27 Bodas

Although this movie is a bit typical, it's still a breezy, light hearted romp, which is all it appears to be trying to do. It's got formulaic construction familiar in romantic comedies, yet it knows it's just harmless fluff and doesn't try to be anything more.

Kathryn Heigl is certainly the strength of the film, with an exuberant approach to her "hopeless romantic" always the bridesmaid character who longs for that special day of her own. The performance is playful and silly when needed, and sweetly honest in the more serious moments. The rest of the cast are all good, too; the personality collisions of various characters are usually well done. The sight gags involving the dresses are clever, and the story runs its course effectively.

There are weaknesses, such as the ugly, mean spirited, and out-of-place slide show sequence. The script could have accomplished the point which is made there in some better way.

Light popcorn fun. Like fast food, it probably won't stick with you for long, but it's good for some entertaining silliness. One thing I'm still wondering: how much would scuba-gear set back the wedding party members?

Jane (Katherine Heigl) has always been good at taking care of others, but not so much in looking after herself. Her entire life has been about making people happy -- and she has a closet full of 27 bridesmaid dresses to prove it. One memorable evening, Jane manages to shuttle between wedding receptions in Manhattan and Brooklyn, a feat witnessed by Kevin (James Marsden), a newspaper reporter who realizes that a story about this wedding junkie is his ticket off the newspaper's bridal beat.

Jane finds Kevin's cynicism counter to everything she holds dear -- namely weddings, and the two lock horns. Further complicating Jane's once perfectly-ordered life is the arrival of younger sister Tess (Malin Akerman). Tess immediately captures the heart of Jane's boss, George (Edward Burns). Tess enlists her always-accommodating sister to plan yet another wedding -- Tess and George's -- but Jane's feelings for him lead to shocking revelations... and maybe the beginning of a new life. Very dry but still good. 27 Dresses 5/10

It was good but not great. I feel that is a mix of other movies. Its about A single woman that is tired of always being the bridesmaid at her friends' weddings. This time, she sets off to find her own Mr. Right. The story is predictable and a little bit cheesy. It has some nice moments of humor and good drama too. The cast is good, Katherine Heigl was good and James Marsden gives a decent performance, Malin Akerman was OK, I feel her a little overact and Judy Greer maybe she was the best with a role full of irony. One of the good things of the movie is the various landscapes from New York City and the soundtrack is also good In conclusion this is a 100% chick flick, women will love it, men avoid it

Out of a good conscious, I cannot give this movie anything higher than a 6, although, sometimes I think it deserves even less. This movie followed the conventional script by EVERY step. Basic plot: single white female, hardly/never been a real relationship, finds the right guy under the wrong circumstances. These romcoms are particularly set in New York City(like 27 Dresses) or in a country town.

At this point, I could pretty much give you detail to detail without checking the spoiler marker and I doubt anyone would be upset at me. You don't need to watch this at all to know the beginning, middle, and end of the movie.

The beginning contrives of the childhood moment, followed by character introductions. It has the I'm-better-than-you younger sibling, the supportive parent(s), and the complete opposite best friend(played by Judy Greer, once again).

The middle consist of the turning point where the main character begins to fall for the leading male role(to my surprise, James Marsden played the lead and not the "other man" this time around) but completely denies it until the ending of the middle, which is usually followed by the embarrassing climax of the movie... that follows with a melancholic montage.

The ending... *sigh* the most predictable of them all. The leading female comes to the realization of her mistakes and through some usually comedic last-minute scenarios, she apologizes and get her man.

We saw this over and over. I'm seriously not one to complain about predictable movies. I can watch the cliché romcom and still enjoy them... if they are enjoyable. This was, in fact, enjoyable. I laughed, I smiled, I frowned, and then I said "awwww!" as the credits were rolling, in that exact order. It was nothing new.

Bottom Line: If you like the cliché, then you'll LOVE this movie.

Greetings again from the darkness. Exactly as you might expect ... a chick flick with one layer. No problem with a movie that doesn't try to be something it's not. Director Anne Fletcher seems to be the straight-forward type and she is making a good living with it. Doesn't hurt when your simple, predictable lines are played out by Katherine Heigl, Edward Burns, James Marsden and the underrated Judy Greer.

Heigl ("Knocked Up", "Grey's Anatomy") is nice to look at and has excellent comedic timing and a strong screen presence. Hopefully she doesn't settle for just straight up comedy as I would like to see her tackle some serious material in the next year or two (see Scarlett Johansson, Charlize Theron, Naomi Watts). Marsden is certainly an up and comer ("Hairspray") who has the looks to go with his talent. Judy Greer seems to have taken over the Joan Cusack roles of playing second fiddle and then stealing every scene. Over the top a couple of times here, but her scene with Heigl after the slide show is top shelf stuff.

Basic premise is pretty funny but there are no twists and turns. Still for the chick flick formula, it is passable thanks to the strong cast. Biggest problem is the casting of Malin Akerman as the "pretty" sister. That's Hollywood's notion ... Heigl gets the nod any day in the real world.