3 A.M.

A deep and sensitive study of a social group's everyday life . Surely an intellectual film, sometimes difficult to grasp but fascinating and intriguing as well. Love, madness, moral dilemmas, death,"nostos" are the ingredients of this exciting movie which invites us to a "voyeuristic" cab ride through a multi-ethnic reality.

This is a somewhat cold and dark look at the trials and tribulations of NYC streets after dark. Cab drivers keep working despite the fact a serial killer is on the loose and is targeting cabbies. Story line and script a bit rough, but it gives you the feel of reality. This movie gradually grabs your interest and holds on tight.

Danny Glover plays a former pro basketball player turned cab driver. A very good performance as usual. Playing his love interest is Pam Grier, a waitress in a diner. Flawless job turned in by Ms. Grier; and she is still a looker. Supporting cast includes Michelle Rodriguez, Paul Calderon, Sergej Trifunovic and Fisher Stevens. Cameos by Spike Lee and Walt Frazier.

Sergej Trifunovich is my favorite Serbian actor. He is really great in this role as Bosnian immigrant Rasha. I'm Serbian from Belgrade, so I understand what the really point of this movie is. The sentance when Rasha says:" There is no place like Mostar" remindes me on my friend Marko Pishtalo from history studies in Belgrade. Exceally, he is Bosnian immigrant from Mostar just like Rasha in this movie. For those who didn't know that is one of the most beautiful Bosnian cities. Sincerelly yours Dushan Petrovic from Belgrade, Serbia.

During a day we follow that of a couple of taxi drivers in New York who focus and reflect on the important things and problems about their lives with each other. First off the cab there's Hershey who was a former Knicks player and after a serious injury his life went down the drain, where we learn that his having a bit trouble committing to his girlfriend George. Second follows that of a young, hard-eyed woman Salgado who believes her horrific past has come back to destroy her and finally a Bosnian immigrant Rasha who can't keep his mind on the job, therefore he gets in a lot of car accidents and maybe one real fatal one too. To make matters worse for these folks, there's a serial killer targeting taxi drivers.

There's a lot stuff going on in these characters' heads, but the meter is still running! Like others I felt a bit conned, as I believed this was a serial killer flick like the package seems advertise, but actually it's far from it. As this certain aspect of the premise is more a background tool for the bigger picture. But that in mind it's still a fair film by capturing the rough-and-tumble slice of reality with the always-moving city-life. Where we get a life in a day of a taxi driver with a whole lot of issues facing these patrons like love to life-making decisions. But it's main problem was that the plot has way too much going amongst its unfocused narrative and it's cluttered with people coming and going with some receiving too little insight of their ever-growing situations. The film was just too short with what they had to say here, giving no real sense of closure by spreading too much over this canvass. Simply they could have left out some of these sub-plots that were briskly concluded or like I said before -- up the running time to get a little more meat out of those stories instead of the incomplete feel we do get from it. The story does lack cohesion since we follow three different stories, but it keeps one intrigue on how things are going to play out, even though some things lack bite, get a bit sentimental and take the easy option out. The chatty (but very raw) script milks basically anything of importance, where we get to the character's outlook on life and watch density shine through, while they play their luck. The character's interactions are naturally good and they are always kept busy and have a decent sense of humour, which always goes down well. The direction by Lee Davis (who has been under the wing of Spike Lee and making his directorial debut) is competently done with some flashy imprints, quick moving pace and he manages stage a thickly layered atmosphere of uncertainty and darkness of New York. The slick editing doesn't distract and on hand is mostly a smooth jazzy score that fits right in. The performances are nothing too special, but I thought the main leads Danny Glover, Pam Grier, Michelle Rodriguez, Sergej Trifunovic and Sarita Choudhury handled their roles in a fine manner. There's also a small cameo part by Spike Lee.

This (old Sundance) feature is a decent time waster, but it's ambitious attitude tries for too much in too little time. So the question is; is it worth the fare?

I thought the movie was pretty good overall..the actors did a great job...the story seemed to be missing something though...It was nice to see Treach and Guru showing some acting skills...Danny Glover always holds his own and seems to bring out more in his castmates..Michelle Rodriguez shows she's growing as an actress since her debut in "Girlfight", I wish they would have used that more in "The Fast And The Furious"(then again, that's a summer action flick)anyway...It's always cool to see Pam Grier..and Serita Choudhury was good too,i just didn't understand what was going on with her at the end in the diner...was it the business or the deaths that had her upset?...anyhoo! the movie was cool, and I look forward to more films from Lee Davis.