No me olvides

"Sweet Home Alabama" conceived as a simple "star vehicle" for Reese Witherspoon is advertised as a "romantic comedy". It's is quite formulaic, and surely no one entering the theater (or renting the video or DVD)has any doubt as to with whom Reese's Melanie Charmichael (Smooter) will end up with when the closing credits start to roll.

Herein lies the basic fault, however, with this interpretation of a tried and true plotline: by the end of the film it seems apparent that both of the two men in Melanie's life would be far better off without her. After accepting a proposal of marriage by the handsome and ambitious son of the May of New York City, Melanie proceeds back home to Alabama to finalize her divorce from her high school (and childhood) sweetheart, whom she abandoned seven years before, but has refused to sign the divorce papers. Upon returning to her modest roots (at variance with the more gentile upbringing she has led her New York friends and followers to believe) she insults her parents and old friends, becomes drunk (and mean) and vomits into her former husband's truck; let the hilarity ensue! In the meantime, in the part of the movie where the new fiancee is supposed to be revealed as boorish, vain and superficial, quite the opposite occurs, and the viewer is left with a very sympathetic view of the upperclass New York society man, who truly loves Melanie, and forgives her untruthfulness. Melanie's former husband, having set out to win Melanie back by making a success of himself in the intervening years discovers her to be the shallow superficial snob of the movie. Why then, would he want her back? Why did Melanie make up the story of a plantation upbringing anyway? She's just a conniving, lying, scheming, mean drunk.Where is the romance? Where is the comedy? Certainly not in Alabama.

Look, we all know that Sweet Home Alabama is just a Hallmark movie dressed up in a fancy skirt, but there's still something special about this romantic comedy that helps it stand apart from the rest. It could be Reese Witherspoon, who plays her part of Melanie, the Yankee-fied southern belle, perfectly. It could be Josh Lucas (Jake), who is a fantastic foil to Witherspoon's character. And it could also be Patrick Dempsey (Andrew), who is actually a good alternative to Jake and not a one-dimensional antagonist. This film is not without its flaws, but I always have a good ol' time whenever I watch it.

I'm no historian on the subject of the American Civil War, but, in spite of its flaws, I surrender to 'Sweet Home Alabama'because of the charm of Reese Witherspoon. She is such a good actress that you do begin to wonder what she is doing in a fluffy romantic comedy like this, especially as it is definitely not as good as 'Legally Blonde'. But I'm glad she is in it, because it is just like an old-fashioned studio 'vehicle', tailored to suit her upcoming stardom. Once you adjust to the slowish pace, the movie is worth staying with, in spite of its predictability. I mean, how many romantic comedies aren't predictable? There is a good supporting cast. I especially liked her parents, who really felt as if they were actually the characters they portrayed. Josh Lucas, who impressed in 'A Beautiful Mind' is a good match for Reese's character, and he helps play down the sugar-sweetness with a grittier performance than is usual in such films. This isn't great, but definitely watchable, with Reese Witherspoon now confirmed as the biggest threat to Julia Roberts' throne as chief actress in Hollywood. Kirsten Dunst is only just around the corner, though...

Yes, the South is different. But isn't it sad that the song "Sweet Home Alabama," which was written in the first place to object to sweeping generalizations about demon-Southerners (all Southerners being white, of course, in this anti-Southern view) is now gracing a movie that cozies right up to Southern stereotypes? (And for those objecting to the sentiments of the song, perhaps you should learn a little bit more about Lynyrd Skynard and Neil Young, and what that song actually said about their attitudes--and how Young responded. What Skynard meant by the song and how SOME of their audience have interpreted it over the years are two different things, just like Springsteen's "Born in the USA" has been used for political purposes that are the opposite of the song's sentiments.)

For people who think every white Southerner's favorite evening wear is a white sheet with burning cross as accessory, they can gloat over the stupid hicks in this film. For people who want to fantasize that we can still live in Mayberry, they can groove on how pretty it all is. (Mostly.) People see what they expect to see. (Except black folks, who'd better not expect to see black folks living in the Alabama of THIS movie.) Reese Witherspoon herself, a well-bred Episcopalian débutante from Nashville, is a negation of Southern stereotypes, and an example of the Southerners we never see as characters in movies.

Meanwhile the movie itself is so innocuous that it dissolves while you're watching it. I've been sitting through the unending USA Network commercials for their showing of the flick, and getting the impression that the only reason they're showing it is to piggyback on the popularity of Dr. McDreamy.

I suppose there are worse ways to spend an evening. But don't imagine that you're seeing anything to do with the actual South. Or actual human beings.

It's pretty easy to see where the storyline is going from the outset but it remains an enjoyable story with plenty of smiling throughout and entertaining moments. An easy going film which I've been able to watch a few times now and still enjoy, so it must be doing something right!