Códigos de guerra

Although the intentions are very noble (showing the world how Navajo Indians helped in the war ... through their native language as code), the movie is not that good ...

You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.

First, the bad: Nicholas Cage's over-the-top, suicidal maniac, idiotic self-pitying marine played with no subtlety at all. Peter Stormare's lousiest performance to date, he's been going downhill since the excellent work in FARGO. Perhaps that one was just luck for him, and a good script. Excessive battle scenes, so much so as to give the viewer shell-shock too. For these, a ONE.

The good: both Adam Beach and Roger Willie give solid, well-bodied performances as the Navajo code talkers. The effort to recognize the contribution of the Navajo code talkers is a very positive aspect here, and for these reasons the film deserves a NINE. I give it an average of FIVE.

A war movie done John Woo-style sounded like such a good idea on paper. The slow-motion action sequences and other typical Woo-ism elements are often even more laughable than beautiful or realistic. Same goes for the deeper and sentimental meanings of the movie.

It's obvious John Woo wanted to make a "Saving Private Ryan" realistic like war movie but the movie gets stuck somewhere between Hollywood action/war entertainment and a serious war movie.

The battle sequences look too fabricated and planned out, which is of course a killer for the movie its realism. Sure the battle sequences all look fine and it obvious cost some serious money to make this movie.

Between all of the battles and action within the movie, there are lots of slow moments. Guess it tries to be deep or something, also about the Navajo-culture, in those moments but it instead feels pointless and often like a drag. Same goes for most of the sentiments within the movie. It's also the reason why the movie is quite long.

The movie is an underwritten one that for a genre movie is too formulaic. It's mostly a predictable movie that offers very few surprises or original moments. A shame, since the concept of the movie is definitely an original one. The movie also doesn't bother to tell where and why they are fighting. What are all these battles? Why are they being fought? And yes, of course the movie also finds room to put in a love-story. All of the character also remain pretty shallow one's, no matter how far they dig into their past.

Nicolas Cage just wasn't made for these sort of movies. The movie is filled with some other well known names in it and most of them do a good job. It's not like the acting is one of the weakest elements of the movie but that still doesn't mean that everyone was correctly cast.

It's definitely a watchable movie but its shortcomings just prevent this movie from being a great or really memorable one.

6/10

http://bobafett1138.blogspot.com/

I finally watched this movie, it long caught my interest but fell of my radar for years. I do recommend watching this movie--at least until some independent filmmakers (or streaming studio) makes a worthy version of this story. The story is incredible. As an high-tech engineer, I am blown away by the fact that the human brain and unusual language was able to solve a real-time encryption problem decades ahead of any possible other technology. Sure, machines like enigma could be used, but, that is a heavy and vulnerable asset to drag around on the front lines. Really heroic story, and even more moving given the lack of respect shown to native Americans since the European invasion of their homelands.

Incredible human drama. Great performances by the lead Navajo actors. Cage was his usual fantastic self, despite the flimsy lines he was given. The rest of the movie was---meh. Typical Hollywood narcissism. Spend most of the budget blowing things up and sending people careening in all directions in bits and pieces. Zero depth to any other characters, including the Japanese, who were little more than animated cardboard cutouts screaming and shooting. This movie should be a poster child for the imminent demise of the Hollywood glory days, following in the path of cable TV as they chase each other down in a great swirling flush. The best thing about the streaming media revolution is that it busted up the Hollywood empires, and with that I have hope in a retelling of this story by more intelligent, skilled hands.

Woo's heightened maximalist style doesn't always translate smoothly to a rugged war movie and at no point is it more clear than with Windtalkers. I've definitely gained a better appreciation for it upon a second more expanded viewing as I'd seen this once before, but it was the rather lacking Theatrical Cut, so when gearing up for this mini US Wooathon I knew I wanted to give the Director's Cut the time of day it deserved. While it definitely lacks the raw emotional power that underlines Bullet in the Head, it feels more tonally consistent than Heroes Shed No Tears, but Windtalkers is replete with Cage's finest angsty acting, James Horner's gorgeous score, John Woo's exceptional attention to detail and requisite concerns of friendship and rivalry staring in the face of violence. This is not a story about heroes. It's a story about a man and his own demons, trying to redeem himself from war. Windtalkers is far from perfect, but heavily underrated for what it is, the kind of film where you think you can predict everything that's going to happen upon the first shot and you spend the rest of the film praying that you're wrong.