Los excéntricos miembros de una familia disfuncional se encuentran bajo el mismo techo.Los excéntricos miembros de una familia disfuncional se encuentran bajo el mismo techo.Los excéntricos miembros de una familia disfuncional se encuentran bajo el mismo techo.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 11 premios ganados y 46 nominaciones en total
Alec Baldwin
- Narrator
- (voz)
Irina Gorovaia
- Young Margot Tenenbaum
- (as Irene Gorovaia)
Arianna Turturro
- Young Richie Tenenbaum
- (as Amedeo Turturro)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This was a quirky film that surprised me, in that I liked it....at least twice. By the third viewing, I had enough but I got my money's worth out of it. That's what I would recommend with this movie: rent it before considering buying it. It's very different, and you might love but also might hate it.
What it is, simply, is a portrait of a very dysfunctional family and the father trying to re-connect with his kids after a long absence. Gene Hackman is the father, Angelica Huston the mother and the wacko kids - and other assorted strange characters - are played by Ben Stiller, Owen and Luke Wilson, Gwyneth Paltrow, Ben Stiller, Bill Murray and Danny Glover.
This is mostly dry, dark humor with some funny lines delivered in deadpan style. Nobody is particularly likable but - with the possible exception of Paltrow's character - are not really unlikeable either. They are just strange.
I enjoyed viewing the house with all its colors. For those who appreciate low-key absurd humor nd some pleasing visuals, you should like this film and I certainly recommend giving it a look.
What it is, simply, is a portrait of a very dysfunctional family and the father trying to re-connect with his kids after a long absence. Gene Hackman is the father, Angelica Huston the mother and the wacko kids - and other assorted strange characters - are played by Ben Stiller, Owen and Luke Wilson, Gwyneth Paltrow, Ben Stiller, Bill Murray and Danny Glover.
This is mostly dry, dark humor with some funny lines delivered in deadpan style. Nobody is particularly likable but - with the possible exception of Paltrow's character - are not really unlikeable either. They are just strange.
I enjoyed viewing the house with all its colors. For those who appreciate low-key absurd humor nd some pleasing visuals, you should like this film and I certainly recommend giving it a look.
Wes Anderson has been the face of a new brand of comedy ever since he burst onto the scene in 1996 with Bottle Rocket. He further established himself with the 1998 hit Rushmore. The Royal Tenenbaums is considered by many to be his finest work and it is kind of hard to dispute that. This is a rich, complex movie dealing with multiple characters that all suffer from serious trouble in one way or another. Gene Hackman plays the father of a family that was once quite prominent in the world of geniuses. The oldest son Chas was a successful real estate dealer, daughter Margot became a famous playwright in the ninth grade, and youngest son Richie went on to become a great tennis player. Still, all their talent couldn't keep their father from leaving them, and now he returns to see them because he tells them he is dying.
This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.
This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.
With 'The Royal Tenenbaums', Wes Anderson turns his lens to the American family, warts and all. The Tenenbaums are a dysfunctional family the parents have been separated for decades, and Royal (Gene Hackman) is a disbarred attorney who has long since moved out of the family's enormous house (in an unnamed city of course). The children, all geniuses and overachievers in their own way, are then raised by Etheline (Angelica Houston), an archeologist. Chas (Ben Stiller) is a financial wizard, Margot (Gwyneth Paltrow), is adopted and was a published playwright at 11, and Richie (Luke Wilson) is a tennis prodigy. We are provided the family history at the start of the film, then are introduced to the family 22 years later. Chas is still a financial wizard, but, having lost his wife in a plane accident is now the paranoid father of two small sons. Margot is married to Raleigh St. Clair (Bill Murray, who is basically Anderson's muse), is depressed and hasn't written in years, and Richie, after having a nervous breakdown on the tennis court a couple of years earlier is traveling the world by boat. Still hanging around is Eli (Owen Wilson) a long-time family friend from across the street who is now a literature professor and successful novelist. Etheline is being wooed by her accountant, Henry (Danny Glover) and when Royal gets wind of this, he embarks on a bid to win his family back after not speaking with them for years.
Wes Anderson has an unusual style of film-making that has been static throughout his career. Highly theatrical, almost in the style of a play, he presents the story of the Tenenbaums to us as if it were taken directly from a book, so much so that if you were to read the few sentences that are visible in the book that accompanies the beginning of each 'chapter', you would see that the written narrative follows the action to the letter. Anderson favors primary colors, and characters that are identifiable by very distinct appearances. Chas and his sons have their red track suits they always wear, Margot wears the clip in her hair, Izod dresses from the 80's and dark eyeliner surrounding her eyes, Richie wears the sweatband around his head, Eli is in cowboy gear and Raleigh looks like a Freud knockoff. One of the results is that there are varying degrees of recognition for the actor in 'real life'. When seeing Raleigh, it's easy to forget that it is Bill Murray, and Margot for that matter is so different from how we are used to seeing Paltrow. Certainly, this is Anderson's intent. Anderson also favors point of view shots, characters looking directly at or addressing the camera, and is also one of the few modern masters in the use of music. The soundtrack to 'The Royal Tenenbaums' features some classic songs (Ruby Tuesday, Hey Jude) but also has some obscure tracks that are bizarre and fit into the scene beautifully.
'The Royal Tenenbaums' has a phenomenal cast, and all of the actors are excellent in the film. I get the strong impression that, since Anderson isn't a mainstream film director, A-list actors sign up to work for him because of his alternative vision and his obvious talent. When I watched this film recently, I asked the two friends I saw it with what they thought, and they both said 'It was quirky'. Since they are both film lovers, I was a little disappointed in this narrow (and obvious) assessment of the film at first. Upon further reflection, however, I realized that they both come from households that have parents who are still together. Coming from a 'broken home' I can relate to the high dysfunction of the Tenenbaums as an adult and embrace the story beyond the presentation, despite its highly stylized format. 'The Royal Tenenbaums' is a brilliant film that is both emotional and eye-catching, and truly cements Wes Anderson as an exciting and talented filmmaker. 9/10
--Shelly
Wes Anderson has an unusual style of film-making that has been static throughout his career. Highly theatrical, almost in the style of a play, he presents the story of the Tenenbaums to us as if it were taken directly from a book, so much so that if you were to read the few sentences that are visible in the book that accompanies the beginning of each 'chapter', you would see that the written narrative follows the action to the letter. Anderson favors primary colors, and characters that are identifiable by very distinct appearances. Chas and his sons have their red track suits they always wear, Margot wears the clip in her hair, Izod dresses from the 80's and dark eyeliner surrounding her eyes, Richie wears the sweatband around his head, Eli is in cowboy gear and Raleigh looks like a Freud knockoff. One of the results is that there are varying degrees of recognition for the actor in 'real life'. When seeing Raleigh, it's easy to forget that it is Bill Murray, and Margot for that matter is so different from how we are used to seeing Paltrow. Certainly, this is Anderson's intent. Anderson also favors point of view shots, characters looking directly at or addressing the camera, and is also one of the few modern masters in the use of music. The soundtrack to 'The Royal Tenenbaums' features some classic songs (Ruby Tuesday, Hey Jude) but also has some obscure tracks that are bizarre and fit into the scene beautifully.
'The Royal Tenenbaums' has a phenomenal cast, and all of the actors are excellent in the film. I get the strong impression that, since Anderson isn't a mainstream film director, A-list actors sign up to work for him because of his alternative vision and his obvious talent. When I watched this film recently, I asked the two friends I saw it with what they thought, and they both said 'It was quirky'. Since they are both film lovers, I was a little disappointed in this narrow (and obvious) assessment of the film at first. Upon further reflection, however, I realized that they both come from households that have parents who are still together. Coming from a 'broken home' I can relate to the high dysfunction of the Tenenbaums as an adult and embrace the story beyond the presentation, despite its highly stylized format. 'The Royal Tenenbaums' is a brilliant film that is both emotional and eye-catching, and truly cements Wes Anderson as an exciting and talented filmmaker. 9/10
--Shelly
I loved this film.
The Tenenbaum's dysfunction (while amplified for the screen) is quite an accurate portrayal of family life. Families are, essentially, groups of people living in each other's pockets, and, invariably, those people who love you and hate you the most.
Don't get me wrong, Royal and his (thermo)nuclear family of brilliant buffoons do not represent my family (or any other in the world I think!) but the family united against a miscreant father is a motif a lot of people can understand. It is this common humanity that really appeals to me as a film watcher, and what, ultimately made this film so very memorable to me.
The ensemble cast is astonishingly proficient. They all lend a perfect quirkiness to the roles. Anjelica Houston is the perfect former Mrs Royal Tenenbaum, down to the smallest nuance, Ben Stiller and Luke Wilson turn in wonderful performances, and this is the only role I've seen Gwenyth Paltrow in where I actually thought she was someone other than Gwenyth Paltrow (this is not an insult, it's just that people don't always do it for everyone, you know...?). Bill Murray, Gene Hackman, Owen Wilson, all excellent, all the time.
The black comedy counterbalanced with the drama of the issues raised in this film left me feeling like I'd witnessed a film event, rather than just another film. I loved every frame of it, from the Baldwin narrated opening, to the final tying up of ends. It never dwelled on melodrama, or the more potentially unsavoury elements, and it didn't sink into the schmaltzy "We all love each other" end it could well have. It began perfectly, and it ended perfectly.
I can't recommend this movie more highly. It's a must see for anyone who loves quirky and emotive storytelling, great characters and beautiful dialogue.
10/10
The Tenenbaum's dysfunction (while amplified for the screen) is quite an accurate portrayal of family life. Families are, essentially, groups of people living in each other's pockets, and, invariably, those people who love you and hate you the most.
Don't get me wrong, Royal and his (thermo)nuclear family of brilliant buffoons do not represent my family (or any other in the world I think!) but the family united against a miscreant father is a motif a lot of people can understand. It is this common humanity that really appeals to me as a film watcher, and what, ultimately made this film so very memorable to me.
The ensemble cast is astonishingly proficient. They all lend a perfect quirkiness to the roles. Anjelica Houston is the perfect former Mrs Royal Tenenbaum, down to the smallest nuance, Ben Stiller and Luke Wilson turn in wonderful performances, and this is the only role I've seen Gwenyth Paltrow in where I actually thought she was someone other than Gwenyth Paltrow (this is not an insult, it's just that people don't always do it for everyone, you know...?). Bill Murray, Gene Hackman, Owen Wilson, all excellent, all the time.
The black comedy counterbalanced with the drama of the issues raised in this film left me feeling like I'd witnessed a film event, rather than just another film. I loved every frame of it, from the Baldwin narrated opening, to the final tying up of ends. It never dwelled on melodrama, or the more potentially unsavoury elements, and it didn't sink into the schmaltzy "We all love each other" end it could well have. It began perfectly, and it ended perfectly.
I can't recommend this movie more highly. It's a must see for anyone who loves quirky and emotive storytelling, great characters and beautiful dialogue.
10/10
I think if someone tries to watch a Wes Anderson film, they have to have a certain kind mind to understand the real meaning of them. After being awed by the Royal Tenenbaums, I left with a certain kind of joy that only a great film can give me. It's like flying an electric kite, it's that hard of a buzz. As I began my travel down the stairs of the theater, I heard this couple talking about how stupid the movie was, and how they are going to ask for a refund. I suddenly smiled, because I hoped that they would get one. I think that I got something out of the film that they didn't. That inside the frames of the movie I felt like I was in good company and had a understanding for the material that they didn't. What is so good about the Royal Tenenbaums? The great detail in every frame, from the costumes (and they really are costumes)to the design of Chas, Margot, and Richie rooms and the house. This is brilliant film on every level, a delight for the senses and for the mind. This movie makes you think, and without giving too much away there is a lot of surprises that come from the characters dialogue and their past. High kudos go to Luke Wilson, I loved his performance as the suffering Richie. If you loved Rushmore, there is no doubt that you will love this film because it is at par with it, except that its a bit darker in tone. I think its funny that way that people look at film, we each love or hate a film based on our own perception(and mind there are people who just watch film for entertainment). So if you have a complicated mind and you enjoy watching a challenging film, then the Royal Tenenbaums is for you. As for me, I plan on watching it again so I find more things to love about it. Thank you Wes Anderson, so much. You made laugh, you made me smile and I cried. A thousand times, thank you!
Wes Anderson Films as Ranked by IMDb Rating
¿Sabías que…?
- TriviaThe hand that is seen with the BB lodged between its knuckles is not Ben Stiller's, but Andrew Wilson's, brother of Owen Wilson and Luke Wilson. When they were children, Owen fired a BB gun at Andrew's hand and the BB has been there ever since.
- ErroresArtist Elliott Puckette's name is badly misspelled in the credits (her paintings appear in the film).
- Créditos curiososThe film title first appears on a library book being checked out, then several of the books are seen, and finally the book cover becomes a title card.
- Versiones alternativasThe version shown at the New York Film Festival and some other pre-release screenings used the original Beatles version of "Hey Jude" for the opening introduction. The final version used a new instrumental recording of the song arranged by Mark Mothersbaugh and performed by his Mutato Muzika Orchestra.
- Bandas sonorasHey Jude
Written by John Lennon and Paul McCartney
Published by Sony/ATV Tunes LLC
Produced by Mark Mothersbaugh
Performed by The Mutato Muzika Orchestra
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24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
- How long is The Royal Tenenbaums?Con tecnología de Alexa
- What is the name of the song played during the bus scene with Margot and Richie?
- Where did the phrase "let's shag ass" come from?
- Why does Richie say he's going to kill himself tomorrow when he tries to kill himself at that moment?
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Royal Tenenbaums
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 21,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 52,364,010
- Fin de semana de estreno en EE. UU. y Canadá
- USD 276,981
- 16 dic 2001
- Total a nivel mundial
- USD 71,446,091
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What was the official certification given to Los excéntricos Tenenbaums (2001) in Japan?
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