CALIFICACIÓN DE IMDb
6.9/10
8.4 k
TU CALIFICACIÓN
Una visión de las turbulentas vidas y amores de un grupo gay con sede en Los Ángeles.Una visión de las turbulentas vidas y amores de un grupo gay con sede en Los Ángeles.Una visión de las turbulentas vidas y amores de un grupo gay con sede en Los Ángeles.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Christopher Wiehl
- J. Crew Guy
- (as Chris Wiehl)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Greg Berlanti's film is worthy of a lot of praise in a society where gay men tend to only fulfill certain stereotypes. A character, Howie mentions how he would like to see gay men being represented as something other than the woman's best friend, the hustler, the aids victim or the sex addict and this film does tend to try hard to avoid these stereotypes. The script is brilliantly written and sparkles when it is at its peak. At its worst, it may be a little bit cliche ridden but hey..it also has originality ( I have taken "Meanwhile" and now its commonplace down ere!) and is not afraid to portray gay men as just a group of lads who are falling in and out of relationships, liek any other group of young men. However certain characters do tend to bring the pace down a little and it does sometimes seem to have the sentiment that gay men have got it so bad compared to everyone else in the world. Timothy Olyphant stands out here in an able cast, made up primarily of TV actors. My only grumble was the inclusion of the lesbian couple who seemed to only be there to represent the ladies and also to give Howie a meatier role. 4/5
This film gives gay men a meaning beyond stereotypes and the roles usually seen in gay movies. The theme is universal: friends stand by you to assure you that you are OK as you are.
Some of the dialog is hilarious, and the characters ring true even though many of these people are played by straight actors. There is an amusing glossary of gay terms given on the screen from time to time so that straight audiences will understand the lingo of the gay subculture.
The touching elements in the film include the loneliness of what one character describes as "10s looking for 11s." The recognition that a person can be gay and average is the only antedote for this loneliness.
We follow a group of young gay men, under the matronly supervision of John Mahoney, connecting and disconnecting as they try to find themselves in a world that doesn't seem to care who they are. It's a story of human beings. The fact that they are gay is incidental -- and this is a major step forward in gays being depicted in movies.
Some of the dialog is hilarious, and the characters ring true even though many of these people are played by straight actors. There is an amusing glossary of gay terms given on the screen from time to time so that straight audiences will understand the lingo of the gay subculture.
The touching elements in the film include the loneliness of what one character describes as "10s looking for 11s." The recognition that a person can be gay and average is the only antedote for this loneliness.
We follow a group of young gay men, under the matronly supervision of John Mahoney, connecting and disconnecting as they try to find themselves in a world that doesn't seem to care who they are. It's a story of human beings. The fact that they are gay is incidental -- and this is a major step forward in gays being depicted in movies.
How un-promising does a gay male Sex In The City sound? This one took me quite by surprise. It's a frequently very funny romantic comedy, that only occasionally dips into cliche. Why America remade Queer As Folk when they already had this is beyond me. Is "Queer as folk" ever an expression over there? Anyway, this includes Frasier's Dad and Superman amongst its gay baseball team, so it's good in my book.
We watched this film when it first was released. On second viewing, thanks to the IFC channel, "The Broken Hearts Club" looks a bit dated since more daring films and television series have come out of the closet recently. It must have been a courageous undertaking by its director, Greg Berlanti, in 2000, at a time that gays were not as prominent as now. The director shows a positive side of the gay life that is not seen often, in that all the characters have values and integrity, something not often seen in mainstream films.
The film is an excuse to bring together a group of young men trying to cope with their lives in that environment. There are different stories that mesh well together. At the center of it all is Dennis, a photographer that seems to have his feet well planted on the ground and knows what he wants. The friends are united by Jack, the restaurant owner, who has taken most of the guys under his wing, at his bistro and as a coach them in the softball team.
We watch the different situations and how the guys react to whatever comes their way. The acting is good, in general. Timothy Olyphant makes an impression as the serious Dennis. Zach Braff, a film director, himself is good as Benji. Dean Cain is the fickle Cole, who loves a variety of lovers, rather than quality mates. John Mahoney appears as Jack, the older influence on the group in an impressive performance.
What director Greg Berlanti succeeded was in presenting young men that appear not to be clichés as in other films of this type. The film is pleasant without breaking new ground.
The film is an excuse to bring together a group of young men trying to cope with their lives in that environment. There are different stories that mesh well together. At the center of it all is Dennis, a photographer that seems to have his feet well planted on the ground and knows what he wants. The friends are united by Jack, the restaurant owner, who has taken most of the guys under his wing, at his bistro and as a coach them in the softball team.
We watch the different situations and how the guys react to whatever comes their way. The acting is good, in general. Timothy Olyphant makes an impression as the serious Dennis. Zach Braff, a film director, himself is good as Benji. Dean Cain is the fickle Cole, who loves a variety of lovers, rather than quality mates. John Mahoney appears as Jack, the older influence on the group in an impressive performance.
What director Greg Berlanti succeeded was in presenting young men that appear not to be clichés as in other films of this type. The film is pleasant without breaking new ground.
Quick evaluation: this movie does reflect my experiences of the past 25 years. As a nearing-50 gay man, I can relate to nearly all the principal characters, both personally and as they relate to my friends and acquaintances. Yes, at various times in my life I've been the cute, promiscuous one; the lonely one; the gym bunny (no drugs, though); the (self-perceived) ugly one. . .all those have helped me to become a better, more self-actualized person. Seems there are too many self-loathing queens commenting negatively on this film here. . .maybe they can't see themselves in the characters, but if they were to be honest, they'd realize that they do indeed exist in one or more of these characters.
I enjoyed the film, laughed a little, cried a little. As I said, "been there, done that."
I enjoyed the film, laughed a little, cried a little. As I said, "been there, done that."
¿Sabías que…?
- TriviaWhen Timothy Olyphant and Andrew Keegan were filming their scene on the park swings, a group of teenage girls noticed Andrew and waited until the scene was over to ask him for his autograph. When Timothy offered his autograph, the girls declined as they didn't know who he was.
- ErroresIn the scene in the kitchen with Dennis and Kevin, Dennis reports that "My friend's relationship hit Defcon 5". Defcon 5 is the lowest status, not the highest.
- Bandas sonorasA Lot of Livin' To Do
Written by Charles Strouse and Lee Adams
Performed by Nina Storey
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
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- How long is The Broken Hearts Club: A Romantic Comedy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Broken Hearts Club: A Romantic Comedy
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,746,585
- Fin de semana de estreno en EE. UU. y Canadá
- USD 109,694
- 1 oct 2000
- Total a nivel mundial
- USD 2,019,121
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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