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5.1/10
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Las personas que marcan el 976-EVIL reciben poderes sobrenaturales y se convierten en asesinos satánicos. Cuando Spike llamó al 976-EVIL, sabía que era una llamada cara, pero no sabía que te... Leer todoLas personas que marcan el 976-EVIL reciben poderes sobrenaturales y se convierten en asesinos satánicos. Cuando Spike llamó al 976-EVIL, sabía que era una llamada cara, pero no sabía que tendría que pagarla con su alma.Las personas que marcan el 976-EVIL reciben poderes sobrenaturales y se convierten en asesinos satánicos. Cuando Spike llamó al 976-EVIL, sabía que era una llamada cara, pero no sabía que tendría que pagarla con su alma.
- Dirección
- Guionistas
- Elenco
Patrick O'Bryan
- Spike
- (as Pat O'Bryan)
María Rubell
- Angela
- (as Maria Rubell)
Darren E. Burrows
- Jeff
- (as Darren Burrows)
Gunther Jenson
- Airhead
- (as Gunther Jensen)
John Currie Slade
- John Doe
- (as Jon Slade)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Receiving a strange calling card, a teen living with his cousin realize that a growing obsession with the horoscope line after it's predictions come true realize he's gained Satanic powers through the line and when a spate of violent murders occurs they ban together to stop him.
For the most part, this here wasn't all that bad. One of the main elements to this one is the fact that this is one of the cheesiest films of it's time, as most of this is taken up by the general tone of the plot. The very idea of it's central premise, being invested of Satanic powers through a horoscope hot-line is pretty goofy, and yet there are certain scenes here that play off that goofiness with gusto here as the action of that occurring is where this one really gets enjoyable. The opening stalking scene of the victim being blown up and set on fire in a phone booth, having the spiders in the oven- dinner, the bathroom stalking when he's possessed taking out the gang- members who bullied him and the second poker game held during the rampage are perfect examples of the cheesiness throughout here, as they should not be taken seriously and yet come across as perfectly serious during it's time. As well, the film's at its best at the last half hour, which is where all the fun really starts to happen since the body count picks up and we get the highlight with the trip through the frozen house is ably chilling as it contains a few nice suspense sequences and features a really nice jump at the end in addition to the big final confrontation that works rather nicely. Alongside the fine gore for the kills and the great cheese here, these are the film's positive points as there wasn't a whole lot against this one. One of the biggest detriments, which is also it's greatest asset, is the high amount of cheese on display. While it makes the film a lot of fun, the fact is that it makes it appealing only to those who enjoy that in their films. For those who want it more serious, the cheese here will make it a lot harder to get into. The central premise is a little hard to swallow, the joke- filled nature of it drags it down slightly, and the biggest drawback is the tone given to the film. There's a bluish hue surrounding most of the film that gives it a low-budget feel and really does make it a little tougher to sit through. The other big problem against it is a slow beginning. This is a necessity to build it up, but to make the first forty minutes of it so uneventful beyond setting up angles to play off later is a problem to overcome. Though not as prominent as the cheese factor, it still hurts it to a degree. Likewise, the rather confusing narrative doesn't help this by seemingly introducing characters here for no real reason and letting them survive as they do is a little surprising, which doesn't really do the film many favors either, and all told these here are the film's biggest issues.
Rated R: Graphic Violence, Graphic Language, Nudity, a brief sex scene and drug use.
For the most part, this here wasn't all that bad. One of the main elements to this one is the fact that this is one of the cheesiest films of it's time, as most of this is taken up by the general tone of the plot. The very idea of it's central premise, being invested of Satanic powers through a horoscope hot-line is pretty goofy, and yet there are certain scenes here that play off that goofiness with gusto here as the action of that occurring is where this one really gets enjoyable. The opening stalking scene of the victim being blown up and set on fire in a phone booth, having the spiders in the oven- dinner, the bathroom stalking when he's possessed taking out the gang- members who bullied him and the second poker game held during the rampage are perfect examples of the cheesiness throughout here, as they should not be taken seriously and yet come across as perfectly serious during it's time. As well, the film's at its best at the last half hour, which is where all the fun really starts to happen since the body count picks up and we get the highlight with the trip through the frozen house is ably chilling as it contains a few nice suspense sequences and features a really nice jump at the end in addition to the big final confrontation that works rather nicely. Alongside the fine gore for the kills and the great cheese here, these are the film's positive points as there wasn't a whole lot against this one. One of the biggest detriments, which is also it's greatest asset, is the high amount of cheese on display. While it makes the film a lot of fun, the fact is that it makes it appealing only to those who enjoy that in their films. For those who want it more serious, the cheese here will make it a lot harder to get into. The central premise is a little hard to swallow, the joke- filled nature of it drags it down slightly, and the biggest drawback is the tone given to the film. There's a bluish hue surrounding most of the film that gives it a low-budget feel and really does make it a little tougher to sit through. The other big problem against it is a slow beginning. This is a necessity to build it up, but to make the first forty minutes of it so uneventful beyond setting up angles to play off later is a problem to overcome. Though not as prominent as the cheese factor, it still hurts it to a degree. Likewise, the rather confusing narrative doesn't help this by seemingly introducing characters here for no real reason and letting them survive as they do is a little surprising, which doesn't really do the film many favors either, and all told these here are the film's biggest issues.
Rated R: Graphic Violence, Graphic Language, Nudity, a brief sex scene and drug use.
Some moments work better than others and the film takes a trip to bizarro world towards the end and you stop caring, but for Robert Englund's directorial debut, 976-Evil has more style than expected and at least two great performances from Stephen Geoffreys and Sandy Dennis. Geoffreys is great as the put upon high school dork who gains his confidence due to demonic possession and Dennis swings from the rafters as his campy religious freak mother. Also worth seeing for some great effects even if it seems like this movie got the MPAA on a bad day. Even the so-called uncensored version feels like it was cut to ribbons.
Stephen Geoffreys is the type of actor that Bob Saget and Eminem wish they could be! Stephen takes a bland horror flick and transforms it into a surreal epic! Stephen is Hoax, a shut-in of a teenager who lives with his insane and controlling mother. Stephen rules, dude! He is one of the best actors that I can think of, and his performance in this film will make you, as the viewer, feel quite a variety of emotions all at once! Good stuff, man!
The rebellious teenager Spike (Patrick O'Bryan) lives with his religious Aunt Lucy (Sandy Dennis), her cats and his annoying cousin Hoax (Stephen Geoffreys) in the house he inherited from his mother. Hoax is a teenager bullied by a gang of punks and Spike protects him whenever possible. Spike finds a flyer of a horoscope dialing 976-EVIL, but he does not give much attention to the voice from the other side. He dates the schoolmate Suzie (Lezlie Deane) and they go in his motorcycle to his room. Hoax sees them having sex from his room and when Spike and Suzie leave the room, Hoax steals the panty Suzie gave to Spike and finds the flyer of his cousin. He goes to the movie theater where Suzie and Spike had gone and is bullied by the punks and the disappointed Suzie learns that he had her panty. He decides to revenge them dialing 976-EVIL and following the instructions received from the voice. Meanwhile the snoopy reporter Marty (Jim Metzler) is looking for a scoop and decides to investigate the phone number with the support of Hoax's teacher Angela (María Rubell).
"976-EVIL" is an horror movie directed by Robert "Freddy Krueger" Englund and released in 1988 only on VHS in Brazil. The plot has flaws, the special effects are dated but the storyline entertains and is worthwhile watching it again. Another interesting point is to see the cast young thirty-three years ago. Unfortunately, it was not released on DVD in my country. My vote is six.
Title (Brazil): "Força Demoníaca" ("Demoniac Force")
"976-EVIL" is an horror movie directed by Robert "Freddy Krueger" Englund and released in 1988 only on VHS in Brazil. The plot has flaws, the special effects are dated but the storyline entertains and is worthwhile watching it again. Another interesting point is to see the cast young thirty-three years ago. Unfortunately, it was not released on DVD in my country. My vote is six.
Title (Brazil): "Força Demoníaca" ("Demoniac Force")
I do not understand why everyone else hates this movie. Yes, it is cheesy in a lot of the standard horror genre ways, but I really got into it. The main reason a horror film doesn't work is because the characters don't hook you. I started to care about the characters after just a few scenes. The mother who is in love with religion is hilarious--we all know people like her. The son, Hoax, is heartbreaking because he is so weak that he will grasp at anything to be strong. I think we all know him too. Robert Englund was very careful to build up the suspense. There are lots of times when you know that someone is going to die, and he draws it out to the point where it is almost painful to watch (I obviously can't give examples without ruining it.) So, I recommend it to anyone who likes horror.
¿Sabías que…?
- TriviaRobert Englund met his wife, set decorator Nancy Booth, while making this film.
- ErroresWhen Spike is dialing from a phone booth outside the auto parts store, his is instructed to dial "666." He pushes three buttons, but the final tone is a different frequency than the first two. If he dialed three sixes, all three tones should have been the same.
- Versiones alternativasVideo contains footage cut from theatrical version
- ConexionesFeatured in Never Sleep Again: The Elm Street Legacy (2010)
- Bandas sonorasI'm a Wild One
Written by Stephen C. Marston, Jill H. Roberts, Thomas Chase, and Steve Rucker
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 2,955,917
- Fin de semana de estreno en EE. UU. y Canadá
- USD 794,049
- 26 mar 1989
- Total a nivel mundial
- USD 2,955,917
- Tiempo de ejecución
- 1h 32min(92 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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