Slime City

"We could use some fresh blood around here," claims a punk-poet inhabitant of the low-rent boarding house where most of SLIME CITY takes place.

As Alex (Craig Sabin) gets settled into his new apartment in Flushing, New York, he meets strange neighbors under the spell of the resident ghost, Zachary. Alex soon learns that Zach has replaced their personalities with those of his long-dead buddies. Alex is warned that he'll be next, and that Zachary was a malevolent mystic and wrote a book of alchemist's recipes called "Flesh Control."

Instead of leaving, Alex eats "Himalayan yogurt" -- some sort of flavored ectoplasm -- and the next morning awakes in a pool of slime. Alex roams the streets and kills people. Among the other flat characters are Nicole (Mary Huner), who dresses in fishnet stockings, works strip joints, has clothed sex with Alex, and murders a one-night stand. Alex's straight-laced girlfriend Lori (also played by Huner) is unaware of Alex's newly acquired personal hygiene problem right up until the point where he tries to kill her.

In the closing sequence, Alex and Lori battle it out. She chops him up but the various disembodied parts start attacking. As Alex's head barks orders, his arms, hands and even internal organs attempt to get her. The wild action is funny at times but poorly staged. Originally shot on 16mm.

A college student rents out an apartment. Strange happenings, occurring in the basement, give way to the student's mental and (literally) physical collapse.

For a zero-budget film, SLIME CITY isn't bad. The apartment building is cheap-looking(with bizzare jars stored in the basement)and odd characters roam the halls.

This is a surreal image of ghetto life, but the film never enters the world of pure satire. It is more concerned with grossing us out(which it often succeeds in doing)and scaring us(which it fails at), than with delivering a bigger overall message.

The acting is sturdy for an amateur production, and the effects are messy but not bad. It is the finished film that I was mostly disappointed with. The story just was not there, and with the lead female playing two parts, the end result is disbelief.

Still, as far as horror movies go, you could do much worse than SLIME CITY. It is just a shame that the makers of the film didn't realize that if they spent just a few bucks more, they could have afforded a real script.

And, when was the last time you saw a place in New York that looked like the inside of this building?

I agree the numerous comparisons with "Street Trash" are very justified, but personally I think "Slime City" is a far more interesting and 'better' film because the characters in this film are at least sympathetic and the overall elaboration is definitely more appealing than "Street Trash", which is – in my humble opinion – a hideous and nearly unwatchable production. At least "Slime City" benefices from a much more pleasant & cheerful atmosphere, greatly inspiring music and the light-headed direction by Greg Lamberson! This is a terribly poor and laughably inept film, of course, but it certainly doesn't fail to entertain fans of cheap 'n cheesy 80's smut. The camera-work and editing are rudimentary and very amateurish, but the gore effects are incredibly grotesque and the storyline is too demented for words. The promising young painter Alex moves into an old apartment building, unaware that the other tenants are reincarnated disciples of a Satan-worshiping alchemist who committed suicide in the building's basement. Through eating bright-colored pudding, drinking vaporous wine and enjoying sexual contact with the luscious neighbor, Alex mutates into a sticky monster who kills homeless guys, prostitutes and ghetto hoodlums. His only hope for rescue lies in the hands of his virgin girlfriend Nicole, but she loves Alex too much to ever hurt him. "Slime City" surpasses the average 'so-bad-it's-good' 80's horror film; it's a genuine trash and crap FEAST! We're talking characters (like the hilarious prostitute) that patiently wait around for monstrous Alex to kill them, obtrusive spiritual media that pop up unasked and out of nowhere, incompetent police detectives that couldn't even prevent a crime if it happened right under their noses and body parts that continue to function after being separated from the torso. The climax is particularly outrageous (in a gooey way) and over-the-top hilarious. The acting performances are abominable, but you wouldn't expect it any other way, the whole thing is simply too insane to feature any tension and the vintage 80's soundtrack is too fabulous for words. If you like Troma films, Frank Hennenlotter's Indie-flicks and other no-budget crap from the 80's, "Slime City" is the ideal purchase for you. It would be a crime against good taste to rate this movie any more than 5 out of 10, but this is one of those times you shouldn't exclusively focus on the rating.

Take a bit of BRAIN DAMAGE, mix with a bit of STREET TRASH, shake well and then pop it in the oven until overdone and the result is SLIME CITY! Hey that is not meant to be a putdown . . . I actually like this movie and not just because the apartment where most of it takes place is a dead ringer for the first New York apartment I lived in!

Seriously now, the story involves Alex (Robert Sabin) art student who moves into a building that has seen better days. The owner/landlady is happy he moved in, a little TOO happy and the tenants are all more than a little weird. Oh well, any old port, right?

The neighbour Ramon offers the new tenant a cup of some green stuff which he calls "Tibetan Yogurt" and some green wine which he calls "an elixir" which knocks Alex flat after a single sip. It isn't long before he has nightmares about a mysterious black robed figure and hallucinates that he seduces his sexy neighbour. Then again, maybe it ISN'T a hallucination. Hmmmmmmmmmm. Are we venturing into ERASERHEAD territory?

Actually no we aren't because existentialism soon takes a back seat to supernaturalism. Alex wakes up after his prolonged nightmare and discovers his body is melting! Stumbling down the street he flies into a rage and beats a street tramp to death. Hardly has the unlucky victim gasped out his last breath before Alex returns to normal. This isn't the end of his troubles though . . . oh no we have many more reels to unspool before this is over. Those few sips of the strange green fluid have hooked him on the strange elixir and melting soon becomes a regular occurrence which only violent murder can reverse. Alex's girlfriend (Mary Huner) and his frat boy ex-roommate pal are very concerned but can they save him or will they become his victims?

This movie is now available on DVD and many of you will probably want to discover it for yourself so I will not spoil all the surprises, of which this film has many. Somehow the plot covers murder, suicide, Satanism and reincarnation and never loses its coherency. Gore is relatively mild until the end and that's where all the stops are pulled out. My only regret is that I never got to see this movie at a late night screening with a bunch of stoned, drunk college students. THAT would have been a treat indeed.

Director Gregory Lamberson did a very good job with the limited resources he had. After almost 20 years this film is finally finding its audience. I hope it does well.

I watched this movie a few weeks ago. Like most people on here I think it deserves about a 5 out of 10. The first kill is definitely not expected, suddenly he just starts melting and kills a homeless man, which instantly made me want to see the rest of it. He killed the homeless man with some blunt weapon and was just beating his skull in, pretty awesome. I was impressed with the acting of the main characters best friend the most. The story was original, I've never seen anything like it before. The final scene was interesting to say the least and unfortunately the special effects weren't as good as the first kill but needless to say this is a cult classic that you should give a chance.