Levity

"Levity" (2003) Artfully melancholic. Real, perhaps even surreal as this story quietly, yet gracefully plumbs the depths between reality & perception, introspection, fate and (mis)fortune. Heart-wrenching in its sincerity.

The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.

An Ed Solomon film starring Billy Bob Thornton, Morgan Freeman, Holly Hunter and Kirsten Dunst. This is a very personal film by the writer of Bill & Ted's Excellent Adventure and Men in Black. Too slow-moving for mainstream acceptance, this is nevertheless a movie of depth and compassion. It grapples with the issue of redemption, and leaves the audience with uncertainty that is nonetheless remarkably calming-hope without moralism. Thornton was . Thornton. He has the range of a tetherball. I don't think Morgan Freeman is at his best in this film. And we don't see enough of Holly Hunter to appreciate her. The film had some very funny moments, but I can't think of a less appropriate title. Having said all that, this movie is worth the trip because it is thought-provoking, subtle and oddly inspiring.

This first time director, Ed Solomon, makes an incredible change over from writing films for the masses, by writing and directing this introspective and moody look into the troubled souls of the fallen. I just caught up to it on cable. At any rate, it was well worth watching. This is an Indie that makes a statement without punching us in the head with it.

Manuel, the lifer that is released at the beginning of the film, ends up looking for a connection with the family of the convenient store clerk he shot and killed during his wild youth. Now, Manuel is older and wiser and knows that he has been spared from the mean streets. It doesn't seem logical for him to do so, but in a way, is his way to express his sorrow at the horror he caused by being reckless.

The encounter with Adele, and her acceptance of this odd man is a bit hard to understand. This woman reacts with caution at first, but realizes Manuel is harmless; thus begins the friendship between them, without a hint of the actual identity of Manuel.

The thing that didn't make sense is the presence of Sofia, a child of privilege in the seedy club that is near the soup kitchen that Miles, another mysterious character runs. Once we overcome those hurdles, it is easy to see where the director is taking us.

Billy Bob Thornton plays Manuel as a man on auto pilot. The world he encounters when he is released is a world so different from what he knew. Mr. Thornton gives another phenomenal performance. Holly Hunter makes an understated Adele. She approaches the character with an economy that is amazing, yet we know at all times what this woman is feeling.

Although Sofia, the young woman appears to be confused and out of place, Kirsten Dunst is quite effective as she plays her. The only one that does not convince us is Miles, perhaps because of Morgan Freeman's approach to this man. Dorian Harewood has a small, but intense moment in the story.

Greetings again from the darkness. Simple story made interesting by the characters and environment. Billy Bob Thornton is our unconventional lead character. Very understated performance accurately captures the emotions of this repulsed, repentant killer. Sparkling Kirsten Dunst is unusually gritty in her sad portrayal of the pop star daughter putting up a false front. Morgan Freeman is effective as the community "reverend" with a secret. Best performance comes from Holly Hunter as frustrated mom/sister just trying to make sense of her world. Director Ed Solomon, known mostly for light weight writing, does a respectable job of capturing the pain of all the characters. Bleak world where each individual must furnish their own reason to keep going.

I can well understand why this misses the mark for so many people. A lack of the dramatics, no "twist" like "The Life of David Gale," retro dialog almost and Kirsten Dunst at her most irritating.

What you have is Billy Bob on another 'one man's redemption' kick, that he does just so well. The film is in the dialog, the gestures, the mannerisms. Holly Hunter's self deprecating comment early in the film when she admits to Billy Bob her expectation of the standards of her sexual partners had been lowered over the years , was one of cinemas greatest ever lines. (You'll know it when you hear it)

Freeman's flaky preacher is a stand-out despite variations to his voice modulation. Again, it all depends what you are expecting out of this film. best you expect nothing my friend - just let it unravel. It is both thought-provoking and emotionally strident.

I enjoyed it very much and would consider a rating of 8 reasonable.