CALIFICACIÓN DE IMDb
5.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA Wyoming park ranger arrives in Milan to visit his fashion model twin sister after experiencing a premonition of her death, only to discover that she has gone missing.A Wyoming park ranger arrives in Milan to visit his fashion model twin sister after experiencing a premonition of her death, only to discover that she has gone missing.A Wyoming park ranger arrives in Milan to visit his fashion model twin sister after experiencing a premonition of her death, only to discover that she has gone missing.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
Maria McDonald
- Margaux Wilson
- (as Maria Mc Donald)
Bruce McGuire
- Interpol Agent
- (as Bruce Mc Guire)
Isa Gallinelli
- Postal Worker
- (sin créditos)
Phillip Wong
- Keno Masayuki
- (sin créditos)
Zaira Zoccheddu
- Spied Girl
- (sin créditos)
Opiniones destacadas
Sotto Il Vestito Niente or Nothing Underneath is one of those releases that never had an official uncut release on DVD. Even the US DVD clocks in at 90 minutes. To find it uncut you will have to search the Japanese VHS release on the obscure 'Suncrown' label. It clocks in at 94 minutes and 14 seconds. 4 minutes more then all DVD releases worldwide. The VHS is very hard to find but still is it all worth searching?
If you are a giallo buff you will need this version and also the Donald Pleasance fans should search for it. He has a weird Italian accent. You can easily spot the extra 4 minutes throughout this flick, they have more drops and scratches. It's indeed a pure giallo with the black gloves and scissors but it's low on red stuff. Don't expect to see a Argento styled giallo.
The story is also rather simple. When Bob Crane (Tom Schanley) hears that his sister is in danger he immediately goes to Milan, Italy to find Jessica (Nicola Perring). Of course nobody believes Bob and detective Danesi (Pleasance) doesn't want to help until other models do disappear. Together they go hunt the maniacal killer as it's Danesi's last case.
When the killings happen it's all done off-camera except with the brown girl. And that doesn't help the giallo to become a classic. But it's full of gratuitous nudity and Pleasance with his worth voice is worth watching. A late entry in the giallo genre and not that good for the red stuff but the story flows smoothly, somehow you keep watching.
Gore 0/5 Nudity 2,5/5 Effects 1/5 Story 3/5 Comedy 0/5
If you are a giallo buff you will need this version and also the Donald Pleasance fans should search for it. He has a weird Italian accent. You can easily spot the extra 4 minutes throughout this flick, they have more drops and scratches. It's indeed a pure giallo with the black gloves and scissors but it's low on red stuff. Don't expect to see a Argento styled giallo.
The story is also rather simple. When Bob Crane (Tom Schanley) hears that his sister is in danger he immediately goes to Milan, Italy to find Jessica (Nicola Perring). Of course nobody believes Bob and detective Danesi (Pleasance) doesn't want to help until other models do disappear. Together they go hunt the maniacal killer as it's Danesi's last case.
When the killings happen it's all done off-camera except with the brown girl. And that doesn't help the giallo to become a classic. But it's full of gratuitous nudity and Pleasance with his worth voice is worth watching. A late entry in the giallo genre and not that good for the red stuff but the story flows smoothly, somehow you keep watching.
Gore 0/5 Nudity 2,5/5 Effects 1/5 Story 3/5 Comedy 0/5
This one tries oh-so-hard to be a stylish giallo in the Argento-manner, combined with some erotica, and almost succeeds. Of course, you get all the pros and cons of the giallo-genre. Inventive cinematography, nice settings, elaborate murders, good score (by dePalma regular Pino Donaggio) and a plot with more twists and turns than you can shake a stick at, are bonus points plus a walk-on by Donald Pleasance who gives the picture a touch of class.
We also get silly dialogue to howl at, so-called actors/actresses who read their lines in incredibly stilted fashion (my 'fave' is the girl who says 'a maniac is trying to kill us all' with a tone of voice that suggests indigestion more than fright) and a motive for the killer that is far-fetched to say the least. Renee Simonsen is adequate in her part, as is Schanley. Because of the setting, the fashion industry in Milan, the array of beautiful women is neverending (but many of them are made up to look like hookers, not models), but almost none of them are presented in a positive way, rather as money-hungry bitches, ready to do everything for fame and/or money.
For the true giallo-fan there may be one thing that disappoints: the murders. If you are familiar with the works of Argento/Soavi/Fulci, you know that the murders should be vicious and yet beautiful almost. "Nothing Underneath" builds these set-pieces with some flair, but the payoffs (i.e murders) are usually (with one exception) pretty lame. However, the last ten minutes are quite suspenseful and competently put together, and Vanzina manages to pull off some neat set-pieces. Give it a try, but don't expect too much.
We also get silly dialogue to howl at, so-called actors/actresses who read their lines in incredibly stilted fashion (my 'fave' is the girl who says 'a maniac is trying to kill us all' with a tone of voice that suggests indigestion more than fright) and a motive for the killer that is far-fetched to say the least. Renee Simonsen is adequate in her part, as is Schanley. Because of the setting, the fashion industry in Milan, the array of beautiful women is neverending (but many of them are made up to look like hookers, not models), but almost none of them are presented in a positive way, rather as money-hungry bitches, ready to do everything for fame and/or money.
For the true giallo-fan there may be one thing that disappoints: the murders. If you are familiar with the works of Argento/Soavi/Fulci, you know that the murders should be vicious and yet beautiful almost. "Nothing Underneath" builds these set-pieces with some flair, but the payoffs (i.e murders) are usually (with one exception) pretty lame. However, the last ten minutes are quite suspenseful and competently put together, and Vanzina manages to pull off some neat set-pieces. Give it a try, but don't expect too much.
Okay, I admit: the eighties is a guilty pleasure for me and most of of the horror movies I watch are from those years.
I´m very fond of giallos from the eightes and this is one of my guilty pleasures. Not as good and stylish as You´ll die at midnight, but good entertainment and quite a good story.
Someone is killing models in Milano and the brother to one of them comes to town to find out what happened to his sister. He get´s help from the soon-to-retired police Donald Pleasence. Because he and his sister are twins, he can sense things that happened to her and that helps him a lot during the investigation.
Carlo Vanzinas direction is simple and very effective and he makes the movie work. I enjoyed his work before, the strange espionage-giallo Mystère (with Janet Ågren, Carol Bouchet and John Steiner).
Blood? Yes, a small amount is shed with happiness and those scenes look really good. But most of the stuff is off screen or just not-so-graphic.
The ending is fabulous, I love the use of slowmo there.
Recommended for the die hard giallo-fans :)
I´m very fond of giallos from the eightes and this is one of my guilty pleasures. Not as good and stylish as You´ll die at midnight, but good entertainment and quite a good story.
Someone is killing models in Milano and the brother to one of them comes to town to find out what happened to his sister. He get´s help from the soon-to-retired police Donald Pleasence. Because he and his sister are twins, he can sense things that happened to her and that helps him a lot during the investigation.
Carlo Vanzinas direction is simple and very effective and he makes the movie work. I enjoyed his work before, the strange espionage-giallo Mystère (with Janet Ågren, Carol Bouchet and John Steiner).
Blood? Yes, a small amount is shed with happiness and those scenes look really good. But most of the stuff is off screen or just not-so-graphic.
The ending is fabulous, I love the use of slowmo there.
Recommended for the die hard giallo-fans :)
I recently viewed the Italian giallo 🇮🇹 Nothing Underneath (1985) on Tubi. The plot revolves around a Wyoming park ranger whose model twin sister in Milan faces an unknown tragedy. Driven by a sense of unease, he flies to Italy to find her, uncovering a ruthless man exploiting models.
Directed by Carlo Vanzina (The Gamble), the film features Donald Pleasence (Halloween), Tom Schanley (Get the Gringo), Renee Simonsen, Anna Galiena (Black Angel), and Bruce McGuire (From Beyond).
Released towards the end of the giallo era, the film captures the essence of 80s models through their fun lifestyles, hairstyles, attire, and makeup. It embraces classic giallo elements, blending psychological and slasher genres. While the kill scenes are generally average, there's a standout backstab moment that caught me off guard. The ending reveal is good, albeit somewhat abrupt.
In summary, Nothing Underneath is a worthwhile 80s giallo, not exceptional but boasting redeeming elements. I'd give it a 5.5-6/10 and recommend watching it at least once.
Directed by Carlo Vanzina (The Gamble), the film features Donald Pleasence (Halloween), Tom Schanley (Get the Gringo), Renee Simonsen, Anna Galiena (Black Angel), and Bruce McGuire (From Beyond).
Released towards the end of the giallo era, the film captures the essence of 80s models through their fun lifestyles, hairstyles, attire, and makeup. It embraces classic giallo elements, blending psychological and slasher genres. While the kill scenes are generally average, there's a standout backstab moment that caught me off guard. The ending reveal is good, albeit somewhat abrupt.
In summary, Nothing Underneath is a worthwhile 80s giallo, not exceptional but boasting redeeming elements. I'd give it a 5.5-6/10 and recommend watching it at least once.
"Sotto il vestito niente" (Nothing underneath) is what one could call a "standard " giallo. The film tells a straightforward story and is directed to the general audience, as it becomes clear by a more "conventional" soundtrack, but all the same – "Nothing underneath" is still a stylish and inventive film.
The plot , derivative as it may seem, is also interesting. A model in Milan is about to be killed. Her twin brother in Wyoming, Bob Crane (Tom Schanley) feels that something is about to happen. He tries to warn her. Too late. He flies in a hurry to Milan but his sister is missing. What happened to her? He warns the detective inspector, Comissioner Danesi (Donald Pleasance), that his sister may have been killed. But, as they say, "no body, no crime". Another model is murdered and this is just the beginning. Now Comissioner Danesi and Bob Crane join forces to investigate the murders...
As I said before, "Nothing underneath" is, like many other gialli, stylishly filmed, with good murder scenes, beautiful actresses etc., in other words, it has all the ingredients that make gialli so attractive. One can feel in "Nothing underneath" the love of Vanzina for the giallo genre, and for Hitchcock too.
"Nothing underneath" may not be a groundbreaking film, but it's quite an enjoyable one.
The plot , derivative as it may seem, is also interesting. A model in Milan is about to be killed. Her twin brother in Wyoming, Bob Crane (Tom Schanley) feels that something is about to happen. He tries to warn her. Too late. He flies in a hurry to Milan but his sister is missing. What happened to her? He warns the detective inspector, Comissioner Danesi (Donald Pleasance), that his sister may have been killed. But, as they say, "no body, no crime". Another model is murdered and this is just the beginning. Now Comissioner Danesi and Bob Crane join forces to investigate the murders...
As I said before, "Nothing underneath" is, like many other gialli, stylishly filmed, with good murder scenes, beautiful actresses etc., in other words, it has all the ingredients that make gialli so attractive. One can feel in "Nothing underneath" the love of Vanzina for the giallo genre, and for Hitchcock too.
"Nothing underneath" may not be a groundbreaking film, but it's quite an enjoyable one.
¿Sabías que…?
- TriviaIn an interview with Marc Shapiro in Fangoria magazine on the set of Halloween 4: The Return of Michael Myers (1988), Donald Pleasence said about the film: "I rather liked Death Line (a.k.a. Raw Meat). The idea of my playing an eccentric detective who can't solve the mystery of all these bodies in the English subway was a different turn for me, as was a film I made in Italy called Nothing Underneath. I played another detective chasing down a killer who was murdering models. I don't know if it ever reached the U.S. but it's a bit of a cult film in Italy."
- ConexionesFeatured in Videomannen (2018)
- Bandas sonorasOne Night in Bangkok
Written by Benny Andersson (as Andersson), Tim Rice (as Rice) and Björn Ulvaeus (as Ulvaeus)
Sung by Murray Head
Courtesy of Jubal, Milan
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- How long is Nothing Underneath?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Bajo el vestido... nada (1985) officially released in India in English?
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