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Agrega una trama en tu idiomaIn this prequel to Ring, a young Sadako becomes an actress in hopes of escaping her troubled past. But strange visions and terrifying powers begin to manifest...In this prequel to Ring, a young Sadako becomes an actress in hopes of escaping her troubled past. But strange visions and terrifying powers begin to manifest...In this prequel to Ring, a young Sadako becomes an actress in hopes of escaping her troubled past. But strange visions and terrifying powers begin to manifest...
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Opiniones destacadas
I think most of you aren't looking at this film from a wide enough perspective. It's basicaly a coming of age story, given a little horror twist. A young girl growing up in a cruel environment, admonished for being different. You people are taking this Two Sadokos thing way to seriously. The Evil and Good half i believe was there to represent the good and evil within us all, and the events which lead up to us letting in to our dark sides. It was the same tale with Luke Skywalker, the same tale in the movie May. Even the name of her first play, The Mask, hinted at this.
A tragic tale of a girl who is bitter at a world who just won't accept her. A girl who becomes so enraged at being "locked away" for her differences, that she has nothing better to do but slowly die, and kill those who would never accept her kind.
A good movie, and excellent prequel.
8/10
A tragic tale of a girl who is bitter at a world who just won't accept her. A girl who becomes so enraged at being "locked away" for her differences, that she has nothing better to do but slowly die, and kill those who would never accept her kind.
A good movie, and excellent prequel.
8/10
Wonderful? Great? Excellent? I read with disbelief some of the reviews here. Was I watching a different movie? Of the three Ringu movies, this one was definitely the weakest link. The problem was, I couldn't quite decide whether Ringu 0 was a horror movie, or a throwback to 1970s Asian romance movies. Specifically Taiwanese ones, where the female half of a romance usually ended up either blind, stricken with some incurable disease, or dead, and there were usually an evil parent, step-parent, in-law, or rival in the background. Ringu 0 had an incomprehensible plot, and was mostly melodrama at its worst. Where were the scares that defined Ringu and Ringu 2? A repeat of spooky scenes from the first two movies (e.g. mad mother staring into the mirror, bone-cracking walk/crawl, etc.) do not count. There were simply no original scary scenes here. Plus, what was that nonsense about Sadako splitting into two? Aieee!! What works well in Japanese horror manga (for example, the excellent "Tomei" series about a teenage girl who cannot die despite being murdered repeatedly because her body parts simply regenerate into separate identical persons) simply do not work well on screen. I wished the producers had stopped at Ringu 2. Sigh...
Shortly after an oddly quiet young woman, Sadako Yamamura (Yukie Nakama), joins a drama troupe, strange events, including deaths with suspicious circumstances, start occurring. Is Sadako somehow connected to these events? And what does it have to do with a reporter investigating a years-old tragedy at a psychic demonstration?
Series Note: There are many different films, television series, books, comic books, etc. based on the "Ring Universe", and it's very complicated trying to sort them out. The Japanese films known as "Ring" or "Ringu" can be numbered 0 (this one), 1 (Ringu, 1998) and 2 (Ringu 2, 1999), and function well as a self-contained story. This film, Ring 0: Birthday is a prequel. I prefer watching it first, but if you want more mystery in the other films, watch them in their release order: Ringu, Ringu 2, then Ringu 0. Note that there is also a Japanese film named Rasen (aka Spiral, 1998) which was meant to be a "Ring 2", but that was later superseded with the 1999 Ringu 2. Rasen is supposedly closer to the second Ring novel, but 1999's Ringu 2 is seen as more or less the "official" Ringu sequel.
There is an infamous mock commercial from the early days of "Saturday Night Live" (1975) about a product named "Shimmer". Shimmer was notable for being both a floor wax and a dessert topping. Ring 0 has Sadako as a Shimmer-like entity. Only, instead of being just two kinds of things, she's six--a telekinetic, a psychic, a precognizant, a ghost, a psychic healer, and a physical manifestation of a split personality. The film overall has a Shimmer-like quality, too. It's both a horror film and a slow, realistic drama with romance overtones. The horror stuff generally works, although Sadako would have benefited from not having so many functions. The more serious dramatic sections, which take up almost an hour of this 90-minute film, are not quite as successful.
The script, by Hiroshi Takahashi, from a story by Ring novelist Koji Suzuki, is admirable on an artistic level. Takahashi is fond of parallelism, setting up the drama troupe's rehearsals and performance as an innocuous veil that often matches more sinister events beneath the surface. He frequently changes our perspective so that we see a stage performer scream, say, at the same time someone offstage should be screaming. These kinds of parallels can be found throughout the film.
The problem is that director Norio Tsuruta just cannot get much momentum going with the material. The dramatic rehearsals and backstage bickering that take up a large percentage of screen-time just aren't that eventful or exciting. There are glimpses, through Sadako or around her, of a more intriguing world, but they're often little more than "flashes" that might cause us to do a double take. Takahashi and Tsuruta work hard to establish a romance subplot involving a love triangle (or two), but this can barely get off the ground. It often feels superfluous.
The best material featuring Sadako in the earlier part of the film resembles something of a cross between a Hitchcockian thriller and Brian De Palma's Carrie (1976). But those are overly generous comparisons, since at least the first hour of Ring 0 has little of the suspense, style or directorial panache of either.
I would have preferred a stronger focus on Shoko Miyaji (Yoshiko Tanaka), the reporter who is trying to investigate the psychic demonstration tragedy. Her scenes, which tend to have the flavor of a police procedural with slight horror twinges, are entertaining, and a larger focus on her would have broken up play rehearsal scenes better. It would have also given the character more weight for the climax, which would have given the ending even greater impact.
As it stands, the last half hour is still the best part. We finally unravel much of the mystery behind Sadako (although there are a lot of questions that could still be answered), and gain insight into some of the events and comments in the first two-thirds of the film, which otherwise can seem cryptic (it pays to rewatch the first hour after the film is over--I enjoyed it more the second time).
There are a number of events during the climax that are breathtaking in their brutality, all nicely scripted and directed. One of these, when two characters are enigmatically killed off-screen, is a rare example of an "attack scene" where I agree that what you're not shown can be more effective than what you are shown. We get to see the event leading right up to the death, and we see the bloody aftermath. Filming how it happened would have drained much of its mystique. Another outstanding development in the climax is rooted in the relationship between two characters, and works so well because of strong cultural taboos.
While it's probably my least favorite Ring-related film, Ring 0 is worth viewing because of its place in the series and the excellent climax.
Series Note: There are many different films, television series, books, comic books, etc. based on the "Ring Universe", and it's very complicated trying to sort them out. The Japanese films known as "Ring" or "Ringu" can be numbered 0 (this one), 1 (Ringu, 1998) and 2 (Ringu 2, 1999), and function well as a self-contained story. This film, Ring 0: Birthday is a prequel. I prefer watching it first, but if you want more mystery in the other films, watch them in their release order: Ringu, Ringu 2, then Ringu 0. Note that there is also a Japanese film named Rasen (aka Spiral, 1998) which was meant to be a "Ring 2", but that was later superseded with the 1999 Ringu 2. Rasen is supposedly closer to the second Ring novel, but 1999's Ringu 2 is seen as more or less the "official" Ringu sequel.
There is an infamous mock commercial from the early days of "Saturday Night Live" (1975) about a product named "Shimmer". Shimmer was notable for being both a floor wax and a dessert topping. Ring 0 has Sadako as a Shimmer-like entity. Only, instead of being just two kinds of things, she's six--a telekinetic, a psychic, a precognizant, a ghost, a psychic healer, and a physical manifestation of a split personality. The film overall has a Shimmer-like quality, too. It's both a horror film and a slow, realistic drama with romance overtones. The horror stuff generally works, although Sadako would have benefited from not having so many functions. The more serious dramatic sections, which take up almost an hour of this 90-minute film, are not quite as successful.
The script, by Hiroshi Takahashi, from a story by Ring novelist Koji Suzuki, is admirable on an artistic level. Takahashi is fond of parallelism, setting up the drama troupe's rehearsals and performance as an innocuous veil that often matches more sinister events beneath the surface. He frequently changes our perspective so that we see a stage performer scream, say, at the same time someone offstage should be screaming. These kinds of parallels can be found throughout the film.
The problem is that director Norio Tsuruta just cannot get much momentum going with the material. The dramatic rehearsals and backstage bickering that take up a large percentage of screen-time just aren't that eventful or exciting. There are glimpses, through Sadako or around her, of a more intriguing world, but they're often little more than "flashes" that might cause us to do a double take. Takahashi and Tsuruta work hard to establish a romance subplot involving a love triangle (or two), but this can barely get off the ground. It often feels superfluous.
The best material featuring Sadako in the earlier part of the film resembles something of a cross between a Hitchcockian thriller and Brian De Palma's Carrie (1976). But those are overly generous comparisons, since at least the first hour of Ring 0 has little of the suspense, style or directorial panache of either.
I would have preferred a stronger focus on Shoko Miyaji (Yoshiko Tanaka), the reporter who is trying to investigate the psychic demonstration tragedy. Her scenes, which tend to have the flavor of a police procedural with slight horror twinges, are entertaining, and a larger focus on her would have broken up play rehearsal scenes better. It would have also given the character more weight for the climax, which would have given the ending even greater impact.
As it stands, the last half hour is still the best part. We finally unravel much of the mystery behind Sadako (although there are a lot of questions that could still be answered), and gain insight into some of the events and comments in the first two-thirds of the film, which otherwise can seem cryptic (it pays to rewatch the first hour after the film is over--I enjoyed it more the second time).
There are a number of events during the climax that are breathtaking in their brutality, all nicely scripted and directed. One of these, when two characters are enigmatically killed off-screen, is a rare example of an "attack scene" where I agree that what you're not shown can be more effective than what you are shown. We get to see the event leading right up to the death, and we see the bloody aftermath. Filming how it happened would have drained much of its mystique. Another outstanding development in the climax is rooted in the relationship between two characters, and works so well because of strong cultural taboos.
While it's probably my least favorite Ring-related film, Ring 0 is worth viewing because of its place in the series and the excellent climax.
In Ring O, which takes place 30 years before the events of Ringu, we are introduced to Sadako Yamamura, a painfully shy young girl who is literally torn in two by her mysterious heritage. Sadako, haunted by frightening visions of ghosts and bloody omens of the future, is a tense and silent girl with an ethereal beauty. She has found happiness in a local drama troupe, despite the fact that few of her fellow actors like her - Sadako is too quiet, a little creepy, and always seems to have something "standing behind her" - something that no one can quite see. The cast of an upcoming play all begin to have similar dreams in which an old house, a forest by the sea and a crumbling well all make an appearance. When the star of the play dies unexpectedly, and Sadako is given her role, suspicion mounts. Odd occurrences plague the set, a news reporter with a secret agenda begins to investigate Sadako and Sadako herself falls in love with a handsome sound engineer named Toyama, the only one who believes that Sadako is innocent. But if she is, then what is causing the poltergeist activity in the theater? What is the source of the strange, eerie sound that everyone can hear? And whose voice said "You will die" on a recording made at the time of a young woman's death?
This is a strong entry in the Ringu series, more of a psychological drama than anything else. Sadako, like Carrie White, is a girl with no self-esteem, wandering through the film in dumpy clothes with her hair in her face. She is truly a good, sweet girl who is simply pushed too far at last. There are some creepy moments scattered through the film featuring grainy dream sequences, stricken corpses and a very creepy shot of Sadako's insane mother during a flashback. There's also a great climax featuring Sadako as we all remember her - hair in her face and clad in a long white dress - literally jumping into view and then creeping up on her two victims in a scene that was clearly shot backwards and then run forwards, giving her movements a hideous jerkiness. Yukie Nakama is very good as Sadako, giving us a tragic heroine who is good and pure and possesses the power to heal the sick. Your sympathy will lie with Sadako, even as her dark past is revealed. The good Sadako suffers unbearably and you will suffer with her, right up to the chilling, but inevitable, ending.
This is a must see for Ring fans. Very highly recommended.
This is a strong entry in the Ringu series, more of a psychological drama than anything else. Sadako, like Carrie White, is a girl with no self-esteem, wandering through the film in dumpy clothes with her hair in her face. She is truly a good, sweet girl who is simply pushed too far at last. There are some creepy moments scattered through the film featuring grainy dream sequences, stricken corpses and a very creepy shot of Sadako's insane mother during a flashback. There's also a great climax featuring Sadako as we all remember her - hair in her face and clad in a long white dress - literally jumping into view and then creeping up on her two victims in a scene that was clearly shot backwards and then run forwards, giving her movements a hideous jerkiness. Yukie Nakama is very good as Sadako, giving us a tragic heroine who is good and pure and possesses the power to heal the sick. Your sympathy will lie with Sadako, even as her dark past is revealed. The good Sadako suffers unbearably and you will suffer with her, right up to the chilling, but inevitable, ending.
This is a must see for Ring fans. Very highly recommended.
When Ring conquered the far east in 1998, then began to spread to the west, audiences were shocked at the nature of new horror. No longer was blood, guts and gore the content used to scare viewers, but sheer unadulterated terror caused by a whole new approach of psychological tension and a surreal dreamlike fear. It spawned a decent sequel which didn't *quite* live up the original due to convolucence of the plot and slight contrivance. But for the 3rd movie in the series (I ignore the Korean 'Ring Virus') they went back to basics, and told a simple story. Ring 0 is a prequel. Yes, not everything is cleared up, but for sheer story telling and quality of drama Ring 0 is the best in the series. It doesn't quite contain the same level of fear as Ring, but that's on purpose to portray Sadako (Who could well be one of the most enduring 'villains' in movie history) as a vulnerable girl - to convey her upbringing and troubled existance. And on this level the movie works extremely well, and the viewer identifies with her. But it just wouldn't be Ring without a scare or 2, and the ending, while not *quite* as terrifying as Ring's ending (Due to the fact we are now getting familiar with Ring's 'tricks') is still extremely chilling and will scare you. Overall, excellent movie and thoroughly recommended.
¿Sabías que…?
- TriviaYukie Nakama was cast in the role of Sadako. After Nakama's friends had seen Ringu (1998), they teased her about her resemblance to Sadako. Nakama was later contacted by her agent who mentioned they were looking for actresses for the role of Sadako and tried out for the role. She received confirmation of her role in the next two weeks.
- ErroresIn one particular shot, Etsuko goes backstage for a scene in which no other person should have been present. And yet, in this scene, one can plainly see a small hand poking out from behind one of the dresses.
- Citas
Sadako Yamamura: Mother! Who is father?
- ConexionesFeatured in The J-Horror Virus (2023)
- Bandas sonorasFinale
Music and Co-Strings Arrangement by Tetsu
Lyrics by Hyde (as hyde)
Co-Strings Arrangement by Ken Kitamura (as Ken) and Ryô Yoshimata
Co-Arrangement, Co-Produced and Co-Strings Arrangement by Hajime Okano
Co-Arrangement, Co-Produced and Performed by L'Arc-en-Ciel
Courtesy of Ki/oon Records and Sony Music Entertainment (Japan) Inc.
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- Ring 0: Birthday
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