Amy's Orgasm

For me, what "Amelie" was to Paris, "Amy" is to Los Angeles. Amy"s O is a witty, well conceived and acted presentation and resolution (the cop-out ending!) of a feminist argument, alive with larger than life characters, each contributing a perspective on the argument, which is of course, maintaining female self esteem in a traditional relationship. The best of this genre - funny and intellectually satisfying - 9/10

In the context of grand cinema, "Amy's Orgasm" is a zit. However, in the context of romcom fare, this flick is somewhere around the middle of a very large heap. A naive but lively Niagara of prattling about the usual stock love vs sex stuff we've all seen before, "Amy's O" does little to distinguish itself and will probably play best with teen females at sleep-overs because of the in-your-face vulgarities, sexual emphasis, and obvious girl power bent. Passable stuff for the public at large, "Amy's O" is a marginal though worthy effort for a relatively young auteur who apparently put this flick together almost single handedly. (C)

I really liked this film. As a man, I am sure that this was driven by the fact that Julie Davis is a hottie who wore very sexy clothing. I also enjoyed the several hot sex scenes. (Face it. Isn't this one reason that Sex and The City is so popular.)

This really was the kind of movie that a man a woman watch right before they have sex. This isn't a bad thing.

This movie was supposed to be wierd in the first place. The confessions to a horny priest, the shooting, the voices yammering in her head where designed to be quirky. Rather than analyse the heck out of the movie, I just let it be what it was.

I have heard that this is an ultra low budget film. Yet, the quality of the shooting seems very good.

I also liked the fact that Julie David didn't go for some super smooth skinned beauty to play the part. She looked like a real woman and therefore, was irresistable.

Romantic comedies of today tend to be mindless and cute and sappy anyways. So the ending of the film was status quo.

I recommend it.

I thought this movie reminded me of a lot of young women I know who are insecure about love, men, their bodies, their minds, even though they may be bright and attractive. It is a breath of fresh air to see a young woman poke fun of the way that we tend to over analyze things such as sex, the long awaited "phone call the day after," over thinking everything, and who or what holds the right answers to all of our questions about love, life, and relationships.

I am sure if you polled intelligent, 20 something female college grads with good heads on their shoulders, they would find this movie amusing. Nice to see a movie that is not about the perfect in every-way girl finding the perfect in every-way prince charming.

There are many engaging and titillating sequences in this low-budget production that is written, stars, is directed by, and co-produced by Julie Davis. But, it is as uneven and ultimately frustrating as any comedy you've ever rooted for to succeed.

Since many other reviewers have done a thorough job of identifying and critiquing the maddeningly confusing inconsistencies of this subversively anti-feminist treatise masquerading as a stereotyped pro-feminist fictionalized autobiography that rails against society's stereotypes only to find that some stereotypes are stereotypes because they are true, I will merely add that I heard deafening echoes of past sellouts such as ABC's debacle called "The Great American Beauty Contest" and Jane Fonda's character "admitting" that all women only go to college to find husbands in the movie "Tall Story." [That was all just one sentence, folks!]

What makes the above one-sentence summary such a shame is that writer Davis did seem to have some interesting ideas to convey and actor Davis conveyed some of them quite engagingly. More frustrating still is that Director Davis did an excellent job of pacing the movie and adding cute visual ideas on a low budget, and did a SUPER job of making satiric statements through wardrobe choices. Yet, Director Davis hadn't a clue how to direct actor Davis who, in turn, threw away some of the best lines written by writer Davis. It is unknown to what extent co-Producer Davis played in the ultimate cop-out decisions alluded to by the others in arriving at the unsatisfying ending that left so many of us feeling betrayed or cheated. But, at the same time, it is clear that Julie Davis is a woman of great wit, intelligence, and talent that is worthy of harnessing.

Overall, this is fast-moving and enjoyable enough to spend 100 minutes watching. So, why not watch it on Showtime-on-demand, then arrive at your own conclusions?