Dunkerque

For a teenager today, Dunkirk must seem even more distant than the Boer War did to my generation growing up just after WW2. For some, Christopher Nolan's film may be the most they will know about the event.

But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.

"Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.

Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.

The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.

The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.

There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".

An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.

This is a film that demands more than one viewing.

I love Christofer Nolan. Great director. Great movies. No doubt about that. But unfortunately I think the movie was boring. It had awesome fight scenes, with different camera angles, music, costumes but it did not keep you at the edge of your seat like his other movies.

Almost no dialogue. You can say that it is realistic, because it is a war scene but the viewer needs to know something about the characters in order to identify with them. I felt like I was watching on youtube different war scenes in a 2 hours movie. It did not create the suspense I was hoping.

Dunkirk is, in my opinion, yet another masterpiece from mastermind Christopher Nolan. Since everything that is brilliant about the film has already been said I will briefly write what I think of the film and also touch on a topic that some people are criticizing the movie for.

The fantastically directed film is told from 3 perspectives non chronologically. It superbly tackles the narrative and the non linear story doesn't at all pull you away from the intensity of the events happening on screen that don't stop from 00:00 to the last scene. Hans Zimmer most likely gives one of the most fitting scores for a war film ever. Sometimes there is only one note playing followed by heartbeat sounds and a ticking clock while other times a massive orchestra is interpreting what is going on on screen. The movie brilliantly projects the feeling of each and every soldier on the beach to the audience. Confusion, turmoil and fear. The cinematography was breathtaking and I felt anxious throughout most of the run time. There is no lead in this film and I can't really say anyone stuck out as giving a brilliant performance because it wasn't needed and I'll explain why.

The biggest criticisms of Dunkirk that I've heard of so far are that the characters are lacking in depth and that we aren't given anything to be invested in them. I feel like Nolan was trying (successfully) to make the audience care for each and every one of the men on the beach. He needed to have some form of "main characters" to be in the story so that we can see the events unfold from the direct perspective of all of the soldiers. Usually in war films (I'll use saving private Ryan as an example) the plot revolves around certain soldiers (like Cpt. Miller and Ryan) being in a war and doing things in the war but its still about THEM not THE WAR as much. In my opinion Dunkirk is a telling the STORY OF DUNKIRK. Not of Harry Style's character or Tom Hardy's character but of Dunkirk. What any of the "main characters" felt, every other soldier felt. Nolan resorted more to film-making techniques to tell the story rather than dialogue and that is why some people might have had a problem with the lack of character depth but realistically this type of terrible event wouldn't be a place for someone to "develop" as a character but rather a event where MEN WANTED ONLY SURVIVAL, and Nolan showed that perfectly. As for what the top review of Dunkirk on IMDb says about 'lack of emotion' in the film, I believe this to be a completely incorrect statement. Maybe he was referring to the lack of 'brotherhood amongst men' or the feeling of moral or something epic like that. Again the longing for the 'Saving Private Ryan' format of war films. What the reviewer fails to see is that realistically there was NO emotion on that beach besides fear and confusion. And I can safely say that Nolan and Zimmer and the DP all successfully gave us those feelings.

9.5/10

I guess I shouldn't be surprised how many people don't like this movie in an era of CGI, reboots, remakes, sequels, prequels, and generally easy to digest movies/tv shows. This is a real Christopher Nolan movie, not a Batman, but a real Christopher Nolan movie like Memento or Prestige. Watch it a few times. Pay attention to the details. Appreciate the sensory experience.

Most of these bad reviews are because the person watched it once and was upset they weren't spoon fed every aspect of the characters and story. There is a ton of characterization and a great story but you have to pay attention.

The most important lesson in the history of our humanity, surpassed in genre, religion among other moral aspects, is simply the survival of the species or a human being in question. Our most basic instinct is survival and when we unite, forgetting our differences (as a group of Individuals, not nations), for the sake of our survival and our well-being, the human race shines in the most intense sense possible. The cooperation between several elements, to come out alive from a complicated situation.

One scene, caught my attention when a group of Allied soldiers were surrounded in a ship and this same ship was being attacked on all sides by the German troops. One of the characters was being forced out of the ship to see if the tide sea was rising or not. Out of fear, this character did not want to leave the ship, it was when an English soldier replied: for the others to survive, one person has to die.

The theme of this film is survival, especially surviving in a difficult situation, is in itself a great victory

Nothing is better expressed in this film and executed in a way with as much talent as Nolan achieved in making with this film. Not only by itself, the message is passed to the audience in a clear and perfect way as is demonstrated in small scenes that help convey this message and build a fitting end to the film itself.

The film goes straight to the narrative and action of the movie without losing in passing with interesting monologues, unlike Inception, a film in which Nolan himself created a character with the sole purpose of explaining the rules of this universe for the audience, this is the apex of Nolan as a Film director and he performs his work in a simple and exemplary way. So Dunkirk is his smaller commercial movie, but with the bonus without unnecessary scenes that could crumble the experience of the film.

The performances are excellent and accompany the director's talents (the direction of the film itself) and the script in a cohesive, simple and direct way, highlighting Fionn Whitehead, Mark Rylance and of course the very competent Kenneth Branagh. These excellent actors help immerse the audience in the cinematographic aspect of the movie itself to make the experience as real and emotional as possible.

Again, congratulations to Nolan for choosing actors relatively unknown to the general public, but outstanding in their work of acting. Instead of trying to choose famous actors (whose private lives are always in the mouths of the people and the magazines), these people are celebrities and not actors. For this reason I never managed to pass the first act of Saving Private Ryan. Spielberg made a mistake filling his film with the most popular Hollywood All Star cast of famous actors at that time (their lives were so exposed that it was hard to see those people as soldiers or survivors of WWII). At this point, Nolan fared better than Spielberg.

By completing this great experience, special and sound effects are applied in an exemplary way and these same technologies make almost perfect use of the IMAX screen. The technical and aesthetic aspects are very good, as it comes this habit in this type of film with this type of budget (105 millions). The cinematography is very good (almost perfect, like in most of Nolan movies) and the camera movements are agile and very beautiful.

See the aerial combat of the characters of Tom Hardy (Farrier) and Jack Lowden (Collins) in aerial planes that looked with great and amazing beauty in fighting against the planes of the Germans. A technical amazing work of Nolan and his production team. Amazing, no doubt. Especially on the IMAX screen, where the film shows all its beauty, and if there is a movie that deserves to be seen in IMAX, it is one, this new work of Christopher Nolan, no doubt. The ambitious ideas of the filmmaker and the great sequences in parallel assembly that characterize his works. Making the storytelling move to viewers in three different locations (The Mole, The Sea and The Air). In a cohesive, precise and confusing way. This film shows a great talent of Nolan, and it reaches his talent to create sequences in parallel assembly the characters of the film in a brilliant way. The soundtrack composed by the veteran Hans Zimmer is amazing, Hans in turn creates a memorable theme for the theme of World War II. Fantastic and great.

The great and only problem I see that disturbs the experience of the film is limited by the PG-13 and thus limit the blood and violence, for God's sake, it is a film about a war blood and violence are common. At times it seemed like I was looking at some scenes and these same scenes seemed so artificial and displaced from the film itself, like the scene of the soldiers corpses coming to the beach, or the English troops being smashed by the sinking ship (two clear examples that PG-13 influenced negatively the movie).

One problem that some people go through seeing this movie is the lack of depth in some characters, however there are characters with depth, but not the kind of depth shown through dialogues or exposition. Nolan wanted to show something bigger. And I think Nolan did it. Nolan created in this movie to show the question of survival and its consequences in the lives of the people close to war and the soldiers who were fighting in that war. He wanted to show us how and survival define us, and I think he got the message very well across this movie. Even for this, he sacrificed some dramatic depth. Depth for certain characters, however Nolan passed a larger message, which surpasses any dramatically deep element. Nolan wanted to get something bigger. And in my opinion he did it.