Insomnia

INSOMNIA is not only the third film of acclaimed director Christopher Nolan (his first two were FOLLOWINGS and MEMENTO), but also a film that is able to intertwine the acting talents of three Academy Award winners. Al Pacino plays a celebrated cop who is asked to work on the case of a murdered girl in Alaska. Hilary Swank plays the local law enforcement who has her eyes on making a big case. Robin Williams plays a troubled Alaskan writer. Without giving anything away, INSOMNIA is definitely worth it. Some may see it, and be disappointed. One way to steer away from this failure is think of INSOMNIA as a psychological thriller rather than a "Shoot 'em up" thriller. INSOMNIA is story about loyalty and human emotion. Don't get me wrong, the movie is thrill-packed, but let's just say--You don't need blood and gore to make the audience members be on the edge of their seats (which I was). INSOMNIA hits all of its points including acting, directing, screenwriting, and cinematography. It's a first class thriller with great characters. On a side note...Pacino is worthy of an Oscar for his performance, Williams is equally excellent, and Swank also deserves recognition for complete scope of acting. A job well done by these three actors, and especially the man behind the curtain, Christopher Nolan!

As said in my reviews for his masterpiece 'Memento' and the fascinating 'The Prestige', Christopher Nolan has always struck me as a very talented film-maker, and most of his films are ones that have impressed me a lot. Even weaker efforts, where his ambition can get in the way, have a good deal to admire. His films are all impeccably crafted technically, and often entertaining and thought-provoking, also knowing how to get good performances out of talented casts.

'Insomnia' is not one of Nolan's best films, but not his worst. For me it's somewhere in the middle if ranking his films, 'Memento' being his best and, while with a lot of impressive elements, 'Interstellar' being the one that impressed least. It shows fidelity to the Norwegian original, but doesn't go so far that it's a pale retread, in a way that is summed up very well by Roger Ebert.

Nolan directs with impeccable style and sense of atmosphere, as well as an ability to tell a potentially convoluted story with clarity without resorting to excess and over-ambition. Much of 'Insomnia' is exceptionally well made, while beautiful Alaska has rarely been more oppressive as well while the cinematography has grit and class. David Julyan's music score is not quite as complex as that for 'Memento', but has a very effective eeriness.

The script is tight and thoughtful, and the story, filled with neat twists and turns, is hugely compelling and atmospheric, never being too simple but complex enough to still be understandable and be respectful to the viewer. The cat and mouse stuff could have been predictable and convoluted but executed in masterly hair-raising but also quiet tension.

Performances are all strong across the board. While underused somewhat, Martin Donovan and especially Hilary Swank are great here. It is however Al Pacino and Robin Williams who are even better. Pacino gives perhaps his best performance since 'Heat' and he has to me definitely not been on this amount of blistering form as he is in 'Insomnia'. Williams is cast against type, and he plays a genuinely terrifying character with menace but also dignity and restraint.

Flaws are only a couple, with the film ending too conveniently and some of the editing being a touch too jumpy.

All in all, a gripping film and hardly a sleeper. 8/10 Bethany Cox

First off, Christopher Nolan is one of my biggest influences when it comes to film and screen writing. With films such as Following and Memento, both of which reached cult following levels, he is well on his way to a successful Hollywood career. Then, today came, his 3rd film was released, Insomnia. Based on a 1997 Norwegian film written by Nikolaj Frobenius and Erik Skjoldbjærg, Insomnia is a true work of art in the world of film.

Christopher Nolan takes all that was the 1997 film, and brings it to the next level, using his own style of directing, a musical score with shades of Memento, and an all star cast. Al Pacino and Robin Williams pulls out the greatest performances of their careers in the past decade, if not in their ENTIRE careers in my eyes.

Pacino once again excels in the role of master dective, while Williams takes this chance to show his "dark side", and he does it so well. I can only hope that this is a rebirth of Robin Williams, and as it stands with his upcoming film One Hour Photo (which he once again plays a dark, psychotic role), it seems to be just that! Hilary Swank also pulls out what is the greatest role of her career.

Insomnia brings you in as an audience, with it's perfectly woven plot, with a film noir feel to it, just as Nolan's first two films. It is a rollercoster ride of drama and suspense as you watch Al Pacino from the very beginning unravel, and the rest of the story and his past catches up with him. I can not say much more about it, as I do not wish to spoil anything about if for you, but I do want to say this... ...go see it, right now, and enjoy. If you love crime/mystery/drama films with that wonderful Film Noir feel to it, you will love this film. If that isn't your thing, then the performances of the three main actors are worth the price of a ticket in itself.

Finally I just want to say, that Insomnia proves once and for all that Christopher Nolan will indeed be a force to reckoned with in Hollywood. I've said it before, and I'll say it again... ...Christopher Nolan is well on his way to becoming the Hollywood legend which he proves he is capable of becoming.

I didn't know that 'Insomnia' was based on a Norwegian movie of the same title. Otherwise, I would have watched the original film first. What convinced me to watch this one was the cast that included three super-talented actors and the director Christopher Nolan ('loved his 'Memento'). Thus, my comment is pretty much just about the movie rather than how it compares to the original.

There's really a lot to like about. This isn't merely a 'catch-the-bad-guy' thriller but a character driven psychological drama. It starts as a who done it, then turns into a how done it to why done it to what are you going to do about it. While it is the complex characters that stand out, the details of the murder case(s) are very well presented and the layered twists add well to the plot. 'Insomnia' is fascinating to look at. The production design is of very high quality and the cinematography is breathtaking. The attention to detail and the emphasis of the visuals that make the viewer experience Dormer's sleep deprived world is stunning. Incidentally, I was watching it very late at night and perhaps that is the best time to watch it.

Nolan's style of execution is remarkable. Daylight is used very effectively as a character of its own. In a way, it's the antagonist of the movie that leads to Dormer's mental 'deterioration'. It's a dark movie set in constant daylight. Then there's the clever use of fog and floating logs which in a way act as pathetic fallacies. Blood also plays a symbolic role. The quietness of a cold and gloomy Alaska is both intense and chilling.

Al Pacino proves again what an excellent actor he is. It's amazing how he eerily looks the part with bags under his eyes, a clumsy gait, stooped shoulders and a continuous expression of fatigue while he dives into the depth of an extremely complex character. Robin Williams skillfully downplays his part as the latently manipulative Finch as he takes advantage of Dormer's vulnerability. Hillary Swank brings an air of freshness as the rookie detective who also has to make a difficult decision towards the end. Maura Tierney makes very good use of her few scenes.

On the flip side, it may seem as though 'Insomnia' loses focus in some scenes as it appears to derail. Of course there are different ways of looking at this. The ending feels rushed and is very predictable. Also Williams's Finch could have been more developed considering the important role he has. Nonetheless, it's a well-made film. I intend to watch the Norwegian version to see how it compares but on its own, Nolan's 'Insomnia' is a fascinating experience and the cast and crew deserve all the praise for finally putting it all together.

Christopher Nolan succeeds once again at mastering a suspenseful script into a truly superb film. Nolan (Memento) creates a complex and carefully construed tale that has plenty of intentional misdirection that is quite convincing.

Al Pacino plays another one of his droopy detectives in a role that is quite unoriginal if placed in other films. Yet what separates this role from others is his portrayal of L.A. Detective Will Dormer actually has some 'meat' attached to it. Pacino plays a detective with a history of successful apprehensions, yet, he has flaws just like any other person and they come back to haunt him. Relocated from Los Angeles to Alaska, he is sent in hopes of capturing a killer who murdered a local schoolgirl.

Judging from the previews, premature assumptions can be made labeling the film as another simple 'cat-and-mouse' thriller. Instead, those conceptions will be lost soon after the haunting opening credits emerge and we are transplanted directly into a deep and complex character study set against the backdrop of a local homicide mystery in a small Alaskan town. The film's antagonist (For those who have seen the film - is he really the villain or the catalyst for Pacino's ethical debate?) is a local writer portrayed by Robin Williams. This is Williams' second villainous role in his trilogy of films (Death to Smoochy, One Hour Photo) that aims at diversifying his resume. Williams impresses as he juxtaposes between an innocent victim of a mishap and between a calculating and conniving murderer.

Director Nolan has assembled a terrific cast as this complex plot unfolds at a frivolous rate. This is a film that a discerning viewer will admire and a viewer with a short attention span will loathe. Nolan tosses us with one set of objectives and midway through the first act, we are sitting in on an entirely different film. Adjectives such as formulaic and conventional should not be associated with a film such as this. Nolan has completely revitalized the tired genre of the murder thriller with his sleek direction and picturesque photography.

Nolan first had conceived of the idea upon viewing a Norwegian film of the same name directed by Erik Skjoldbjaerg. Nolan seems to have taken the flaws of the original and improved upon them in a sleek feat of filmmaking that leaves much to be questioned about its' brilliance. One viewing is not enough to internalize the level of sophistication Nolan has created with this brilliant film.

Hillary Seitz's first attempt at writing a screenplay is solid but must be understood that the conception was not hers. Still, her script contains some juicy scenes that benefit all our characters in this film. Three Oscar winners (Pacino, Williams and Hillary Swank) highlight this film and with good reason. At first glance, the cast seems informingly incongruent, yet with time, all explains itself. Swank's performance as Detective Burr seems unnecessary right up until the final moments in the film. Yet, this is all of the resolute brilliance Nolan lends to this film.

This film succeeds on several levels of cinematic bravura. David Julyan's haunting score coupled with intense subliminal flashes match the films' dark tone and Cinematographer Wally Pfister (Memento) captures the majestic beauty of the Alaskan sea front.

As aforementioned, a thrilling chase of a murderer can be expected when introduced to the film. But not long after, we are delving into a debate that has a positive fix on morality. A battle between a person's conscience and his actions are truly at the forefront of this intellectually intriguing and complex thriller. Despite its' disappointing anticlimactic finale, the film still has enough zest and brilliance to make this film a true testament to the skill of Director Nolan.

Giancarlo's Rating: ***