En busca de Santa Claus

Am very glad about giving 'Call Me Claus' a chance. Expectations were mixed. Despite loving Christmas, many festive films and specials and liking Whoopi Goldberg and especially Nigel Hawthorne (the latter sadly in his last film) as actors, the advertising didn't look great and it did sound like pretty cheap and cheesy. There have been numerous instances where films don't look great from how it's advertised but manage to be good and victims of bad marketing (my exact experience with 'Lilo and Stitch' for example).

'Call Me Claus' is a long way from perfect, not one of the best Christmas films and it's not my definition of great. It was though a lot better than expected and an example of a film to not judge by its marketing, very like not judging a book by its cover. Goldberg is not at her best here, but the film does serve as a poignant reminder of how great an actor Hawthorne was and it is a not half bad last film for him. Although flawed, 'Call Me Claus' struck me as quite decent.

There are many good things here. The best thing about 'Call Me Claus' is Hawthorne, who is perfect in the title role. Playing it with a twinkling charm, gently humorous comic timing, a jovial air and poignancy. The supporting cast all do well if never on Hawthorne's level. The script has genuinely amusing and never crude or juvenile humour, truly moving pathos without going over the top on the sappiness and is also surprisingly relevant. The cynicism never gets mean-spirited. The characters didn't come over as dull, nor did they come over as annoying.

Story is very charming, warm-hearted and goes at a pace that doesn't feel routine or sluggish. The chemistry between the cast comes over as warm and natural. The music gives a nice festive cheer and at least fits.

Goldberg though left me a bit mixed. She has moments of sass but there are instances where she did seem to be mailing it in or holding back. 'Call Me Claus' does look as though it was made on a limited budget in a short period of time, with production values that could easily pass for a film made ten years or so prior.

Do think as well that the ending does require a number of attempts of swallowing, which is not easy to do for one that is rather unrealistic and too neat.

In conclusion, not bad at all and did find a lot to like about it. 6/10

Review Date 4/16/2019

I Have Reviewed OVER 500 "Christmas Films and Specials". Please BEWARE Of films and specials with just one review! For instance When "It's a POSITIVE" chances are that the reviewer was involved with the production. "If its Negative" then they may have a grudge against the film for whatever reason. I am fare about these films.

The story is about Lucy Cullins, a successful but cranky producer at a home shopping network, hires an actor named Nick to play Santa Claus on the network she gets more than she bargained for..

This story doesn't focus on what i truly wants to be. A film about the commercialism of "Christmas" or a family comedy about a woman not believing that she is to be the next "Santa Claus". It could have been both. I think had this been given an extra 1/2 the filmmakers might of had something special. Given it was a tv-m they were forced to make a film a certain length to fit a 2 hour times lot.

The acting is fine but this is a film that is quit forgettable. After a nights sleep most adults will forget that they even saw film

Because she had true Christmas spirit as a young lass, "Shop-A-Lot" TV producer/pitch-woman Whoopi Goldberg (as Lucy Cullins) is chosen to be the world's new Santa Claus. This decision was made (in a 1965 flashback) by traditional roly-poly red-suited Nigel Hawthorne (as Nick). Being "Santa Claus" is revealed to be a 200-year job. If the presently grow-up and grumpy Ms. Goldberg can't get her girlish Christmas groove back, Earth will suffer a massive flood. Call her Scrooge. For Goldberg's Los Angeles-based home-shopping channel, she hires Mr. Hawthorne as a seasonal sales-marketing Santa and he tries to win her over. For a TV movie, "Call Me Claus" is nicely produced. This was the last role for Hawthorne, who performs memorably. The soundtrack music (by Van Dyke Parks) pleasantly moves it along. Having a woman take over the role of Santa Claus is an interesting and welcome premise, but the story really doesn't work. As it's destined to get lost in future years, we won't have to explain to millions of confused young children how Whoopi lost the job.

***** Call Me Claus (12/2/01) Peter Werner ~ Whoopi Goldberg, Nigel Hawthorne, Taylor Negron, Brian Stokes Mitchell

Dated film now - but notable for a (somewhat overwritten) relevant , often humorous and grown-up script. Sets are not overly cheap and the pace moves along. Moral of the film is the invasion of consumerism into everything. Actor Hawthorne does a very professional job - shame he's maybe too old at this point. The let down (as usual) is Goldberg - who's spent 80% of her career phoning-in a performance and delivering a scene with the one aim of receiving the cheque for it. Utterly surprised she is ever employed as an actor.

Nick (Nigel Hawthorne) is nearing the end of his 200 year term as Santa Claus and needs to find his successor. Failure to do so will bring calamity such as the melting of the North pole ice cap.

Nick hopes to recruit Lucy Cullins (Whoopi Goldberg) someone who was a true believe in the spirit of Christmas as a young girl. However her father died in the Vietnam war soon after she sat on Nick's lap.

Now the grown up Lucy is a cynical grinch working for a shopping channel. Nick applies to be the Santa salesman for the shopping channel in the run up to Christmas, so he can get near Lucy an persuade her to take on his job.

The plot about finding a replacement Santa is a well worn one in these days of mass produced Christmas movies. This is indistinguishable for those types of quickly made and low budget films apart from having a better calibre cast.

Despite being made for cable back in 2001, Call Me Claus is not that funny or appealing. It actually wastes the talents of an Oscar winner and Oscar nominee.

This was Nigel Hawthorne's last film role. At least he got to play a sweet natured part, a far cry from his mean and cynical Sir Humphrey in Yes Minister.