Camino de guerra

TIGERLAND (2000) ***1/2 Colin Farrell, Matthew Davis, Clifton Collins, Jr., Thomas Guiry, Shea Whigham, Russell Richardson, Nick Searcy, Afemo Omilani, James McDonald, Keith Ewell, Arian Ash, Haven Gaston, Cole Hauser. Filmmaker Joel Schumacher makes an audacious attempt to rekindle his directing juices in this low-budget semi-independent film about Vietnam with a cast of unknowns that works remarkably well. Set circa 1971 Louisiana in a special Army training camp for new recruits prior to shipment in the ongoing war and told in flashback by one of the survivors the film centers its bare bones plot around the able shoulders of Irish newcomer Farrell in a potential star-making turn as Private Roland Bozz (think 'One Flew Over the Cuckoo's Nest' in fatigues and you get the overall impression), a feckless troublemaker of his platoon whose antics have a method to his madness: keeping yourself alive despite the odds. Raw and uncompromising are best suited to describe the film's gist and in particular its focus of Bozz leading his comrades in arms through their hellish grunt duty prior to their fated dooms. Original and smartly written by Ross Klaven and Michael McGruther giving their characters a fresh spin on an all too familiar genre with humanity at its core.

Tiger Land is a tough training camp for the US military. In 1971 it is the final step before the squads go to the war in Vietnam. In training before Tiger Land, one squad of young men is joined by troublemaker Roland Bozz, who continues his military trend of dissention and insubordination. However, his actions do not just affect him and he starts to change his ways slightly, but the stresses and the potential for death in Vietnam push all the men to breaking point.

Sold as a war movie, this film is more like the first half of Full Metal Jacket than a full on war movie set in a combat zone. As such it plays more like a drama than any sort of antiwar movie or outright thriller. The focus of the film is the character of Bozz as told from the biographical point of view of Paxton. The events of the film are pretty predictable for anyone who has seen this type of film before - the internal fights, the crazy soldiers, the domineering sergeant majors etc. However it still manages to be enjoyable and entertaining even if it never really feels original or new. It is a pretty nondescript film with no specific edge on it - and that is part of the reason I think it really didn't do that good business when it was released here in the UK. It relies very heavily on the characters to keep the audience involved in the story and preventing it being seen as just a collection of old ideas; this aspect is helped by the fact that it is drawing on original material, experiences and people.

A much bigger part of the characters being engaging is the playing of them by the cast. Farrell is the lead actor and is miles ahead of everyone else. This film is one of many that made him the star he now is, and he does deserve it off the back of this and he is really good here - coming across as likeable and difficult. Outside of him, everyone plays well but are generally in their various stereotypes; aside from Farrell, Collins is the standout role - too often seen playing gang bangers and such on TV cops shows, he delivers a solid character and presents a believable breakdown over the course of the film.

Keeping my habit of never paying to see an Schumacher film since Batman & Robin took the last faith in his talent, I waited for this to come onto TV. I was surprised however to see that Schumacher managed to do the film without spoiling it - in fact he came across as rather able! He uses mainly handheld cameras and delivers a gritty feel to the whole film that is fitting to the material. I hate to admit it, but he actually did a reasonable job here and he has now done a couple of films that he hasn't ruined in one way or another! I may have to change my mind about not paying for his films - well, maybe not.

Overall this is a rather undistinguished film but one that is enjoyable as a character driven drama, trading on the usual clichés of the genre. It goes where you more or less expect it to but it goes there and takes you with it. Farrell makes a good leading man and on this evidence he is worthy of leading man status where he has good support.

I thoroughly enjoyed this movie, but it is nothing new.

Everyone here is grouping it with other war movies, this movie has been miscategorized! Its not a war movie any more than "One flew over the cuckoos nest" is a asylum movie or "Cool Hand Luke" is a prison movie. This is a movie about individuality, nonconformity, self-confidence and the costs of that personality type.

The plot is the same as "One flew over the Cuckoos nest" and "Cool Hand Luke", its in GOOD company, and it holds its own. Its these movies it should be held up against and compared, not "Apocalypse Now" or "Platoon".

Eric

"Tigerland" takes place in the autumn of 1971, when the Army was intent on turning young men into fighting units. One of the guys stationed at Fort Polk is the sensitive Paxton (Matthew Davis), who has literary aspirations. He meets a headstrong character named Bozz (Colin Farrell), who's a born rebel; Bozz has charisma to burn and genuine leadership abilities, but he's also the type to tend to shun responsibility. However, Bozz ends up becoming the guide for a troublesome platoon, and his men must rely on him to get through their rigorous training. The title location is a hellish training ground that will be their last stop before they are actually shipped off to Vietnam.

Director Joel Schumacher gets a fair amount of flak for some of his films, especially his two entries in the "Batman" franchise, but proof that he WAS a highly capable filmmaker can be shown with this arresting little drama. It boasts no big stars of the time, but does feature some top character actors, and some stars-to-be (Michael Shannon also turns up briefly, showing the men the finer points of torturing the enemy). Tension and conflict arise from the presence of the unstable Wilson (Shea Whigham), who ends up with a real chip on his shoulder when it comes to Bozz. Also among the cast are other familiar faces like Cole Hauser, Clifton Collins Jr., Tom Guiry, and Nick Searcy. But it is Farrell, unsurprisingly, who gives "Tigerland" its principal value, playing a guy who may rock the boat, yet is not without some integrity, and the willingness to help out fellow soldiers who need the assistance.

"Tigerland" showcases efficient, solid storytelling, and has some great atmosphere. It does indeed feel reasonably realistic, and it interestingly ends in a more low-key manner than viewers may expect. It features some tunes of the era on the soundtrack, but doesn't go overboard in trying to evoke the period. Nathan Larsons' score is also used sparingly.

This one is definitely worth a viewing if you haven't already seen it.

Eight out of 10.

While it was filmed at a Florida National Guard site, "Tigerland" totally reminded me of Fort Polk, LA., firing ranges, maneuver areas, waist-deep water and all. The movie was fairly authentic and the characters similar to those same ones at my AIT in 1974. The difference between the Tigerland year, 1971, and mine of 1974 is all the drill sergeants and instructors knew they weren't going back to Vietnam, as it was pretty much all over, so training was very relaxed - not a challenge at all. That was the precursor to all our troubles in the 70s and 80s, which I know for a fact as I stayed in until 2004. I never heard anyone mention "Tigerland" but the Army did have realistic Vietnam training villages at different bases across the U.S. Vietnam Vets tell me that up to 1972 Basic & AIT could be pretty rough and rugged, because the trainers had been there and were mandated to train Vietnam-bound men those skills to make it, although that was not always the case. Both a drill sergeant at Polk and later one of my Vietnam Vet NCOs, when we had become instructors at a basic training brigade at Fort Bliss, told me there was nothing they could do to get anyone ready and people just had to find out and figure out for themselves. This movie rates high.