability of Pfeiffer and the ugly familiness achieved by the rest of the cast that carried it, showing peaks of humanity through the weight of the film's atmosphere.
A Thousand Acres (1997:***) This sober drama lasted about a week in theaters and was dismissed as dreary soap opera by most critics. There are echoes of "King Lear" in the story of a wealthy farmer who decides to divide his estate among his three daughters. But I thought the reviews overestimated the extent to which the story uses the Lear parallels. It's just a catalyst for a strong drama of family conflicts and repressed memories coming to the fore that soon goes its own way. There are some script problems: the youngest daughter's loyalty to her cruel father seems quite inexplicable, and as a lawyer you would think she'd know better than to put a hopelessly senile person on the witness stand. The fine cast does pretty well, especially Jessica Lange and Michelle Pfeiffer, although as usual Jennifer Jason Leigh is barely adequate as the youngest sister. Maybe watching this on a stormy Sunday night helped put me in the mood, but I rather enjoyed this one.
This movie was absolutely wonderful. To tell you the truth, I wasn't very excited about having to watch this movie; I didn't see it as being my type, but that just proves that you can't judge a book by it's cover. Jessica Lange and Michelle Pheiffer brought the plot to life with their incredible acting abilities. I'm glad Jennifer Jason Leigh didn't have a big part though, as I am not too fond of her. There is a surprise about the father in the movie too, if you have not yet seen it. It is a wonderful film, and I recommend seeing it.
'A Thousand Acres' is one of the best books I've ever read and one of the worst movies I've ever seen, so obviously something was lost in the adaptation. On-set reports claimed that the director was trying to change the story radically while stars Lange and Pfeiffer attempted to keep it closer to the book. The director seems to have won out.
It's really a shame, because you couldn't ask for a better cast to bring 'Acres' to life. Jason Robards is dead-on as Larry, the psychologically damaged patriarch, and Lange, Pfeiffer, and Leigh have great chemistry as the three sisters. But good actors need good lines, and the screenplay doesn't give them any. The approach taken by the writer and director toward adapting Jane Smiley's brilliant, Pulitzer-prize winning novel seems to have been to simply stick all the dramatic, important scenes together and leave out the nuances and character development that made the story so special.
In fairness, 'Acres' couldn't have been easy to adapt; it has more than enough scope to make a movie trilogy or an entire series of television. Perhaps it was a mistake, then, to try to keep the beginning, middle and end essentially the same as the book. This approach shows us all the effects and none of the causes. Especially confusing is the scant 105 minute running time, which is only slightly longer than your average Adam Sandler movie. If the director and studio had been willing to make this a 3-hour film, it might have had a chance. As it stands, the movie plays like a highlight reel of the book, and that's not enough to involve the viewer emotionally.
'A Thousand Acres' is a fantastic story, though the movie would try hard to convince you otherwise. Pick up the book and see for yourself.
It's really a shame, because you couldn't ask for a better cast to bring 'Acres' to life. Jason Robards is dead-on as Larry, the psychologically damaged patriarch, and Lange, Pfeiffer, and Leigh have great chemistry as the three sisters. But good actors need good lines, and the screenplay doesn't give them any. The approach taken by the writer and director toward adapting Jane Smiley's brilliant, Pulitzer-prize winning novel seems to have been to simply stick all the dramatic, important scenes together and leave out the nuances and character development that made the story so special.
In fairness, 'Acres' couldn't have been easy to adapt; it has more than enough scope to make a movie trilogy or an entire series of television. Perhaps it was a mistake, then, to try to keep the beginning, middle and end essentially the same as the book. This approach shows us all the effects and none of the causes. Especially confusing is the scant 105 minute running time, which is only slightly longer than your average Adam Sandler movie. If the director and studio had been willing to make this a 3-hour film, it might have had a chance. As it stands, the movie plays like a highlight reel of the book, and that's not enough to involve the viewer emotionally.
'A Thousand Acres' is a fantastic story, though the movie would try hard to convince you otherwise. Pick up the book and see for yourself.
¿Sabías que…?
- TriviaAccording to an article in Premiere Magazine 1997, all extras had to sign an agreement promising not to attempt to approach or speak to actresses Michelle Pfeiffer or Jessica Lange.
- ErroresThe film is set in Iowa but there is a State of Illinois certification sticker on the church kitchen-window frame.
- Bandas sonorasHarleys & Horses
Written by Ron Keel, Hal Michael Monti and Ralph Borchert
Performed by Ron Keel
Courtesy of MasterSource
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- How long is A Thousand Acres?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- A Thousand Acres
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 28,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,936,780
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,931,762
- 21 sep 1997
- Total a nivel mundial
- USD 7,936,780
- Tiempo de ejecución
- 1h 45min(105 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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