Alice in Wonderland

I have seen the film it was shown over the easter weekend here and it's great i have seen many of the different versions when I was a child but this one is great the puppets and special effects in just two hours they managed to get two books in and it wasn't that much different to the version made in the 1970's except that one was musical,but it's just the same except for the new bits added on to the story.

Alice's adventures in Wonderland have always been easy to visualize, thanks to Tenniel's classic illustrations; but they have been difficult to realize. With computer technology at the state it's at at the turn of the twenty-first century, for the first time Tenniel can come to life in a way that doesn't look like animation.

This is the best looking "Alice" ever. The backgrounds are consistently excellent. The passage from one episode to the other is suitably dreamlike. The computer-animated characters are superb.

The cast is variable. Tina Majorina was a revelation as Alice. I had to check imdb to make sure she wasn't just someone like Reese Witherspoon, an older actress able to look ten years younger. Her performance was exquisite, even better than Fiona Fullerton's 1972 Alice.

Martin Short was good as the Mad Hatter (everyone has a favorite Mad Hatter from days past, and mine was Robert Helpmann from 1972, who also played the child-catcher in "Chitty Chitty Bang Bang"). All the royalty were good. Problems in the cast were Gene Wilder; it might've been his most understated performance since his droll turn as Willie Wonka, but good as he was, he was nevertheless out of place and looked ridiculous and uncomfortable in his costume. Too, though Whoopi Goldberg wasn't bad as the Cheshire cat, the point of her performance was to show Whoopi Goldberg as the Cheshire cat rather than the cat itself.

The "Looking Glass" intrusions weren't out of place. A miniseries doing "Wonderland" one night and "Looking Glass" the next might've been nice, but the best elements were taken from "LG" and the results don't look patched in. The cameos, again, are variable. Robbie Coltrane is an actor too little used and it's good to see him anywhere; and though I might've preferred to see him in a dual role, he worked well with George Wendt as Tweedledum and Tweedledee. Christopher Lloyd was perfectly cast as the White Knight, but the White Knight got short shrift and was hardly worth sticking in at all, other than -- once more -- to say, "Look, we got Christopher Lloyd in a thankless role!". "The Walrus and the Carpenter" was not at all distracting -- and with Peters Ustinov and Postlethwait one would almost wish for a whole movie just about them.

The problems, however, do keep it from being the authoritative "Alice". For one thing, someone thought it would be clever to add lines. In most filmed novels this isn't so bad, since the dialogue in books serves a different purpose than the dialogue in movies. But Carroll's dialogue is so precise he might've been writing a play; and it's so well known that any extraneous line stands out like re-writings in "Hamlet". One gets the idea that the writers thought they were as clever as Carroll, and proved that the most notable thing about them was their collective ego.

This led to particular difficulties with the caterpillar. Ben Kingsley was a good choice for the role and -- like everyone else in the movie -- was very good. But his part seemed altered enough to make one suspicious of the writers' intentions. The framing sequence wasn't bad (again, perhaps a whole movie with that cast in non-Wonderland parts would be wonderful), not as bad as Carroll purists would say, but was unnecessarily preachy, as if the story had to have a moral at the end.

A number of roles in the "Alice" books should, when performed, have human performers: The Mad Hatter, the King and Queen and Jack of Hearts, the Duchess, Tweeledum and --dee, the White Knight, et. al. Some, since we have the technology, should be done by computer graphics, with famous voices, if need be. Star-studded "Alice" vehicles have appeared in the past: the top-heavy 1985 Natalie Gregory "Alice", for instance, where a famous actor's face had to be seen in every role; and the notable 1972 Fiona Fullerton bomb, where many of Britain's finest actors (including Peter Sellers and Ralph Richardson) made complete fools of themselves.

Overall, this is the best Alice ever made (including Disney's). It has dreadful moments where famous actors are shoehorned into roles just to say they're there. It has peculiar elements from "Looking Glass" mixed in at odd angles, but such as they are they aren't terrible. And it has a beautifully talented Alice. For those who aren't dogmatic about their Carroll, this is the one to see if you're looking for an "Alice" to pass an afternoon. And children, who don't know any better than we opinionated adults, will be delighted.

Lewis Carroll is a difficult author to adapt satisfactorily to the screen. Worse yet, most versions try to add some sort of lesson to the story that was never there to begin with. This, too uses a version that simply doesn't work. Alice does not want to have to sing "Cheery Ripe" so the whole film becomes about the importance of performing for an audience. That fails to really hold the film together. Despite this, this is probably the best-looking version of the two books yet. It does neither what the Children's Theatre Company did in 1982, and try to exactly mimic Tenniel's illustrations, nor that of the Harry Harris production, in which the actors had to be recognizable so they wore simple costumes with pig ears or rabbit ears, etc. Here there is a mix of puppetry and mere suggestion. Many of the minor anthropomorphics simply bear resemblance to whatever animal they were supposed to be, such as there was the use (again) of an all-star cast. It frequently makes fun of the fact that many of the cast do not speak in an English accent, though the American actor playing Alice does. The film, however, has beautiful cinematography and visionary effects. The early sequence in the library seems like the Halmis are trying to out-Gulliver their adaptation of Book III of Gulliver's Travels. The extreme visuals begin with the giant metronome at the beginning and carry all sorts of wonderful metaphor. Odd jump cuts and strange reflections don't look like goofs, but contribute to weirdness. A storm like _The Neverending Story_'s Nothing forces her to move on in her dream world to escape. The sped-up photography for the White Rabbit seems a nod to _El Gatto con Botas_, and of course, it's tied together like MGM's version of _The Wizard of Oz_. Like all films of these books, it has good elements and poorly handled elements, and certainly there is no definitive version, but this is one of the more interesting ones.

I like this version the best out of all versions of Alice in Wonderland. Tina Majorino is rock start as Alice. This version has more action and has better action than both of the Disney versions. This is the version I recommend. If you like the Alice in Wonderland book and want to watch an Alice in Wonderland movie this is going to be your best choice. I think it's more entertaining than the Disney versions. It's longer and has enough time to have good acting and good action. I give this one a higher rating.

As you watch the beginning of "Alice in Wonderland", pay close attention to the guests at the tea party. You might notice Martin Short and his companion, a man placing two buns atop his head as if he were, say, a March Hare. Notice also the man flirting with the woman at the end-you could almost call him a scurvy Knave. But enough with the plays on words. This version of "Alice in Wonderland" was exceedingly well done. From the moment Alice falls down the rabbit hole to the moment she catches the apple, we are spellbound by the fantasy the film has woven for us. Part of its appeal is its satirical notions. Consider the "caucus race", where everyone is cheating. Cynics of politics might agree with this. There is also the trial at the end, where the evidence is as insubstantial as a house of cards. One needs to watch the film or read the novel many times to pick up all of the references!

I enjoyed watching Alice's transformation from stage fright child to confident young girl. It was a continuing thread that helped the story attain a greater level of continuity. Yet the most entertaining portions of the film were those with Martin Short, Miranda Richardson, and Gene Wilder, to name a few. They held nothing back, which magnified the absurdities of their characters to the nth degree. Lastly, the featuring of the tea party at the beginning of the film and the end helped tie it together. A well done film.