Una vida en siet días

I wouldn't watch this movie.

I gotta start off by saying that I'm still not sure if Jolie's character was a brunette or a blonde naturally. All the "young Jolie" pictures show her blonde (I thought) but she's obviously not a natural blonde.

Honestly, when I leave a movie that's supposed to make me re-evaluate my life and what it means to live (like American Beauty did) and the only thing I can think about is the hair color of the star I think the movie failed. Sure, it wasn't too hard to watch and it worked out well as a Saturday afternoon hang-out w/ the lady-friend flick, but w/ Jolie I was really hoping this movie would fulfill its promise and be the engaging, interesting, thought-provoking film that it could be. Instead we see very strong similarities to American Beauty w/ a little "To Die For" thrown in for good measure and a helpin' heapin' of a John Cusack film (doesn't really matter which)

What really bugs me about this film though is that I really thought the cast was great. They were so believable (well, except for Jolie's hair, which really is a character in its own right) and their performances were so strong that as I look back on the film I really don't understand where it went wrong...maybe it tried to hard at the end, maybe all the logic fell apart just to bring about the thrilling climax, maybe it felt too much like a parody of tv news to also be the love story/life lesson that it also sought to be. Sure parodies can have morals and realistic love stories but this one doesn't.

I wouldn't avoid this film, but I wouldn't seek it out either.

Nothing like real life! Fancy directorial touches--and Angelina Jolie looking sexy in a Marilyn Monroe platinum 'do--cannot save innocuous, superficial film about a TV news-anchor being told she will die in a week by a street psychic with an impeccable record. Romantic side-plot between Jolie and cameraman Ed Burns never heats up, although Jolie is quite an intriguing presence all on her own (her performance is generally uneven, but her beautiful face is always worth reading). Has a few strong scenes, and an interesting supporting performance from Stockard Channing as a Barbara Walters-type, however the script doesn't dig very deep. **1/2 from ****

I enjoyed this movie, thanks in large part to the fact that I saw it on FX channel, on their "DVD on TV" movie night, where those two hosts (can't remember their names...) give you supplementary facts and other commentary about the movie during the commercial breaks.

The story was actually fairly engrossing: Angelina Jolie's character (Lanie Kerrigan), who is a news reporter, is told by some strange street prophet, Jack (played by Tony Shaloub), that she will die in a week. The story unfolds as she proceeds to live her rather hectic, self-absorbed life interspersed with romance, a somewhat strained relationship with her father and sister, and the ever-present wonderment as to whether Jack the Prophet will be correct in his prophecy that Lanie will in fact die in a week. In other words, the movie does manage to keep you on the hook right up to the very end. (The ending was a bit lame, but still had a good message if you care to adjust yourself to it.)

Jolie's character, Lanie, is interesting, because if you watch the movie more than once, you will most likely start to be intrigued by her appearance: the platinum blonde hair, the puffy lips, the expressive eyes, the makeup.... you might start to think she resembles Marilyn Monroe, or, you may just write her off as a woman who actually looks a bit like an attractive transvestite(!). But no matter, because whether you like Angelina Jolie or not, you can't help but be a bit intrigued by the appearance of her character, which is kind of "out there" for Jolie. One potential problem, though, is that she is possibly TOO out there, to the point where she may distract the viewer from seeing the message of the movie

Tony Shaloub's character, Jack the Prophet, is very well portrayed by Mr. Shaloub. He's lovably wacko, and plus he has some pretty funny lines in spite of his plight in life. I like the Ed Burns character, Pete, because he reflects reality, whereas Jolie's character is kind of too unreal, but still fun to watch.

I liked the setting of the movie, Seattle, since I live in Seattle. For those of us who live in the rainy city, it's fun to see an interesting movie that takes place in our environs. They also used actual news people from a local Seattle TV station, so it was kind of fun to see people whom I've been seeing on the local nightly news actually appear in a Hollywood movie. They changed their real names, though, which was kind of weird.

There were a few things I didn't like about the movie, the main one being that Lanie, who works as a modern-day TV reporter, comes across to me as just way too much of a sex-pot, I mean just way outside the realm of reality. It gets to be jarring after awhile to see such a sexy creature being passed off as a news reporter when we all KNOW that no modern local news station would put such a pouty, platinum-haired blonde on the air (....or WOULD they??? as Conan O'Brien would say.) But mainly I liked the movie, and it was actually worth a repeat viewing, as it kind of grows on you, and ultimately makes you THINK about your own life, your own values, your personal destiny, etc. BTW, there's a pretty good batch of songs that accompanied the movie too, though I don't believe there is an actual soundtrack available, so you will probably have to hunt down each song individually.

All in all an interesting movie, with a message worth pondering - if you can get past the steady distraction of the appearance of Angelina Jolie, of course.

Well, that's my review. You guys have been a great audience, thanks for listening!

A reporter, Lanie Kerrigan, interviews a psychic homeless man (Shalhoub) for a fluff piece about a football game's score. Instead, he tells her that her life has no meaning, and is going to end in just a few days.

The moral of this story has been told ever single time from "It's a Wonderful Life", to "Last Holiday", even to "Click". Each of these movies have always won me over because I love moral stories and I certainly love this movie!

Sure, you've seen this so many times before. Sure, it's filled with clichéd, Sure, it's predictable what's going to happen before it happens. But it's a feel good movie. It puts a smile on your face when it ends. Don't go on the movie too hard.

I loved the performance by Angelina Jolie. The supporting characters give us some laughs along the way, although the film isn't too funny but more like a drama. I like the score for the film. I liked the film a lot but not as much as I thought it would be. Still, it was a pretty good film if you like moral movies. "Live everyday like it will be your last."

`Life, or Something Like It' is a romantic comedy with a better-than-average premise. It attempts to address the question `if you suddenly discovered that you might only have a week more to live, how would you spend that remaining time and what changes would you make to your life?' Perhaps because this IS a romantic comedy, the best the film can manage to do within the tight strictures of the format is to raise a few of the more provocative issues surrounding the theme – those dealing with the meaning of life and the vagaries of fate, for example – then drop them so it can address itself to the customary clichés one would expect to find in a film of this genre. One only wonders how a more serious-minded European filmmaker, for instance, might have tackled the same subject matter.

Angelina Jolie plays a beautiful, but thoroughly superficial and self-absorbed TV news reporter living a near-perfect life in Seattle. Indeed, when we first meet her, Lanie Kerigan seems to have everything going for her: stunning good looks, a glamorous profession, a handsome major league ballplayer fiancé, and now a major career advancement in the form of a regular spot on a national morning news program. One day, however, her world comes crashing in when she meets up with a homeless man on the street, a self-styled `prophet of God' who tells Lanie that she will die within a week. When all his other predictions begin to come true, Lanie realizes that this man may not be quite the lunatic or charlatan all her friends and acquaintances keep assuring her he is.

Given this setup, `Life, or Something Like It' can't help but grab our attention. We wonder how we too would react if such a horrifying scenario were to suddenly present itself in our own lives. The problem is that the movie doesn't really do much with the material it has to work with. Nothing Lanie does seems particularly thoughtful or meaningful when she is confronted with potentially imminent death: indulging in some halfhearted attempts to reconcile herself with an estranged sister and father, giving up her health-obsessive diet and exercise regimen, and dumping the fiancé with whom she discovers she has nothing in common. Considering the thematic potential of this material, the film always seems to be lagging several intellectual beats behind where it should be. This is particularly true in the predictable love/hate relationship she shares with Pete, one of her cameraman coworkers. Yet, oddly enough, it is this very pairing of Jolie with Edward Burns that gives the film its moments of greatest charm. Both performers are so likeable in their understated warmth and vulnerability that we can't help liking and rooting for their two endearing characters. Paradoxically, then, the film satisfies us most when it is at its least innovative. The movie is at its worst in an embarrassingly unconvincing scene wherein a boozed-up Lanie, sans makeup and carefully groomed coiffure, leads a contingent of striking workers in a rendition of `Satisfaction' in the middle of a live TV interview. Cloying moments like these merely serve to remind us that we are stranded in movie fantasy land when the film could, with a little more effort, have ascended to a much higher level. (The film, incidentally, endorses a rather reactionary view of women in the workplace, arguing that a woman needs to consider whether achieving success in the corporate world is worth sacrificing a chance at achieving marital and familial happiness – a quandary that never seems to be posed to male characters in movies).

Despite the fact that it has moments of quality and charm, the film, ultimately, feels like a case of lost opportunity. One finds oneself leaving the theatre in a state of frustrating ambivalence: acknowledging that the film works on a level of superficial entertainment but knowing that, with a little more depth and insight, it could have amounted to so much more.