Il était une fois le diable

After watching this I wondered if the director had actually ever seen a film before. Because this seems to ignore any and all of the conventions of film making we've come to expect. Plot, character development, subtext, all are dashed against the rocks of chaos here.

The movie starts with a mutant dressed in Nazi attire madly tearing his way out of a tent. We then have a prolonged shot of the victim of the mutant bleeding on the ground. Then as the mutant storms of into the woods to kill some one else his foot gets caught on the tent rope and he scuffles with it. Was that intentional? I don't know but they left it in. That question "Was that intentional?" is something I found myself asking a lot throughout the entire movie.

This is one of those film that has to be seen to be believed. There's a demonic cat that lives in the mountains. There's an old witch that controls the Nazi mutant. There's an old man with a shotgun that seems to have an endless supply of bullets. There's an Egyptian mummy that comes out of an old galleon which is magically drawn from the inside of a mountain by a devil horse.

I Liked it. Despite hearing myself sighing throughout I would definitely watch it again.

Contrary to what my fellow IMDb reviewer Weirdling_Wolf writes, I believe that the French have given us plenty of decent horror films*, from B&W classic Les Diaboliques, to the dreamlike work of Jean Rollin, to zombie/action flick La Horde, to more contemporary shockers Inside and Martyrs. Devil Story isn't one of them though, being a strong contender for the strangest, if not worst, horror film ever made. This low budget crap-fest from director Bernard Launois is technically inept in almost every department and has a virtually non-existent plot, making it a must for fans of z-grade schlock.

The film opens with a grunting, snuffling facially disfigured man in an SS uniform killing several people with a knife and dumping their bodies down a well, before continuing his murderous spree with a shotgun. The action then cuts to a young married couple who experience car trouble during a storm and seek shelter at a stately home occupied by an old man and his wife. The lady of the house tells the visitors a story about a group of bandits who lured ships onto the rocks, and explains that their descendants still live in the area: the ugly monster from the opening scene and his mother.

During the night, the young woman decides to up and leave without her husband, but wishes she had stayed put when she runs into the hideous killer and his mum, who try to seal her in a tomb. She escapes, but runs into an Egyptian mummy and a zombie woman, who are also roaming the countryside. Meanwhile, the old man from the stately home is trying to shoot a very noisy horse with his shotgun.

Devil Story suffers from poor direction, choppy editing, amateurish make-up effects and lousy acting, but the worst thing about it is the soundtrack, with all sound effects at maximum volume and repeated incessantly: in addition to the constantly whinnying horse we also get a very vocal owl, and repetitive use of that old horror cliché Bach's Toccata and Fugue in D minor, BWV 565 in a misguided attempt to add atmosphere. I reckon if anything is going to make you want to hit the stop button, it'll be that damn horse!

On the plus side, the gore effects, while not exactly special, are plentiful and fun, with quite a lot of spurting blood from wounds, the monster getting injured so that part of his scalp flaps around, and one really unconvincing but very messy moment when the mummy stomps on the man with the shotgun causing his guts to spill out.

2/10. It's film making at its most incompetent, but for a select few, Devil Story will prove every bit as entertaining as a Marvel blockbuster is for the masses.

*their music still sucks, though!

Again this is one of those movies that everybody wants to see but can't find. it is a french movie never released on DVD and only available on VHS copies. But still if you search The Web you will be able to find some copies. As I watched it I just didn't know what I have seen. Some parts are too long, some parts are gory, someparts are childish. For sure it's a extreme low budget flick, dubbed in English with Greek subs. it's still strange that most of the OOP's and well sought after movies are available in Greece on VHS dubbed English with the unremovable subs. That doesn't bother me, it's the movie that you want anyhow. The parts too long is the part with the cat. He still appears but nothing really happens during that time. The gory parts are the killings, it is a for a low budget and a flick of that era rather gory. The killing itself is mostly done off camera but the result is shown in all their glory. Childish for me was the mummy, anyway. And why that man is trying to shoot that horse and isn't able to do it is still an enigma. Also being made in France it's strange that their is no nudity involved. But still, when the movie starts you will keep watching, even the dull parts.

A four out of ten (4/10) is a good score for a bad movie that while isn't actually bad enough to warn folks away from, it isn't good enough to risk your reputation by advocating it as better than average. That would actually be about the worst score you could give a movie like this -- average -- because it's one of those movies that will either tickle your geek nerve or rub you the wrong way. It is ineptly made, incoherently edited, aimlessly plotted, unconvincingly staged, lacking in subtext or any sense of meaningful artifice of film as a craft, and the special effects "suck". My favorite is when they show people up close bleeding to death and you can see the action of a hand pump shooting the fake blood everywhere.

And yet the movie nonetheless still has something going on in it that I didn't think the French were capable of, namely a sense of humor about how to make art -- this is one of the funniest horror movies I've yet encountered. The best scenes in the film involve airborne attacks by a flying demonic kitty. Then there is the guy in the zombie mask dressed in Boy George's old uniform, shuffling around the French countryside randomly killing people in brutal manners just for the hell of it, apparently. He uses a knife, a shotgun, and one of those spiked gloves they wore in MAD MAX that will split someone's head open like a grapefruit if you punch them hard enough. There is also a mummy, a possessed zombie babe who looks like Soiuxie of The Banshees fame, and a pretty blonde woman (Véronique Renaud in what was sadly her only screen appearance) running around in her underwear, a raincoat and Wellington boots; We need more of this in films today.

There is also a retired war hero of some sort wandering around with what appears to be the same shotgun the zombie guy has, an old hag of a witch who it turns out controls the zombie & is engaged in some kind of task to trap people in the ground, and finally the horse. The horse is perhaps the biggest mystery in the film, it's role within the context of the story is obviously allegorical rather than literal, but I'll be damned if I can figure out what the point of it was other than to allow the director to repeatedly use a sound clip of the horse whinnying. After about the three hundred and fifth whinny you too will wonder what is going on here if you have not already become annoyed & gotten on with your life. But stick with it, this one's worth the effort.

The film is an enigma: It makes no sense, and in that way is very French in nature. I like how it explores the most mundane, unremarkable locations in the French countryside, appearing to have been filmed for the most part on public land when nobody else was around. It was also made for about $25,000 if even by the looks of it, and is in fact SO low budget that a stage hand actually had to toss the demonic attack kitty through the air to simulate it's frenzied assaults. But they managed to find a nice French castle to film for some atmospheric exteriors (complete with ominously hilarious Bach organ music), the movie has a kind of nihilistic aura to it where everyone dies & evil prevails, and there's some genuinely "EWWW!" inducing gore as the zombie guy slowly gets shot to pieces, bleeds grape jelly from the mouth, and keeps right on a-shufflin.

In other words, if the movie had some random gratuitous nudity & the mummy shot laser beams out of it's eye sockets, this film would pretty much have it all. It's easily the most enjoyable horror romp to come out of France since ZOMBIE LAKE, which gets the poo-poo from purists just because Jean Rollin was too snooty to accept the fact that he actually made a movie that was FUN. This one is too, though it doesn't make any sense & probably wasn't meant to. You can do that sometimes in the movies and it isn't necessarily a bad thing.

4/10

French horror has given us some of the most elegant, most poetic horror in the genre. Franju, Rollin and others, they of tender velvet fingers to caress the soul. Devil Story is a long way away from them. A million blood spattered, brain curdled miles away in fact. Its plot seems less considered than the congealed vomit of an all night geek brainstorming session fuelled by counterfeit Gauloise and antifreeze laden plonk, its script a furied migraine ravaged dash to pull all together in time for filming. There's a deformed headcase in soldier gear who likes to kill everyone he meets, a horse that may be the devil, a creepy old lady, Gothic castle and more, and yet by some alchemy that surpasses even the most shredded synapses it all more or less holds together in the end. No doubt this alchemy plays significant role in making the film work, but much credit goes to the unrelenting attitude of director Bernard Launois on display (this is apparently his only horror but he should have made more). No matter what the absurdity, the film remains focused. Blood spray clearly from somebody pumping a tube? Keep the camera on it. Supposedly dead person clearly still breathing? Who cares? A mummy that appears wrapped in gauze rather than bandages and either has a codpiece or a big schlong? Artistic license! There's a fearless drive that renders all such silliness near irrelevant, and on occasions of an effectively gruesome effect the camera really lingers, the wounded don't get away with dignity here and it conveys a nice brutality. And altogether the no holds barred approach to plot and visuals pays off, however inept there's an aura of unhingement here that at times becomes really quite potent. Not quite as potent as Orgroff (its closest brother in French trash horror cinema), but much better ordered and marginally less inept, with technique that at times could pass for pretty much sane in a less demented product. Basically this is a film for select audiences, more or less just the hardiest of insane trash fiends. But for anyone dedicated enough to have read this far, this is a film for you. Find it, watch it, and watch Orgroff too, the order matters not so much. You can thank me later...