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IMDbPro

Los idiotas

Título original: Idioterne
  • 1998
  • 1h 57min
CALIFICACIÓN DE IMDb
6.7/10
35 k
TU CALIFICACIÓN
Los idiotas (1998)
Home Video Trailer from USA Films
Reproducir trailer1:03
1 video
27 fotos
Dark ComedyComedyDrama

Un grupo de personas se reúne en una casa a las afueras de Copenhague para romper todas las limitaciones y sacar el "estúpido" que llevan dentro.Un grupo de personas se reúne en una casa a las afueras de Copenhague para romper todas las limitaciones y sacar el "estúpido" que llevan dentro.Un grupo de personas se reúne en una casa a las afueras de Copenhague para romper todas las limitaciones y sacar el "estúpido" que llevan dentro.

  • Dirección
    • Lars von Trier
  • Guionista
    • Lars von Trier
  • Elenco
    • Bodil Jørgensen
    • Jens Albinus
    • Anne Louise Hassing
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    35 k
    TU CALIFICACIÓN
    • Dirección
      • Lars von Trier
    • Guionista
      • Lars von Trier
    • Elenco
      • Bodil Jørgensen
      • Jens Albinus
      • Anne Louise Hassing
    • 144Opiniones de los usuarios
    • 50Opiniones de los críticos
    • 48Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 6 premios ganados y 5 nominaciones en total

    Videos1

    The Idiots
    Trailer 1:03
    The Idiots

    Fotos27

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    Elenco principal44

    Editar
    Bodil Jørgensen
    Bodil Jørgensen
    • Karen
    Jens Albinus
    Jens Albinus
    • Stoffer
    Anne Louise Hassing
    • Susanne
    Troels Lyby
    Troels Lyby
    • Henrik
    Nikolaj Lie Kaas
    Nikolaj Lie Kaas
    • Jeppe
    Louise Mieritz
    Louise Mieritz
    • Josephine
    Henrik Prip
    • Ped
    Luis Mesonero
    • Miguel
    Knud Romer Jørgensen
    • Axel
    Trine Michelsen
    • Nana
    Anne-Grethe Bjarup Riis
    • Katrine
    Paprika Steen
    Paprika Steen
    • High Class Lady
    Erik Wedersøe
    • Stoffer's Uncle
    Michael Moritzen
    • Man From Municipality
    Anders Hove
    Anders Hove
    • Josephine's Father
    Jan Elle
    • Waiter
    Claus Strandberg
    • Guide At Factory
    Jens Jørn Spottag
    Jens Jørn Spottag
    • Boss At Advertising Agency
    • (as Jens Jørgen Spottag)
    • Dirección
      • Lars von Trier
    • Guionista
      • Lars von Trier
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios144

    6.735.2K
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    Opiniones destacadas

    ekkir

    It takes a Dane

    As a Dane it may be easier to see where Lars Von Trier is coming from with this social criticism (satire of social criticism!) movie.

    First of all he comes from a country that prides itself in two traditions:

    1. a state that takes care of and cares for everyone

    2. a country that has a long tradition of social-criticism in literature and movies

    For more than ten years it seemed that every big film project in Denmark had a social agenda...That was probably the only way to get financial support for your film project - which was most of the time, if not all of the time - supplied by the state.

    This film is poking fun - primarily - at this social criticism tradition, while it also renews it.

    But how much should we take seriously - Lars Von Trier would probably laugh at anyone, who takes this movie at face value - as a bona fide social criticism (which it is not!) and - of course - it fails as traditional "social criticism", just look at it - this is not a film like Pelle the Conquerer, there are no drunken, heavy-set men seducing their underage nieces and abusing the working man sadistically.

    In short this movie wasn't meant to succeed in the genre in a traditional sense.

    It has a more profound agenda - I have a hard time putting words to it, because what the movie says is so very Danish. Certain scenes are simply great: When they visit the factory and "the idiots" are allowed to turn the machines on and off...I can't explain why that is so intensely funny, but I'm pretty sure it's a Danish thing.

    This film is funny, sad, sentimental, wonderfully-acted... It comments on a social-democratic tradition and state that embraces you for better and for worse...It also talks about capitalism in this system...Maybe it's really all about the compromise inherent in a social-democratic tradition existing parallel with a capitalist system. Such a compromise could be viewed as hypocrisy from a philosophical standpoint.

    Central to this movie is the theme of honesty and sincerity...And all the while you don't want to take it too seriously, because you have a feeling that the director isn't all that serious about it himself...

    In short I find the movie and it's intention irresistibly confusing.
    9dana_jones_23

    A stone in Your Shoe

    In Epidemic, one of his previous films, Lars von Trier noted that "a film must be like a stone in the shoe". Eleven years after Epidemic, Lars von Trier is famous, his budgets grew larger and so do the stones he puts in the spectators shoes. No, reality is never what you think it is. It stops moving when you expect it to rush, and than it rushes in a way that makes you dizzy. People that you considered to be serious collapse when it comes to testing their intentions in reality, and people that you never took a note of will prove to be the real heroes of life. At the same time Lars von Trier and his excellent actor ensemble try to explain why (non violent) social experiments always fail, in spite of what we learn at school and watch on TV. They fail for three main reasons. First, the intentions of the hardcore of every movement of this kind are different that the ones they declare on. Second, the few who take a social project seriously will remain outside the hardcore group in a lonely, non-influential position. And third: the external conditions for running an experiment of this kind are such, that it's impact is limited up front to zero, often without the acting persons realize it. A brilliant movie of a brilliant filmmaker, who revolutionized the cinema in the last generation. A must for every thinking person.
    7Boba_Fett1138

    Successful experiment.

    "Idioterne" is a good and enjoyable to watch Dogma movie. The style (or better said; the lack of style) and storytelling are unique and help to make "Idioterne" a one of a kind movie experience. Just like the story in the movie; it's a successful experiment.

    As a sort of a social experiment, a group of people decides to release the 'idiot' in themselves to see how the environments responds to them. Sounds like good enough material to make a hilarious comedy with but "Idioterne" never goes over-the-top and always retains a sort of realistic feeling. The movie is made in documentary style with some mixed results as a direct result of this. For most part the movie is realistic and it has an improvised feeling over it but some of the sequences are obviously planned and acted out. In those sequences it becomes painfully obvious that the actors in this movie aren't really first-rate. It makes those sequence feel forced and ridiculous. Those sequences are in contrast with the rest of the movie its style and overall feeling.

    Yet the movie remains perfectly good to watch. It never becomes really great or hilarious but the movie is simply perfectly entertaining to watch nevertheless.

    The movie has some interesting sequences and confrontations in it that all helps to make this movie quite a memorable one. It's a movie that confronts at times and makes us as viewers think about how we would respond and act if we were in one of the situations as portrayed in the movie.

    For fans of Dogma this is an absolute must-see. It has everything in it what makes Dogma movies so great. It's perhaps not the best Dogma movie but it certainly is one of the most enjoyable- and more light to watch ones.

    7/10

    http://bobafett1138.blogspot.com/
    Summie

    The Shaky Reality of Documentary

    I'm surprised that no one commented on the pseudo documentary's shaky reality as mirroring the problematic reality of the Idiots in the movie. Their attempts to be real idiots so as to appreciate their "inner idiots" parallels the feature film's attempt to mimic the documentary format so as to achieve credibility. By showing the overacting and crew shots in the movie, perhaps it was the director's way of commenting on the the shaky reality of the Idiots existence.

    But even though we know that it's a feature film trying to be a documentary, we are still drawn to the vicarious experience of the movie - we still enjoy it as a movie. Perhaps another statement about finding happiness in a fake reality?

    Like Idiots, the audience goes into an escaped reality when they go to the cinema, hoping to experience what the protagonists feel on screen. But like the idiots, the denial is only temporary. The final fate of Karen seems to warn the the audience that at the end of the day, this escaped formed of reality is no match to the "real" world that is out there.
    Infofreak

    Astounding, brave, funny, touching.

    Look I know jack about Dogme, but I know what I like and I like 'The Idiots'! A LOT.

    I find it hard to understand how so much has been said about the "lack" of production values or the nudity in this movie, which to me aren't even worth mentioning, but hardly anyone comments about how astounding the ACTING is! The actors in this, and in Von Triers' previous 'Breaking The Waves', display completely realistic acting very rarely (if ever!) seen in Hollywood. So next time some Hollywood mediocre "actor" is up on the podium clutching their Oscar, force 'em to watch 'The Idiots' and see if they can pull off performances of this calibre! The "biker scene" in itself is one of the bravest, most funny/scary sequences I've ever seen in all my years of move watching!

    While I think all the actors involved are faultless, I would single out Jens Albinus as Stoffer as being particularly outstanding. I hope to see him go on to bigger and better things. I say "better", but you won't find many contemporary movies "better" than 'The Idiots'!

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Infamously, English critic Mark Kermode got thrown out of the screening at the Cannes film festival for loudly heckling the film and yelling "il est merde!" at the screen on multiple occasions (French for the vulgar critique, "this is shit").
    • Errores
      This is a film that adheres to the 'Dogme 95' manifesto, so the usual goof rules do not necessarily apply. This includes shots of the crew, microphones and other equipment, as well as continuity errors.
    • Citas

      Susanne: Being an idiot with you is one of the best things I've ever done.

    • Versiones alternativas
      To avoid an NC-17 rating, the U.S. distributor used black bars to cover all shots of male genitals and penetration during the orgy scene.
    • Conexiones
      Featured in De ydmygede (1998)
    • Bandas sonoras
      The Swan
      Written by Camille Saint-Saëns (as Camille Saint-Saens)

    Selecciones populares

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    Preguntas Frecuentes19

    • How long is The Idiots?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de mayo de 1998 (Francia)
    • Países de origen
      • Dinamarca
      • Francia
      • Países Bajos
      • Alemania
      • Suecia
      • Italia
    • Sitio oficial
      • Dogme 95 collective
    • Idioma
      • Danés
    • También se conoce como
      • The Idiots
    • Locaciones de filmación
      • Dinamarca
    • Productoras
      • Zentropa Entertainments
      • Danmarks Radio (DR)
      • Liberator Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 2,500,000 (estimado)
    • Total a nivel mundial
      • USD 2,804
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 57 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 1.37 : 1

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