The Badge

I enjoyed "The Badge"; when it appeared on the shelves of the video store where I work, I was a little curious about how a film with Billy Bob Thornton and Patricia Arquette wound up on cable. But oh well. After seeing the film, I have to admit that it does fit more properly on a small screen where its flaws are minimized. Robby Henson - the writer/director - has a tendency to use stylish jump cuts, amateurish wipes (no one except George Lucas should EVER use wipes anymore), and sped-up shots that are at odds with the appealingly lackadaisical tone of his story. However, the acting is excellent, especially by Thornton; had the film been released in theaters, it wouldn't have been unrealistic for Lion's Gate to push him for an Oscar. That said, Arquette is also good - am I the only one who thinks she's an underrated actress? "The Badge" reminded me over and over of "The Big Easy" - which is most certainly a compliment - and while it's not the equal of that film, it does a fine job of standing on it's own two feet.

What a sleeper. I mean, until two days ago, I had never heard of this movie before. I rented it not knowing how it would turn out. Pleasantly surprised. Pretty straight forward and to the point, a homophobic local sheriff "stumbles" on a murder investigating a traffic accident. The murdered woman turns out not to be a woman at all, but a he/she. Then this movie takes off like a roller coaster, all of which I will not go into detail (go rent it). Some of the things that these lawmen do is absolutely unbelievable, but that is the fun of this one. It is not to be taken too serious.

Patricia Arquette and Billy Bob Thorton are at their best in this gritty, quasi-noir crime drama set in Louisiana. Thorton's character is similiar to the one that he played in Monster's Ball. This role however was more sympathetic but not as complex. Arquette is good at playing characters that live on the edge but still manage to be morally strong and honest. She also has an extremely potent sex appeal that is simultaneously mature and girlish. The story is a coplex one with lots of twists and turns. There are secrets in the small town of LaSalle Parrish and they are artfully revealed by the director whose style is a little clunky but engaging nonetheless. I recommend this movie. It's message of tolerance is very important and could not have been more clearly stated.

This film is a solid bit of detective fiction with a Cajun noir flavor to it. Lots of shady characters trying to manipulate folks in order to keep sleazy secrets hidden get in the way of a sometimes earnest but morally mixed-up Louisiana sheriff.

If you like Raymond Chandler's stories, this should prove pleasing. Yes, the film is paced slowly, but as the sheriff in hot water finally realizes the only way to regain his honor (and perhaps his job) is by solving the case, the action picks up. Billy Bob Thornton gives another perfect performance, and Patricia Arquette is stronger than ever. Very nice directorial touches balance storytelling and artistry very well.

A good evening's entertainment.

Anyone who contributes to the blab that Mr Thornton's characterisation of Darl was too close to his equally excellent characterisation of Hank in Monster Ball is not really contributing, or thinking very deeply. I have said as much before and I will say again here; Mr Thornton is the very best character actor in the US today and one of the best in the world.

It is no surprise to find a great actor tackling scripts that are well out of the main stream, this shows a thinking caring actor who is prepared to take risks and give more credibility to the work than to the star spin offs.

This movie is not a great one, but it is a very worthwhile experience that is, at least, thought provoking and contains some very fine acting from most of it's cast. The only real problem was the writer/director combination. This is not to say that the writing or the direction was bad, on the contrary, the direction particularly was very sound and the writing was fine though a little too "formular" in its shape. It's nearly always a mistake to direct ones own work, like reading ones own poetry, it becomes very hard to let a line go in an instant, when one is aware of how long it took to birth it. The Badge is fine and has some real strengths, its weakness lies in the denouement where there is the sense of a rather obvious ball being suddenly rushed to the goal post before time runs out for the some what staged final scene.

This work is worth the effort on many fronts, B.B.Thornton is excellent and that woman! what a sterling performance she gives in a very difficult role and against all kinds of odds. If you have not seen this movie and are thinking about it, then do it and do it now!