Contra el enemigo

Warning: Contains minor plot spoilage

When I first watched the movie a year or so ago, the first thing that really caught my attention in the beginning of the movie was the first explosion. There was no ludicrous running from the explosion like you see in most action movies. Washington's character blinked because of the explosion flash and then was thrown on his tail by the force of the detonation. Because he was facing the explosion he received a bloody noise from the air concussion (before even hitting the ground), and he couldn't hear after the explosion. They also showed him in shock right after the explosion. The impact of the explosion on inanimate objects was also more accurate. You could clearly see the inverse falling off effect of distance from the explosion.

Glass shattering was shown in slow motion at the same slow mention speed as the fireball moving in the background. These are details of things that happen in real life that I haven't seen in any other movie, action or otherwise. And that was a very small thing about the movie that impressed me.

I think the story line is extremely plausible and appropriately complex (which I thought before 9/11). The analysis of the culture of the terrorists was very accurate compared to most movies dealing with the topic. The terrorists weren't demonized and their motives were examined and explained in a well balanced way.

I think Bruce Willis does the movie a disservice, although it is his history of action and mediocre characters that hurts the movie, not his actual acting in the movie. The complexity of his character is interesting. The movie leaves it up to interpretation whether General Devereaux is really reluctant to impose martial law on New York, or whether he just tells the congressional committee what they want to hear in order to get himself in. Devereaux is definitely the "bad guy" in the movie, but not because he is portrayed as the nexus of evil, but because his world-view allows him to rationalize actions that are un-American.

One of the biggest criticisms that I have seen of the movie is that the end of the movie is not believable because of the martial law that is imposed on New York City. But if two or three more significant attacks happen to New York City, I won't be surprised at all if martial law is declared there.

I always thought the movie was excellent, but with the events in recent days, the impact of the movie has definitely ratcheted up a few notches.

This film, made in 1998, is so close to the reality of Sept. 11, 2001 that it sends chills down your spine. Although events played out differently, so many elements in the film are near-mirror reflections of the reality. The attacks are carried out by Islamic extremists, whose core network were trained by the CIA, their attacks were dramatic and centered on New York City, there was little cooperation between, the FBI, CIA and military, and Arabs and Arab-Americans were rounded up in large numbers, or were subjected to harassment and violence. The images of bodies and debris are no less shocking than the sight of people jumping to their death from the World Trade Center. Torture was employed by US soldiers, in pursuit of terrorists. With all of that said, even had the attacks of Sept. 11th not occurred, this would still be a tremendous film.

Director Ed Zwick and actor Denzell Washington team up once again for a great one-two punch. Denzell brings great humanity to his role as an FBI agent, charged with counter-terrorism operations and investigations. He is aided by Tony Shalhoub, who delivers another great performance and some of the best lines. Annette Benning displays her talent as a CIA operative at the heart of the whole crisis. Roger Deacons adds his wonderful cinematography, and Bruce Willis turns in a fine performance as an over-zealous army general.

The film delivers a cautionary tale about extreme reactions to terror and the loss of freedoms that can result from acting in anger, rather than with reason and law. The rounding up of citizens, as depicted in the film, and the declarations of martial law, are not that far away from the provisions of the Patriot Act, which violates First Amendment rights, the right to privacy, and the right to due process. The film suggests that by giving up these rights, or stripping them away, we become the very thing that our enemies claim we are. It suggests that that may be the terrorists true aim.

This is not a crystal ball prediction of 9/11; but it is a fine thriller. The filmmakers did their homework and got quite a bit right. They also extrapolated things to an extreme, but not an implausible one. However, they delivered an excellent film, and one that should be seen and studied.

Watching the 1998 THE SIEGE in 2007 and then rolling through all the reviews of this film from the time of release to the present is a lesson in the power of the cinema. The obvious initial response was less about the film as a film than about the manner in which the FBI, CIA, Military, Terrorists, and public responded to the unimaginable: shouts of protests about 'glorification of occult terrorists', the Hollywood idea of the impossible happening, and the criticism of the fine cast of actors who steeped into roles 'beyond swallowing' are all here in these reviews.

Now, six years after 9/11 reviewers are taking a different view, though most still find the film pompous and obnoxious. Offensive versus defensive. And after viewing the movie as a movie it is gratifying to know that people feel strongly and are vocal about the depiction of the 'war against terrorism' we continue to lose. Movies that make people think and talk are valuable, and in that light the film is more successful than initially considered.

Yes, there are gaping holes in the script and the plot and the concept, but as a little thriller it maintains our attention throughout and offers some fine moments from actors such as Denzel Washington, Annette Bening, Tony Shalhoub, Bruce Willis, Sami Bouajila, Ahmed Ben Larby, Aasif Mandvi among others. And then there are the panoramas of New York City under siege with the Twin Towers standing mightily in the cityscape... It begs the question: if scriptwriter Lawrence Wright and director Edward Zwick (Blood Diamond, The Last Samurai, Courage Under Fire, Glory, Leaving Normal, Legends of the Fall, etc) were thinking along these lines and finding flaws in our intelligence forces, why weren't the leaders in Washington, DC in tune with 'absurd possibilities'? It makes one think - and that is the best thing about this film. Grady Harp

I remember hearing about this film before its release. It had caught a great deal of flack for its use of Arabs and Muslims in particular as violent extremists. Even at that time I knew that the protests against this film were nothing more than politically correct nonsense, as even then the only trans-oceanic terrorists that existed were of the fake-Muslim variety that today we hear about every hour.

When I saw the film, I was impressed by the fair nature of the film, in that it portrayed the truth: these extremists exist in the overwhelming minority of Muslims, and that it is unwise and unfair to paint them all with the same brush. With a very good script, excellent performances and exciting action pieces, I was impressed.

Jump ahead a few years, and we see what we have learned. This film was not just an intelligent story. It was a warning sign. It examined things that people did not want to talk about. It examined things that people thought it more politically correct to ignore. It portrayed events realistically and in fact far less devastating than what was possible. If there is one thing that can be learned by examining a film such as this in retrospective of recent events, it is that our species chooses to ignore that which it does not want to accept.

Those who do not learn from their history are doomed to repeat it. Perhaps there are other subjects we should stop being so PC about and actually talk about instead of worrying about "how it will look."

I seem to remember that this film was looked down upon by the Arab Americans. I don't understand that considering the bombing of the World Trade Center in 1993 and some of the perpetrators who were eventually apprehended. My husband and I found The Siege frighteningly entertaining. Once more Denzel Washington gave a tour-de-force performance. The rest of the cast was excellent. The script was prophetic. The writer understood what might happen if the war on terror resided in New York City. Where is Lawrence Wright now?