Un Ángel Enamorado

Loose remake of Wings of Desire that goes less for the artsy approach and more for the romantic drama. Nic Cage plays an angel who falls in love with pretty surgeon Meg Ryan. Cage, as always, is an acquired taste. His usual half-ham approach to acting is on display here. If you are familiar with him and don't like his style, then you will hate this so don't bother. Ryan is adorable and pretty and can cry on cue. So she's perfect for this kind of schmaltz. Dennis Franz appears in a reworking of Peter Falk's wonderful role in the original film. Falk was the best part of Wings of Desire for me. Franz is OK here but not particularly memorable.

Despite its flaws, I was actually enjoying it for the most part. Not loving it, but enjoying it. It was pleasant enough. But the downbeat ending killed the whole thing for me. Look, you don't want to make a pretentious art film like Wings of Desire -- OK, cool, I'm with you there. But if you're going to make a mainstream love story, then stick with that and don't give me some depressing ending. It made me feel like I wasted my time with the whole thing. It had nothing profound to say and certainly didn't have the nice visuals of Wings of Desire, so it really needed to make the love story work. Instead it makes an attempt at the last minute to become something more than it is and it fails. Nice soundtrack though.

I was hesitant to see this movie for the longest time. Nicolas Cage and Meg Ryan in a romantic drama would seem to spell a movie filled with forlorn looks and sweet nothings whispered to each other. Upon seeing it, this movie proved my suspicions true.

However, I was astonished at how much more this film had. The sheer amount of interesting concepts, combined with the ability to look at humanity from some distance, made this movie well worth the watch. If this film succeeds, and I believe it does, it is precisely because of the mixture of Hollywood gloss and original Wenders magic. Something for everyone, if only you give it a little thought.

Touching date movie, nice discussion piece, and filled with attractive people, City of Angels is wonderfully shallow and surprisingly deep at times, making it well worth the watch.

I do think this film is underrated. For one thing, it has beautiful cinematography that just adds to the appeal of the film. Another thing I liked was the very thoughtful soundtrack, that title song is very haunting, and we just know it is going to be very sad. Some of the film is genuinely moving, and the evidence is in the chemistry of the two stars Meg Ryan and Nicolas Cage. Cage gives a very moving performance as Seth, a very unusual representation of an angel, and Ryan is very charming as always as Maggie. Of the minor roles, Dennis Franz is a scene stealer, bringing some energy into a rather slow-moving story. The script was very touching, though sometimes cheesy, and there are some overly sentimental scenes like the ending, that gets a bit hard to stomach. Though, in conclusion, a lovely looking, moving and well performed film. 7/10 Bethany Cox.

There's just one point I want to make about this movie, and that's about the OR scene when they're doing a coronary bypass. This is the first time I've ever seen a correct movie rendition of it, it's usually a baroque farce, but not here. Every instrument I could see, the bypass machine, the aortic cannula, the headlamps, the ECG monitors (and the traces!), the orders given, the type of suture, were correct (except I suspect they chose a heavier suture than normal 7-0, since a 7-0 would be very hard to see, it looked more like 4-0 or 5-0). Even the tying of knots, the Joule strengths used for defibrillation, the lidocaine dosages, the body temperature during bypass, the kind of mag the bypass operator is reading, the music (except we had Bach, country & western, Dylan or Cat Stevens, depending on surgeon and how the procedure was going), the time it will take to reprime the pump to get back on cardiac bypass again; I found not one single error! There's this one moment when everyone looks under the table, which is weird, but then Meg Ryan leaves the table, so even that is OK from a sterility point of view. I don't know if other people care, but this kind of care for detail makes a movie a lot more enjoyable for me.

Oh, one more remark: the reanimation with internal cardiac massage is a bit short, they give up a bit too soon. But that's exactly what she blames herself for, later.

The photography will blow you away. The scenes concocted and shot are breathtaking. It's almost better not to know this when you enter the cinema. And this movie should work far better in the cinema than on the small TV format at home.

As for the story, it concentrates on one small aspect of the original - and, according to about half the viewers, pulls a "dirty trick" on them, altogether unfair.

I left the movie house cursing the director and promising to punch his teeth in if I saw him. The ending, IMHO, was gratuitous sermonizing, and not at all what the majority of moviegoers came to see.