The Most Fertile Man in Ireland

The Most Fertile Man in Ireland revolves around Eamon Manley who is 24 year old and still happens to be a virgin. He lives with his mother in Belfast. He is also a very shy guy towards women. Everything has changes for Eamon when he is seduced by a woman(as far as I can remember a neighbour). It is not because he looses his virginity but he discovers that he has a super power. Despite having protection, this neighbour becomes pregnant. He is told by the doctor that he has very high sperm count. His mother brilliantly comes up with an idea which makes us see ginger headed babies all around in the end of the film. He starts helping out women in both side of Belfast to conceive babies. First voluntarily then with the help of his colleague runs a business out of it. The Most Fertile Man in Ireland has its funny moments but needed to come up with better jokes and with a better script. I couldn't help thinking that it gave me the impression of a TV sitcom rather than a movie. Kris Marshall is a different name on the silver screen but does not shine as star. It's more like the guy you saw in such and such movie. Like him being in Love Actually(I think he was very funny in that one)..Well, it was okay to watch but couldn't help dozing off from time to time. ** out of *****

OK, so it's not brilliant, but it is funny in places. There are several points that I don't feel further the plot, but it's pretty funny.

And yes, it's predicable as hell, because there was very little other way it could have been really and still have kept the idea going. I think it's just one of those things you could watch with a few mates and enjoy.

If you like Kris (how it pains me to type that with a K) Marshall, then you'll like this. I don't fully understand why they cast a lead in an Irish set film as someone who is as far as I remember a rather posh English man, but the acting is believable, and the accent is generally good, although there are some points where it just seems to fly out of the window.

I don't think people would get the black humour in this movie unless they were relatively familiar with the conflict in Northern Ireland, but it does have moments of completely stupid, and yet amusing jokes.

The problem is, that the characters seem a little wooden, and their reactions are not always brilliant. But it's a pretty sweet film, and it's got a good message I guess.

Worth a watch at least.

Dont take it seriously. It's a fun movie. Have a laugh and forget about the world for 90 minutes

featuring flawless timing, characterization, and storytelling. Between the funeral home thread, the dating service bit, the IRA and the efforts of the protestants to co-opt young Kris' amazing talents, this movie crackles with laughs in almost every frame. Yet, when a little tenderness is called for, the director gives Romance a fighting chance.

Eamon Manley (Marshall), a 24-year-old Irish Catholic virgin, works in a dating agency, while silently dreaming of melancholy funeral parlour worker Rosemary (Clarke). Following a night of (heavily protected) passion with a good-time gal, the geek discovers that, in these times of male infertility, his sperm could "impregnate a stone".

Now in demand from infertile couples the length and breadth of Ireland, and backed by a test tube-eschewing Catholic Church, he soon makes a packet with colleague Millicent (Gallagher) - until paramilitary headcase 'Mad Dog' Billy Wilson (Nesbitt) decides Catholics are outbreeding Protestants, and forcibly recruits him for a 'numbers war'.

"The Most Fertile Man in Ireland... is Coming!" chortled the teaser posters, belying a severe case of coitus interruptus. Originally due for release in September 2000 (the film was made back in 99), a number of ill-fated distribution deals put the kibosh on The Most Fertile Man In Ireland, until director Dudi Appleton's debut finally reached third base in Ireland in 2002 - a year later in the UK.

Based on late-night conversations between scriptwriter Keeble and pals about "what it is to be a man", this was originally intended as a dark satire about a messiah-cum-superhero in present day Belfast - morphing into a lightweight, if uneven farce about a man who's anything but. On the plus side, Marshall, star of Middle England's favourite sitcom 'My Family', does imbue his (admittedly one-note) role with a winning mix of gormless pathos and knockabout good-humour, ably supported by Nesbitt, in full-on panto villain mode.

Predictably, the complex issue of the Troubles is reduced to a mere comic backdrop (represented by alternating portraits of the Pope and HRH, indicating Eamon's visits to Catholic or Protestant households), jarring with the screwball romance. Also a sombre third act sits uneasily with previous hi-jinks, investing its cast with unexplored depths. Nevertheless, an interesting premise from a first time director, showing plenty of promise.