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In the interests of full disclosure, I should confess I have a weakness for any film in which actresses in their mid 20s play teenagers, but when two of those actresses are Rose McGowan AND Rebecca Gayheart, how can a film not be watchable? Many commenters have complained that "Jawbreaker" was very similar to "Heathers" (1988) but not as good. So what? If you want to see a film just like "Heathers" then go watch "Heathers." Although generally panned by critics, "Jawbreaker" is nonetheless a cut above most 'high school' movies. The sound track fits the film better than is the case with most others of this genre. I particularly liked the use of Imperial Teen's "Yoo Hoo", and the playing of "Young at Heart" during Courtney's (McGowan) meltdown. The use of such irony and cross reference is enough to show the makers are not taking it all too seriously, but not so much that the film becomes camp. I'm curious as to the geographic distribution of the negative vis-a- vis positive comments. My bet is that those who are more familiar with L.A. high school life had a better appreciation for "Jawbreaker" than might those living elsewhere.

What happens when you take the movie "Heathers", sprinkle on some "Clueless", and add a pinch of "Carrie"? Well, you get the phat movie Jawbreaker, a good movie which really lets Rebecca Gayheart and Rose McGowen shine like the stars they are!

The movie itself is somewhat true to the lives of teenagers---there was always that incredibly exclusive group of kids that NOBODY but NOBODY could be good friends with. Well, this movie lets us see into one of these groups...and what lies underneath is totally rotton.

Rose McGowen is a total witch, much to the dismay of Rebecca Gayheart...who has to solve the puzzle of Courtney's scheme after her character Julie is tossed from the clique. The ending is pretty memorable...reaching back to it's roots of Carrie.

Speaking of Carrie...P.J. Soles is in the movie, as well as the cool Carol Kane (When a Stranger Calls). I really enjoyed the movie as did my friends. A laugh-a-thon that doesn't try to take itself TOO seriously, and remembering that is a good thing.

Oh, and Rebecca Gayheart is grrrreat!

`Jawbreaker' is an obvious aspirant to the mantle of the legendary `Heathers' - one of the smartest, sassiest, and sharpest teen movies ever made. An ostensibly similar plot sees the most popular - and most spiteful - clique at school accidentally murder their classmate. The school nerd is their only witness. In return for her silence, they agree to make her over in their image, tempting her with the promise of popularity. Unfortunately, `Jawbreaker' lacks everything that made `Heathers' great. As a `Clueless on Crack' it fares a little better - but, given the intriguing possibilities of its concept, is still a disappointment.

Where the earlier movie was intelligently malevolent, `Jawbreaker' is a surprisingly mean-spirited film. Its characters never rise above caricatures, making them difficult to empathise with. The journey of Fern `Mayonnaise' Mayo from school nerd the babelicious Vylette is hollow and unconvincing. Unlike Veronica Sawyer of `Heathers' who undergoes a similar transformation, Vylette seems to gain precious little wisdom from her experiences. Perhaps this has to do with the nails-on-a-blackboard performance of Judy Greer, who seems to believe she is in a John Waters film. This would be fine, if `Jawbreaker' could decide whether it is one or not.

A lazy and sometimes implausible script hanging uneasily between reality, satire, and surrealism offers some clever one liners and sequences, but does little to showcase the talents occasionally on offer. Rose McGowan is the most enjoyable thing about the film for the simple reason that it's clear she isn't taking proceedings too seriously. Rebecca Gayheart's performance is also refreshing; a puddle of reality within the screeching teen-stereotype world around her which throws Judy Greer's Fern/Vylette into even higher relief. Both act as if they are in a better film.

Perhaps the real difference between the two is that `Heathers' had heart and actual insight. `Jawbreaker's heart is as hollow as the view it espouses: it's bad to murder your friend, but it's worse to be a b*tch.

Liz is a nice girl and the most popular in her school. Her three friends accidentally kills her playing a birthday prank when she chokes on a jawbreaker. Mean girl Courtney (Rose McGowan) takes over the leadership. Marcie (Julie Benz) is willing to follow, but Julie (Rebecca Gayheart) is troubled with the death. When geeky Fern (Judy Greer) finds out by chance, she's remade into a popular girl to keep her in line.

This has several problems. The most obvious are the girls in their mid 20's, and the Heathers comparison. The girls are all gorgeous. Rose McGowan has a great mean girl persona. But the girls are so visibly too old for high school. It is extremely distracting. And the Heathers comparison doesn't help. The writing and the dialog can't stand up to the comparison. It doesn't have the snappy dialog or the memorable lines. It isn't as funny, and drifts into boring.

This movie excels in one thing, and that is the music. It's fun and candy coated which fits the story perfectly. Sure the supermodel walk down the hall is great, but that's a pittance. There's not enough here to recommend this movie.

When you watch "Jawbreaker," you can't help but sense echoes of "Heathers," "Clueless" and "The Craft." So it is a bit of a derivative teen bopper flick. But it's not a total rip-off and does stand on its own two feet.

However, it's a fun movie. And it has a great soundtrack, which I have. I love the use of the song "Rock Me Like a Hurricane" in the Marilyn Manson cameo. Pam Grier also had an interesting bit role, as a tough-as-nails private investigator. "Jawbreaker" has its flaws, but it's fast-paced, energetic and sometimes pretty funny.

The only big letdown was the ending. Couldn't they come up with something more torcherous to do to Courtney? Evidently, the writer Darren Stein was too anxious to complete the script and pasted on this snappy, thoughtless ending.