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Space Cowboys builds its humor around a quartet of aged characters who seize their first and last opportunity to fulfill their lifelong goal of going into space. Space Cowboys satirizes the traditionally romanticized conception of the young hero by portraying its characters as sagacious --yet imperfect-- old men.

Space Cowboys revisits its embittered protagonist, the retired Air Force test pilot Frank Corvin (Clint Eastwood), forty years after a humiliating episode where he is replaced by a monkey for a 1958 NASA mission to space. Unexpectedly, Frank is summoned by ex-boss and NASA official Bob Gerson (James Cromwell) to fix a Russian communications satellite that is soon to crash, and that contains the obsolete guidance system that he and his colleagues designed for the earlier satellite, Skylab. Realizing he is the only one who can fix the system, Frank coerces the desperate Bob into rehiring his old team: pilot Hawk Hawkins (Tommy Lee Jones), structural engineer Jerry O'Neil (Donald Sutherland), and navigator Tank Sullivan (James Garner) --all seemingly unlikely candidates for the task at hand. Gaining the trust of NASA Engineer Sara Holland (Marcia Gay Harden) and the mistrust of flight director Eugene Davis (William Devane), the reunited "Team Daedalus" face the biggest mission of their lives.

Space Cowboys, which benefits from the performances of four seasoned actors, successfully establishes its four main characters as the source for all its comedy. Space Cowboys' initial introduction of its protagonist (in the brief black and white sequence which includes the humiliating incident with the monkey), offers a convenient setup which allows the ellipsis of forty years to hyperbolize the four characters' emotional states and to justify their subsequent actions. Furthermore, this initial sequence, which also depicts the four characters as audacious US Air Force pilots, establishes itself as a point of reference against which the present inconsequential lives of Frank, Hawk, Jerry and Tank will be contrasted.

Space Cowboys subtly and effectively creates an analogy between the characters and the troublesome "guidance system": while the men's present occupations are portrayed as rather useless, the guidance system's design is described as old and obsolete, yet neither the men nor the system are entirely expendable. (This suggested duality of man/system is emphasized by Frank's ironic statement: "...it wasn't designed for this duration.") While Space Cowboys draws its humor from the characters' efforts to revert to their prior occupation and regain importance, the second part of the film --the mission-- serves a dramatic purpose, where the characters' true mission is to disprove the others' belief that they are outdated and replaceable. Narratively, Space Cowboys' space sequence does little more than simply prolong the characters' task of proving themselves, yet visually, it offers eye-catching special effects and set design.

Nevertheless, Space Cowboys succeeds more as a comedy that deconstructs its heroes than as a drama that exalts their heroism.

I enjoyed this one, good not great, with old man humour from a fantastic cast who all seem to be having a great time working together -which in itself makes this worth a watch.

The story flows, even if it tends to go on a bit and feel clichéd at times, its entertaining. Directed by Clint Eastwood, who also stars as one of a group of retired former pilots, recruited by NASA 40 years after their heyday to stop a runaway Russian satellite from hitting earth. He insists that his equally old teammates accompany him into space. They go through training again, bar fights, old wounds are healed, romances begin. Decent special effects and a bittersweet ending "fly me to the moon"

The opening flashback scene from the 1950's also makes this worth a watch, where we get to see young lookalike actors portraying Clint Eastwood, Donald Sutherland, Tommy Lee Jones and James Cromwell -using voiceovers from the real men. Very clever.

This did remind me of Armageddon -which I watched about a week ago, almost the same story, a bit less action here, not sure which came first?

What movie with Clint Eastwood, Tommy Lee Jones. James Garner, James Cromwell, Donald Sutherland, and Marcia Gay Harden wouldn't be worth a look. This one has it all, but mostly laughs. This Clint Eastwood produced and directed movie is great simply because the cast doesn't appear to take it seriously. They are just having fun. And special effects? They are better here than other movies like Armageddon and Deep Impact.

If you like movies where people are considered outdated or replaceable and prove the experts wrong, then this is the one. I watch it and keep getting reminded about all those COBOL experts who were back making the big bucks just prior to the millennium change.

There is so much about "Space Cowboys" that is unrealistic and, if you think about it, silly. But, it manages to tell this story in an entertaining fashion. So, my advice is just turn off your brain and enjoy.

The story begins in 1958. Despite all their training towards orbital travel, NASA is created and the Air Force folks who were working towards space were told to stand down. This part of the story is true and some of the pilots from all different branches of the military went on to become NASA astronauts. But some didn't...and the story now jumps to the present (2000). Frank (Clint Eastwood) is still rather bitter he never got a chance to go to space when his project for the Air Force was canceled...but now, in his senior years, an opportunity arises. A Soviet satellite is falling out of orbit and somehow the only person on a planet of 7,000,000,000 people who can fix it is Frank!! He insists that he doesn't want to tell a young astronaut how to fix it but will go to space himself...provided NASA also allows his three friends who were ALSO with project Daedalus to join him on the flight.

What follows are lots of old geezer jokes and montages. Eventually, the four guys are shot into space with two young hot shots. Unfortunately there are two huge problems. The satellite is NOT a communications satellite AND one of the crew members might just endanger millions because he's a horse's butt.

So is any of this believable? Not really. But it is engaging and the special effects quite amazing for 2000. My only real quibbles are that James Garner's character is poorly written, as he acts nothing like a Baptist minister (how many Baptist ministers say the Rosary as well as quote Alan Shepard instead of making a simple prayer??) and a lot of what surprises everyone in the film seems telegraphed. But the good far outweighs the bad and the picture is never dull.

The storyline is secondary when you have four seasoned veterans like Eastwood, Garner, Sutherland and Jones entertaining you. They have the ability to raise the level of any writing with their professionalism. At no time could you detect any scene stealing. All four are comfortable in their own abilities and don't need to resort to gimmicks or scene stealing. Eastwood is at his economic story-telling best behind the camera.