Código de Familia

The Tierney family is a family of cops across the generations – with cops even married into the family. When a NYPD officer is killed in a violent drug-related shootout, Ray Tierney is asked by his father to be part of the task force dedicated to finding out who it was who killed one of their own. Ray agrees as the unit affected is led by his brother Francis and includes his brother-in-law Jimmy. With Ray searching the streets for the truth, Francis already knows more than him as his men are involved in activities outside the law, using their roles within the police as cover. Everyone wants to close the matter but not everyone wants the truth to come out in doing so.

The release of Pride and Glory was delayed and the suggestion reason was its similarity in tone and broad theme to We Own the Night. I'm not sure whether this is true or not but I will question whether it was necessary to delay this film if the aim was that it would avoid comparison with other films or feeling like it is something the viewer has seen before. I question this because the film's biggest failing is that we have seen it all before and it doesn't really bring much beyond the star names to justify me being excited about seeing it again. This is not to say it is awful (although some have) but just that it is very familiar and very "sturdy" – sturdy being a quality one looks for in furniture rather than films. Thankfully the film doesn't keep the "corruption" in the cupboard for very long because to suggest it is a mystery would be an insult to the viewer, who can pretty much see where the film is heading about 90 minutes before it gets there.

With many stories it is hard to plough a new furrow so one does find that often films have a familiar narrative and that this is not a problem. The thing is to draw the viewer in despite having seen it before or perhaps knowing where it is going – make them hope for different, make them care about the characters you put the fact that this is a film with an ending to the back of your mind. Pride and Glory doesn't manage to do this though and it surprised me considering the actors involved. The problem is not really with them though but with the material, which has too many characters but too little development of them. Norton seems a bit lost in this but still does turn in a solid performance. Likewise Farrell is good and it only further highlights how much of a waste it is not to give them more to work off individually and together. Voight and Emmerich add to this but again neither has the material to really do good work with so, although nobody is "bad" nobody really impresses either. O'Connor does an OK job as director but doesn't get much urgency or emotion into it – although this is the result of failing to do the same as writer.

Pride and Glory is a solid but wholly unremarkable film that is distracting but unmemorable. It feels old and dated despite still being in the cinema and I imagine this will only be worse when it arrives on television in about five years time. The names involved are impressive but nobody can really deliver what they are able to because the material is just not there in the depth they require. Not a "bad" film by any means, just one that is hard to get excited about or shake the feeling that you've seen it done better elsewhere.

I saw a screening of "Pride and Glory" last night. It's the kind of American movie you don't see anymore, a throwback to the big themes and dramatic tone of the 1950s, when Elia Kazan was making movies like "East of Eden" and "On the Waterfront," and Arthur Miller was writing plays like "Death of a Salesman" and "All My Sons." Family, honor, corruption, right and wrong, fathers and sons--these are the kinds of issues that director/co-writer Gavin O'Connor is taking on in "Pride and Glory," and in doing so he's made a timeless film. Sincere without being sentimental (much like "Miracle," O'Connor's last effort), "Pride and Glory" gets elbow deep in a corruption scandal that threatens to crack the blue wall of the NYPD and destroy the Tierney family legacy (patriarch Jon Voight, sons Ed Norton and Noah Emmerich, and outlaw brother-in-law Colin Farrell, who has never been better). A muscular, old-school American film, with big themes splashed on a big canvas, "Pride and Glory" is familiar and original at the same time. In the Age of Irony, these are the kinds of movies you rarely see anymore. An honest, gripping drama.

Colin Farrell, Edward Norton, Noah Emmerich, and Jon Voight all deliver great performances. There are many intense scenes throughout the movie, and Norton and Farrell match them with their own intensity. Voight is believable and realistic as the patriarch of the family of cops and the chief, trying to keep his family in order as he thinks it should be.

Despite the inspired performances of the main characters, however, Pride and Glory falls short due to awkward pacing, pointlessly convoluted side-stories revealed in equally pointless scenes, and a general lack of focus. Pride and Glory tries to tell two or three stories at once, but fails to really punctuate any one of them, leading to a fairly emotionless climax and no discernible, unifying theme. The result is a forgettable movie and a hint of buyer's remorse; if you're a big enough fan of Ed Norton or Colin Farrell and want to see either of them put on a great performance, catch the matinée, or even still, wait a few months and rent it.

The plot of this movie is the fairly predictable (though always entertaining) idea of the corrupt cops against the good cops and the always-annoying injection of the nosy media. If it had been done by amateur actors, this movie wouldn't have been nearly as good.

Edward Norton was absolutely STUNNING, blew me away. He's always been a favorite of mine but every role he's in continues to amaze me. There a scene where he's talking to a Spanish woman and his expression throughout the scene is the main thing that stuck out to me in the whole movie. There's just something in his eyes that draws you and sucks you in.

Colin Farrell did an amazing job as well, as did Jon Voight. They managed to bring their characters more personality than I expected there to be. Especially Colin. Even though he played a such a bad character, there was something there in the way he was with his family and everything that still made me feel BAD for him.

And though the f-bombs were sometimes distracting and the ending could've had more punch, overall I really liked this movie.

I saw the advance screening of Pride and Glory last night in NYC. It's an excellent film despite the first 30 minutes, which is riddled with enough F-bombs ((classic Collin Farrell)) and Spanish speaking between characters ((no subtitles!)) to make you question whether you'll ever understand what's happening on screen. It's not until after the 30 minute mark that the storyline is finally spelled out for those of us who can't cut through all the nonsense at the start. Thanks to outstanding performances by Edward Norton and Jon Voight this is definitely a MUST see film. All the action will literally have you on the edge of your seat towards the end. However, I'd advise you to spend the first 30 minutes doing something more productive with your time like standing outside in the concession line for popcorn and candy. In the bathroom washing your hands. Maybe on your cell phone having a conversation with your mother would be less punishment than watching the poor set up of this cop flick. But do go out and see this film!!! Just be sure to leave the kids at home, because the profanity, nudity and violence was even a bit too much for some of the adults in the audience. Enjoy.