Todo corazón

This is an intimate film. Basically a love story set in the political wreckage after the attack on the World Trade Center. As such, we don't get much detail about the different factions in Pakistan or who is "good" or "bad." It's the story of a couple who find themselves being used by terrorists and whether it is mere coincidence because they are Westerners or whether more specific points are being made because Daniel Pearl is Jewish aren't really explored, a wide variety of explanations are offered. Instead, as a backdrop to the suspense and the couple's relationship, we get a visual poem of life in Islamabad and Karachi, which I found beautiful, fascinating and more than just a little frightening. These are not cities for people with claustrophobia.

With the story beginning the day of Daniel Pearl's kidnapping, his character is fleshed out only through flashback or what others say about him, as well as the devotion of all who search to rescue him. I doubt few will go to this film without knowing the outcome. I suppose some fans of Ms. Jolie might attend and find themselves unaware of the events portrayed in the movie. So Winterbottom has his work cut out for him since most in the audience know the conclusion.

As Mariane Pearl, Angelina Jolie gives a remarkable, restrained performance. Her face is a mask and emotion is communicated almost exclusively through her eyes. It's the gift of a remarkable talent for the screen. I don't know how anyone could have been better. Others in the cast, too, are notable: Archie Panjabi holds her own with Jolie whenever they're together on the screen. It's a particularly complicated role since she becomes the target of the Pakistani press as the reason for Pearl's abduction, and her guilt, bafflement and frustration give the film added suspense. And Irfan Khan, the pivotal Pakistani investigator—in a role that could have been clichéd—brings an urgency to his character that earned my sympathy for succeeding in what must have been an impossible task. The film opens with Mariane Pearl describing Karachi as the World's second largest city and her husband was trying to meet with one man…how impossible it must be to find a single person in such a large place. That proves prophetic as Irfan Kahn then has to find Daniel Pearl.

The growing alarm of the first night of Pearl's abduction is particularly well done by both the director and actors.

I'm a little shocked by others' comment here that the Pearl's shouldn't have been "doing what they were doing" or because they put themselves in a dangerous situation we should somehow feel less sympathetic. I'm ashamed that such comments could be made in the face of this tragedy.

I just saw this film and I really liked. The story is very well told from the point of view of a professional journalist who has to experience with integrity and courage the whole process of losing her husband. I think Angelina Jolie makes AN EXCELLENT JOB. Many times I forgot was the sexy actress, and reminded me several great parts she have achieved in her career, including an Academy award. There is not any importance or relevance that she is a white woman developing an African woman... She is an actress. Until when we are going to play with racial issue. In many countries Hamlet is not from Denmark or Othello is not always a black actor, or Don Giovanni is not an Italian. The directing and several acting in this film are great. And the development of the film showing constantly the misery of this country to understand better their political situation and fanaticism.

It;s very comfortable to enjoy this film and going out in cities where we have so much comforts. I connected with Marianne Pearl, I felt I was with her watching her experience.

Essentially what we have here is a pretty well done, seemingly step by step account of the investigation into the kidnapping of Wall Street Journal reporter Daniel Pearl in 2002, which of course ended with his tragic murder. It is not without weaknesses. Primarily, watching close to two hours about an investigation that doesn't seem to be going anywhere and eventually accomplishes nothing gets a bit dry after a while - especially because we know how this is going to end. There comes a point when you just want to fast forward through it to the end. Having said that, the strengths definitely outweigh the weaknesses.

Director Michael Winterbottom does a pretty good job of establishing atmosphere. From the very beginning, the chaotic nature of Karachi sets a foreboding tone to the movie, and, although I sometimes find archival footage in movies to be of little use, in "A Mighty Heart" I thought Winterbottom did a pretty good job of blending the archival stuff (particularly clips of Colin Powell and Pervez Musharaff) into the story. Throughout the movie the viewer wonders how Pearl's murder is going to be portrayed, and, again, kudos to Winterbottom. In fact, and thankfully, the murder isn't portrayed at all. What we see are the reactions of those who see the video for the first time and their reactions to the ghastly scene on the tape is sufficient to establish what happened. There was (to me at least) an interesting scene that lasted only a couple of minutes dealing with a typical "ugly American" female FBI agent, who bursts into the Pearl home, ignores the Pakistani authorities, tries to take charge and orders the room "cleared" because she gets a phone call she wants no one else to hear. She disappears immediately after this scene and was never seen again. I just for some reason found it rather typical of how I would expect U.S. authorities to act in a foreign country, and her portrayal was, of course, balanced by the very sympathetic portrayal of the kindhearted Randall Bennett (Will Randall) - an official from the U.S. Embassy who provides great support to Mariane Pearl.

Angelina Jolie was, I understand, a bit of a controversial choice for the part (largely for ethnic reasons) but she put on an excellent performance as Mariane, hopelessly lost in the situation, pregnant with Daniel's baby and totally dependent on others to try to save her husband. Her reaction to the news of Daniel's death was raw with emotion. Ethnic controversy aside, no one can deny that Jolie was superb in this role. Her performance and Winterbottom's direction make the movie worthwhile. 8/10

Michael Winterbottom brings us the true story of Daniel Pearl (Dan Futterman). It's January 2002, the Wall Street Journal reporter was captured by terrorists when he arranged an interview with a fundamentalist cleric. His wife Mariane (Angelina Jolie) immediately initiates a frantic search.

Two things stand out in this movie. The eerie realism and the scary setting this movie exists in. The Pakistani part of the movie is especially stunning. You can almost feel the energy coming from the streets. The second is Angelina Jolie. She really transform herself, and shows that she is a real actress with skills.

Taking away how others may view the Pearle's story and the question of whether or not the family should have been there in the first place, the story was excellent in conveying the emotions felt throughout the whole search of Daniel. Those who are opposed to the purpose of Daniel Pearle being there after 9/11 even with other journalists vacating will only enter and leave the theater wondering if Mariane is trying to give more credit to her husband then what people expect. It's important to walk into this movie with an open mind so that the story will be more real. Major kudos to the creators of this film for bringing a new view on a part of American history that seemed so easily cast aside.