Agrega una trama en tu idiomaThe hero is an ordinary farmer, Philip Safronov, whose peaceful life is aggressively interrupted when his land is appropriated by a mysterious group to exploit its oil resources.The hero is an ordinary farmer, Philip Safronov, whose peaceful life is aggressively interrupted when his land is appropriated by a mysterious group to exploit its oil resources.The hero is an ordinary farmer, Philip Safronov, whose peaceful life is aggressively interrupted when his land is appropriated by a mysterious group to exploit its oil resources.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 5 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"The Outskirts" - a black and white multi-genre drama by Pyotr Lutsik according to the script of Aleksey Samoryadov. In this ingenious film, the authors have mixed so many genres of cinema that you wonder, this is a parable, a western, a road movie, and a retro film. 30s of the 19th century, the outskirts of Russia, a group of men not finding the truth at home, go to seek this truth in the capital, in Moscow. It is unfortunate that the fate of the authors of this masterpiece was so tragically, for various reasons early from the deceased.
Like the cheeky director, Petr Lutsik, this film has some wonderfully bizarre moments, (I think you may be able to label it as surreal). Four farm men hit the road on a journey to the big smoky city and fight the powers that be. A wicked tale about an insane country going through some heavy changes.
Definitely a decent movie. Unfortunately, if you are not Russian, you will find very little substance in it because it is choke-full of distinctly Russian cultural/folklore references, gags etc. that you have to be familiar with to understand. Peter Lutsik created a post-modern Russian fairy tale and enhanced it with imagery straight out of Soviet movies from 1930's. Certain parallells to Jim Jarmusch, particularly "Dead Man," can be drawn, with Lutsik's post-modern approach, the use of black and white film, and beautiful shots of Ural nature. Once again, good movie, but it's not for everyone.
I thought this was a really beautiful movie. It is not the type of movie that can be a big commercial success, I don't think you have to be Russian to 'get it'. Actually in general I think it is wrong to try and understand a movie from the supposition that there is only one explanation and one correct interpretation. Obviously it tells us of a barren, vast country, where man struggles with the earth. The imagery is really powerful, it sticks in your head. The actors do a fabulous job. Lighting, decor and photography are just absolutely right there on perfection. I recommend this for people who want a feast for their eyes, mind and soul.
Unfortunately if you do not live in Russia you'll hardly understand this film, which is totally postmodern. There are a lot of cultural codes in it. This film is not black humored - it's about dark Russian soul. Also you'll get perfect lesson of film-making here, Lytzyk uses first-class cinema language. If your dream is shooting (booth - camera work & killing people) - take a look.
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- ConexionesReferenced in kuji: Aleksandr Pal: Without the Task of Making People Laugh (2024)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 2,797
- Fin de semana de estreno en EE. UU. y Canadá
- USD 607
- 4 abr 2004
- Total a nivel mundial
- USD 2,797
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
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