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Anticristo

Título original: Antichrist
  • 2009
  • C
  • 1h 48min
CALIFICACIÓN DE IMDb
6.5/10
142 k
TU CALIFICACIÓN
POPULARIDAD
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114
Willem Dafoe and Charlotte Gainsbourg in Anticristo (2009)
Antichrist Final Trailer - A grieving couple retreats to their cabin in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse
Reproducir trailer2:08
3 videos
99+ fotos
Body HorrorPsychological DramaPsychological HorrorPsychological ThrillerDramaHorrorThriller

Una pareja afligida se retira a su cabaña en el bosque, con la esperanza de reparar sus corazones rotos y su matrimonio problemático, pero la naturaleza sigue su curso y las cosas van de mal... Leer todoUna pareja afligida se retira a su cabaña en el bosque, con la esperanza de reparar sus corazones rotos y su matrimonio problemático, pero la naturaleza sigue su curso y las cosas van de mal en peor.Una pareja afligida se retira a su cabaña en el bosque, con la esperanza de reparar sus corazones rotos y su matrimonio problemático, pero la naturaleza sigue su curso y las cosas van de mal en peor.

  • Dirección
    • Lars von Trier
  • Guionista
    • Lars von Trier
  • Elenco
    • Willem Dafoe
    • Charlotte Gainsbourg
    • Storm Acheche Sahlstrøm
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    142 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,773
    114
    • Dirección
      • Lars von Trier
    • Guionista
      • Lars von Trier
    • Elenco
      • Willem Dafoe
      • Charlotte Gainsbourg
      • Storm Acheche Sahlstrøm
    • 571Opiniones de los usuarios
    • 379Opiniones de los críticos
    • 49Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 21 premios ganados y 33 nominaciones en total

    Videos3

    Antichrist
    Trailer 2:08
    Antichrist
    Antichrist
    Trailer 1:55
    Antichrist
    Antichrist
    Trailer 1:55
    Antichrist
    Antichrist
    Clip 1:09
    Antichrist

    Fotos101

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    Willem Dafoe
    Willem Dafoe
    • He
    Charlotte Gainsbourg
    Charlotte Gainsbourg
    • She
    Storm Acheche Sahlstrøm
    • Nic
    • Dirección
      • Lars von Trier
    • Guionista
      • Lars von Trier
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    Opiniones de usuarios571

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    Opiniones destacadas

    8jackharding89-1

    A gruelling tale of mythical grandeur

    An eerie yet gorgeous tapestry of lingering close-ups; parallels, cuts and slow-motion photography, Lars Von Trier's Antichrist is a gruelling tale of mythical grandeur: a bizarre yet beautiful film chock full of sadism and shagging, Satanic dogma and similes. Most of which, I don't understand. So you'll be pleased to know that I have no intention of harping on about the director's bent meditation on gender, nature, genocide, motherhood, misogyny and astronomy. I find all that stuff interesting, don't get me wrong, but when things get Freudian I'm way out of my league. Therefore, I'll stick to what I know.

    Albeit seething with emotion, Antichrist refuses to adhere to some of the general "rules" of the classical Hollywood narrative, meaning it lacks clarity, unity and closure. For example, there're only two characters, both of which remain nameless and have indefinite; pasts, motives and are somewhat difficult to identify with. The film rejects conventional morality. It is a difficult and uncomfortable experience that'll unnerve even the most robust of film fans. So if you like your films light, clear and conservative, stay away. If, however, you're a fan of, say, Nicholas Roeg's Don't Look Now, director David Lynch or you just dig a bit of alternative cinema, then brace yourself for a hugely demanding tableau that film critic Anita Singh of the Sunday Telegraph dubbed "the most shocking film in the history of the Cannes Film Festival." Willem Dafoe plays "he", a therapist and husband to "she" (Charlotte Gainsbourg), the female half of the cast whose line of work we never really learn. After a quite miraculous opening montage that juxtaposes the couple making love with the accidental death of their child, the embedded tale follows the pair as they flee to "Eden", their isolated cabin in the woods, where "he" attempts to aid a severely grief stricken "she" through her bereavement.

    Book-ended by a masterfully conceived prologue and epilogue and split into four focal chapters entitled "Grief", "Pain", "Despair" and "The Three Beggars" (don't ask), the film takes on a ghostlike tone from the outset as the boundaries between the real and surreal become blurred. Alas, things get weird, edgy and very, very nasty. The sheer mass and rate of dense motifs and metaphors at hand regarding sex, Freud, the devil and the soul is a little overwhelming. Not to mention the force and intensity of both Dafoe and Gainsbourg's turns in addition to the film's strong, emotional undercurrent.

    In spite of large and sustained periods of quite brilliant film-making, Antichrist contains some of the most violent and deplorable images ever committed to celluloid. For the ladies there's self mutilation. For the gents there's…I, I, I can't even say it. Put it this way, it ain't good lads…Anyway, add to the unthinkable gore a whole host of outlandish set-ups, half a dozen scenes of a sexual nature and one or two jolts in tone and you'll be scared silly. Remember- sometimes in cinema, you fear what you don't understand, especially when the camera is an unflinching eye inside the head of a disturbed, Danish poet. Lars Von Trier is an excellent filmmaker, but even his biggest fans will find it hard to swallow this, never mind stomach it.

    Dedicated to the memory of legendary soviet filmmaker Andrei Tarkovsky, Antichrist is truly as haunting, delicate and poetic a film as you're ever bound to see. Though shrouded in scenes of unspeakable cruelty, the film eludes to the work of Tarkovsky in a big way: Von Trier's warped Adam and Eve parable is a moody, metaphysical affair cloaked in hypnotic, dreamlike imagery that calls to mind the likes of Mirror, Solaris and the brilliant Stalker. The trancelike photography; sound, score, and editing demonstrate a predilection for atmospheric, art-theatre sensibility. Tarkovsky would have loved it. This, after all, is a film that simply has to be seen to be believed. Not necessarily for its aesthetic grandeur, gore or technique, but for its harrowing portrayal of a soul in torment.

    What's it all about? Who cares?! Antichrist is an unusual, atmospheric horror film that's guaranteed to provoke. The performances are honest and strong, the aesthetics are bold, the direction is brilliant and the outcome is something that is ultimately hard to come by these days: authentic film-making.

    Jack Harding
    8bpm_255

    Grotesque but with purpose

    This movie is violent and very sexually graphic, bordering at times on artistic but hardcore pornography; but it isn't lurid for the sole purpose of scandal. "Gory" appropriately describes some sections of this film but the word by no means encapsulates it.

    If one is willing to stomach the periodic revulsion of watching this movie from beginning to end with a thoughtful and mature perspective they will find that it is full of symbolism, foreshadowing, and the kind of characterization that brings great success to novels. Few movies, in fact, possess the level of depth that Antichrist does. The movie isn't packed with moral insight but that doesn't preclude it from being intellectually engaging and, as a consequence, genuinely entertaining. One will also realize that the violent and sexual content is never pure excess. The gory scenes, though sickening, are always important in some way to the main themes of the movie.

    At several points during the course of this film I couldn't help but rewind it to watch a scene again, discuss it in greater depth with my friends, attempt to extricate the finer details that are present in abundance both at the surface and underneath.

    To anybody that tries to berate this movie as the deranged product of excessively liberal foreigners I must point you to movies like Saw, which drew American crowds young and old for numerous sequels that were basically just series' of elaborate and gruesome torture scenes, sometimes clever but never much more than that.

    There is more to Antichrist than meets the eye, and I highly recommend it to anybody looking for a horror/suspense film that engages more than just the reptilian parts of the brain.
    8ngo-jacki

    Provoking...

    Lars Von Trier is a director who's always been going his own ways, and this can definitely be seen in this movie. Antichrist is a movie that doesn't hold anything back when it comes to gore, and the stuff that you see in the film won't leave your mind the next couple of days. But the movie itself is much more than that... The movie is beautifully shot, the story and setting extremely uncomfortable and the acting is fantastic. The movie is sometime painful to watch, not in a "Saw" or "Hostel" kind of way, but when you leave the theater you feel genuinely uncomfortable, and that is one of the reasons why i liked this movie. It's a movie like nothing i've experienced and I'm glad that we have directors like Lars Von Trier that dares to make a film like this. It's nothing like the mainstream movies that are being made nowadays, and it makes your mind race when you leave the theater, something very few movies does. You aren't served with facts, as with any other movies, but are left to interpret and think for yourself. It's a bizarre movie and not one for the faint of heart, but if you dare to be provoked and see a movie like nothing you've ever seen, then go see Antichrist.
    7Leofwine_draca

    Gruelling cabin-in-the-woods horror

    Controversial, much lauded and horrific to watch, ANTICHRIST is Lars von Trier's showpiece film. It tells the tale of an unhappy marriage that breaks down due to grief, and the extremes that follow. It's a film that plays out as a two-hander for the most part, with Dafoe and Gainsbourg acting it up in a remote woodland cabin and taking out their rage and anger upon each other.

    The film's simple storyline allows von Trier to concentrate on the things that interest him most. His intelligent, thoughtful script goes deep into the psyche of his characters, exploring the ways in which therapy can – and in some ways, cannot – help a parent to get over the loss of their child. The first half of the film is packed with foreboding that gives way to visceral horror in the second half.

    Everything you've heard about this film's explicit nature is true; nothing much makes me squeamish anymore, but ANTICHRIST did. I can't stand sexual violence in films and von Trier incorporates it to chilling, disturbing effect, made all the more powerful due to its brief nature. In many ways, the second half of this film becomes HOSTEL in the woods, except it's all the more frightening because violence comes from a loved one rather than a stock villain.

    Dafoe and Gainsbourg are both very good; they couldn't not be, seeing as what von Trier asks of them. Dafoe plays the more sympathetic role and Gainsbourg's character is a little shrill on occasion, but neither of them disappoint. Von Trier directs in classic art-house style with beautiful shots interspersed with grotesque imagery and true left-of-field interludes.

    It's certainly not a film for the faint of heart or an experience I would choose to put myself through again, but I think that ANTICHRIST is a great example of a director following his vision without compromise.
    10theisbj

    Antichrist

    This movie drained me...

    Without a doubt the most unpleasant and despairing movie I've ever watched. It's not just the graphic imagery that got to me, but the overall tone of the movie was incredibly dreadful and you could almost feel a presence of some sort of "evil".

    This is a hard movie to review. It crosses all barriers when it comes to movie making...ALL. It makes you question yourself about what art is and if there's anything as going "too far"?

    But don't dismiss this. It's certainly much more than just being graphic for the sake of it. First off, the cinematography is absolutely flawless. The opening scene had me in absolute awe. Beautiful... And my deepest respect to Willem Dafoe and Charlotte Gainsburg. I could only imagine how much this would drain the actors both mentally and physically. They are amazing and deserve Oscars.

    I have to mention the violence too, since it's a critical aspect. This isn't "torture porn" of any kind. It's natural (it's looks almost too realistic), physical sexual violence. That's why it works so effective on the audience. You can almost feel their pain. Never before have I watched a movie where I felt the urge to look away. You would think that, in the end, all this violence and self molestation is just a shock tactic, but I assure you it's not. There is actually a plot and a sensible progression of the movie. I of course won't say too much. People need to see it.

    I can understand why some people wouldn't like it, and that's okay. This is most definitely not for everyone.

    It may not be a movie that made me feel good, but it made feel something and had an effect on me. It's beautiful, sad, poetic, horrific and in the end, oddly uplifting. A genre masterpiece.

    A must see.

    10/10.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      The Sound Engineer actually swallowed a microphone and recorded the inner audio of his body in order to achieve certain similar sounds for the film.
    • Errores
      During the prologue, there is shot of a foot knock over a bottle from the far end of the bed. In a later shot, the same bottle is rolling on the bedside as He and She have sex.
    • Citas

      Fox: Chaos reigns.

    • Conexiones
      Featured in At the Movies: Cannes Film Festival 2009 (2009)
    • Bandas sonoras
      'Lascia ch'io pianga' from 'Rinaldo'
      Composed by George Frideric Handel (as Georg Friedrich Händel)

      Performed by Tuva Semmingsen and Barokksolistene

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    Preguntas Frecuentes22

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de marzo de 2011 (México)
    • Países de origen
      • Dinamarca
      • Alemania
      • Francia
      • Suecia
      • Italia
      • Polonia
    • Idioma
      • Inglés
    • También se conoce como
      • Antichrist
    • Locaciones de filmación
      • Wuppertal, Renania del Norte-Westfalia, Alemania
    • Productoras
      • Zentropa Entertainments
      • Zentropa International Köln
      • Slot Machine
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 11,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 404,122
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 71,397
      • 25 oct 2009
    • Total a nivel mundial
      • USD 7,426,651
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 48 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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