Un concurso de belleza en una pequeña localidad se convierte en un evento mortal dejando claro que alguien está dispuesto a todo por ganar.Un concurso de belleza en una pequeña localidad se convierte en un evento mortal dejando claro que alguien está dispuesto a todo por ganar.Un concurso de belleza en una pequeña localidad se convierte en un evento mortal dejando claro que alguien está dispuesto a todo por ganar.
- Premios
- 2 premios ganados y 2 nominaciones en total
Laurie A. Sinclair
- Michelle Johnson
- (as Laurie Sinclair)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is a seriously funny film, deeply subversive and a great piece of work. What it's not is a satire on the vacuousness of beauty pageants.
DDG aims at the emptiness of our whole materialistic culture and the way we have traded in the more valuable things in life for the pursuit of a perfect self image and will even cash in that perverted, limited objective for a few minutes of fame on TV. Life is a house of cards with hidden truths under every shiny surface.
The humour is so dense and the jokes are so profligately thrown around that it occasionally feels like an incarnation of The Simpsons, 54 episodes of which benefited from the efforts of DDG scriptwriter Lona Williams. She may have written your favourite. The performances are no less praiseworthy with outstanding leads and fabulous and memorable minor characters. Look out for the Sheriff. Amongst them all, I'll single out two which I think are pitch perfect, Sam McMurray as the ruthless father in thrall to his wife and daughter and Nora Dunn as the drunken 'has it come to this?' State Pageant organiser. There are lots of others to choose from.
Every you time you watch you get something new, enabling you to rejoice further in the fact that half the people who watch it don't get any of it at all. In fact it's so sharp that even people who like this type of thing can get cut to pieces by it. We are, after all, watching ourselves. Mind your fingers . . .
Most smartest and funniest American film since The Producers? Yes, it's THAT good.
DDG aims at the emptiness of our whole materialistic culture and the way we have traded in the more valuable things in life for the pursuit of a perfect self image and will even cash in that perverted, limited objective for a few minutes of fame on TV. Life is a house of cards with hidden truths under every shiny surface.
The humour is so dense and the jokes are so profligately thrown around that it occasionally feels like an incarnation of The Simpsons, 54 episodes of which benefited from the efforts of DDG scriptwriter Lona Williams. She may have written your favourite. The performances are no less praiseworthy with outstanding leads and fabulous and memorable minor characters. Look out for the Sheriff. Amongst them all, I'll single out two which I think are pitch perfect, Sam McMurray as the ruthless father in thrall to his wife and daughter and Nora Dunn as the drunken 'has it come to this?' State Pageant organiser. There are lots of others to choose from.
Every you time you watch you get something new, enabling you to rejoice further in the fact that half the people who watch it don't get any of it at all. In fact it's so sharp that even people who like this type of thing can get cut to pieces by it. We are, after all, watching ourselves. Mind your fingers . . .
Most smartest and funniest American film since The Producers? Yes, it's THAT good.
From the moment front-runner Tammy Curry (Brooke Bushman) is blown to pieces on her sabotaged tractor, it's clear this beauty pageant will be fought tooth and nail. And it ain't gonna be pretty.
In the small Midwest community of Mount Rose, Minnesota, the Sarah Rose Miss Teen Princess contest is into the final furlong. But for all the sugar-coated spoutings of world peace and harmony hairspray, it's a question of victory by any means necessary - as a roving documentary film crew discovers.
In the Blue Ribbon rhubarb pie corner is Becky Leeman (Richards, rich kid daughter of former winner and rabidly proud officiating beauty pageant President Gladys (Alley). And in the red, trailer-trash corner is morgue make-up artist Amber Atkins (Dunst), championed by her boozy mother Annette (Barkin) and her mother's morally suspect best friend Loretta (Janney).
Casting wise it's spot on, as Alley launches with smiley, viper spitefulness into a beacon of single-minded hypocrisy, and is well matched by Richards, even if she looks the least convincing high school teenager since Stockard Channing's Rizzo enrolled in Rydell High. Dunst meanwhile blossoms into a very accomplished actress, and - together with Barkin and Janney - claims most of the prize lines.
If there's a weakness it's that the mockumentary approach doesn't always work, and the film drags on a little too long after a seemingly natural conclusion. Still, the dark laughs are consistent, and the parody of middle America's bizarre beauty contest fixation is spiked with some jolting shock tactics - from the nurse-assisted wheelchair dance by the reigning anorexic crown holder to Richards' hilarious (not to mention blasphemous) love song for Jesus - but such blackness never obstructs rooting for Dunst's likable teen. An outrageous, deliciously bad-taste classic.
8/10
In the small Midwest community of Mount Rose, Minnesota, the Sarah Rose Miss Teen Princess contest is into the final furlong. But for all the sugar-coated spoutings of world peace and harmony hairspray, it's a question of victory by any means necessary - as a roving documentary film crew discovers.
In the Blue Ribbon rhubarb pie corner is Becky Leeman (Richards, rich kid daughter of former winner and rabidly proud officiating beauty pageant President Gladys (Alley). And in the red, trailer-trash corner is morgue make-up artist Amber Atkins (Dunst), championed by her boozy mother Annette (Barkin) and her mother's morally suspect best friend Loretta (Janney).
Casting wise it's spot on, as Alley launches with smiley, viper spitefulness into a beacon of single-minded hypocrisy, and is well matched by Richards, even if she looks the least convincing high school teenager since Stockard Channing's Rizzo enrolled in Rydell High. Dunst meanwhile blossoms into a very accomplished actress, and - together with Barkin and Janney - claims most of the prize lines.
If there's a weakness it's that the mockumentary approach doesn't always work, and the film drags on a little too long after a seemingly natural conclusion. Still, the dark laughs are consistent, and the parody of middle America's bizarre beauty contest fixation is spiked with some jolting shock tactics - from the nurse-assisted wheelchair dance by the reigning anorexic crown holder to Richards' hilarious (not to mention blasphemous) love song for Jesus - but such blackness never obstructs rooting for Dunst's likable teen. An outrageous, deliciously bad-taste classic.
8/10
10ggray-6
Quite bluntly, this film is stupid. However, it's a rare breed, one of those "good" "stupid movies". I've read some reviews criticizing this film for not accurately portraying Minnesota. Some viewers simply don't get it. This movie is supposed to be "stupid". It is not supposed to be some supremely accurate social depiction of small town Minnesota. It is a mockumentary and an intentionally absurd exaggeration. And it works like a charm. If you "get it", this will be one of the funniest movies you'll ever view. The actors are almost, top to bottom, perfect... especially the portrayals of Amber Atkins' mother and aunt, and the Vilmes father and son. I can see how certain viewers would absolutely abhor this seemingly inane, ridiculous film. But it is, truly, a phenomenally clever spoof on a competition many treat as life and death. In fact, it's almost frightening that there's a little more realism in this farce than most would like to admit. This film is simply a fabulous little spectacle.
Best line: "You are a good person. Good things happen to good people." "Really?" "No, it's pure bull____, sweetie. You're lucky as hell, so you might as well enjoy it."
Best line: "You are a good person. Good things happen to good people." "Really?" "No, it's pure bull____, sweetie. You're lucky as hell, so you might as well enjoy it."
This is a semi-hilarious mock documentary about a teen beauty contest in Minnesota. Anywhere from hilarious to ridiculous and all points in between. The only thing redeeming is Kirsten Dunst. She knows how to get your pity, concern and loyalty. Ellen Barkin is hardly recognized as Kirsten's drunken mother. Kirstie Alley is pretty darn good as the dirty dealing former beauty queen and mother of the obvious next winner(Denise Richards). Miss Richards' character is beautiful; but spoiled, pampered and a bitch. Not exactly an expose, because the behind the scenes back stabbing is assumed to be part of a beauty pageant. Tongue-in-cheek humor. Nevertheless another vehicle for the talented Miss Dunst.
I never expected to enjoy this movie. In fact, I thought I was going to hate it. "Beauty pageant themed, chick-flick comedy", right? Stupid jokes about hair, dresses, and stuff I couldn't care less about, right? Wrong. It's presented in that faux-documentary (or mockumentary) style that Christopher Guest has perfected. It pokes fun at middle America, small towns, that sort of "redneckish patriotism" we see so often, and of course the way these contestants (and their parents) take themselves WAY too seriously. It also shines as a mostly female comedic sandbox where Allison Janney, Ellen Barkin, Kirsten Dunst, Brittany Murphy, and Kirstie Allie can show off their comedic skills (I had no idea that some of them had it in them). All I can say is that it's hilarious. Will Sasso is the greatest "handi-capable" character ever put on film. His "cheerleading" as Kirsten Dunst spells every state in alphabetical order is comedy gold. If you don't laugh...you're dead inside.
¿Sabías que…?
- TriviaScreenwriter Lona Williams was herself a contestant in local beauty pageants. She appears in the film as Jean, the pageant's non-speaking third judge.
- ErroresWhen one of the contestants acts the monologue inspired by Cuando el destino nos alcance (1973), she says that the story occurs in 2024, the actual date in the movie is 2022.
- Citas
Amber Atkins: Loretta, never have kids.
Loretta: Oh, honey, God bless ya for thinking I still could.
- Créditos curiosos(referencing Hank's request to be freed from the car door) It is the policy of the documentary crew to remain true observers and not interfere with its subjects.
- Bandas sonorasWatch You Sleep
Written by John Paul Keith
Performed by The Nevers
Courtesy of Sire Records Group
By arrangement with Warner Special Products
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Drop Dead Gorgeous?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Dairy Queens
- Locaciones de filmación
- Waconia, Minnesota, Estados Unidos(main street)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,571,408
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,986,269
- 25 jul 1999
- Total a nivel mundial
- USD 10,571,408
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Hindi language plot outline for Drop Dead Gorgeous (1999)?
Responda