El Triunfo Del Espíritu

This is the ONLY movie I've ever been moved to write about. I rarely even watch movies let alone offer opinions, but this movie is exceptional in so many ways. The acting is powerful and believable (duh.. it's real..), and the entire story is totally captivating. I was watching on satellite and had to endure commercials, and it was sheer torture waiting for the movie to resume.

This has to be one of, if not THE finest film ever made. Congratulations to EVERYONE, especially MR. Fisher. I'm a 55 year old guy that teaches in Cleveland and I never thought I would cry, but there I was with tears streaming down my face, all alone in my living room late at night. This story should be told and retold for generations to come. Thank you Mr. Fisher, Mr. Washington, and everyone else. This was a life-changing experience - not a movie. God bless you all for putting this together. I just can't figure out why this movie is not huge forever. Well, I suppose I can hazard a guess, but I truly hope I'm wrong - I think we all know what that guess is...

Thanks again - not just for the movie, but for the most powerful message possible. If you haven't seen this movie, SEE IT NOW! You won't be sorry, but if you don't see it, you'll be missing the experience of a lifetime. BJL

Not having seen the film in the original theater release, I was happily surprised when the DVD arrived, since this film did not have the wide distribution it merited.

Denzel Washington directorial debut and the finished product have nothing to envy other films about the same theme by more accomplished directors. The film has a very professional look. It shows that Mr. Washington has learned a lot being on the other side of the camera. He brings a different angle to this film.

One of the best things the film has is, without a doubt, the fine performance by Derek Luke. He is an actor who, with the right guidance, will go far, no doubt. His take on the troubled young man, at this point of his life, in turmoil and suffering for a bad hand life, up to now, has dealt him, is very true. His Antwone is a fine portrait of a man in pain who is basically very good and has so much to give, but no one seems to see that side of his character.

At the worst time of his despair, Antwone is sent to Dr. Davenport, played by Mr. Washington, in a very sober, if somehow subdued manner. Because of the angst within Antwone, he misses the opportunity of opening himself to this man, who wants to help, but because of the constrains placed on his office, just have three sessions and then has to dismiss his patient.

Things work out, as Antwone is able to convince the doctor to keep on working with him. Antwone's past is revealed in detail. The abuse he suffers at the hands of Mrs. Tate, his foster mother, is brutal, to say the least. The attempt at the hand of an older woman in the Tate's household of a sexual molestation, gives Antwone a bitter taste that stays with him throughout his adult life, as he has been scarred by the shame he carries with him.

Antwone finds love at last with Cheryl, who is patient enough to make him see a different world by the love she and support she gives him.

The lead performances are very good indeed. Denzel Washington's Dr. Davenport has his own problems too. He is not a happy camper either. He can help Antwone, but he cannot help himself, or his relationship with an adoring wife.

The talent in the film is incredible. Joy Bryant makes a fine Cheryl. Novella Nelson, who is a fine actress is superb as Mrs. Tate, the abusing foster mother.

The reunion of Antwone with his unknown family is a bit too sugary and sentimental, but of course, if one is to believe that Fisher finds happiness at last, one has to accept that part of the film as well.

The protagonist, Antwone Fisher is played by the up and coming young actor, Derek Luke. Luke is a young sailor, filled with rage, easily provoked, and often unable to control his emotional outbursts. His temper soon earns him several mandatory sessions with a naval psychiatrist; played by Denzel Washington (he also directed the film). Early on, their personalities clash, but eventually Washington unlocks the two sources of Luke's anger-an abusive childhood and a pervading fear of being abandoned.

The film takes us on a journey of Luke's life, one marked by periods of intense loneliness and sadness while being driven by a constant search (an obsession) for family. It is through Luke's life that we learn that perseverance can carry us through the periods of darkness and eventually deliver some form of happiness

By counseling and befriending Luke, Washington enables him to deal with his lifelong sadness and move on. When the film wants to grab at your heart, it succeeds with good writing and convincing performances by Luke and Washington. In a graphic abuse scene from Luke's childhood, Washington artistically and gutterly insures that we not only empathize with Antwone, we personally experience his helplessness. This scene, which showcases Washington's directorial skill, places Luke in a full frontal position, trembling, with the whites of his eyes looking directly at the camera (the viewer). Anyone watching the screen can't help but be mesmerized by the abject fear in Luke's eyes.

As the film progresses, Washington, the director, introduces two minor twists to the plot. The first highlights Luke's reluctance to trust as he begins dating for the first time. This sub-point is purposeful and displays the infinite lingering effects of Luke's childhood on his adulthood. The second involves martial (family) problems within the psychiatrist's life which, while ironic, is never developed.

Much like his performance as a compassionate lawyer in Philadelphia, Denzel Washington's screen presence in Antwone Fisher commands our attention and emotions, leaving few dry eyes in the theater. This film's writing, direction and acting exposes our souls and grabs our hearts.

ANTWONE FISHER (2002) **** Derek Luke, Denzel Washington, Joy Bryant, Salli Richardson, Leonard Howze, Kente Scott, Kevin Connolly, Rainoldo Gooding, Novella Nelso, Malcolm David Kelley, Cory Hodges, Stephen Snedden. Actor Denzel Washington makes a powerfully confident directorial debut in this biopic about a good young sailor in the navy (Luke in a truly stunning acting debut of award caliber excellence) – the eponymous film subject – whose past demons have nestled into nothing but troubles for him and with the assist of the outfit's psychiatrist (portrayed evenly by Washington) Fisher is able to gain a foothold on his present and more importantly, his future. Heartbreakingly poignant and all too knowing in its depiction of the triumph of the human spirit ; at the same time non-condescending nor preachy; the film unfolds like all good storytelling: naturally and effortlessly. Bryant also gives a remarkable debut turn as the young woman who sees Fisher for the man he is and nothing less. The real Fisher was a security guard @ Sony Pictures prompting Washington to make the movie and coincidentally Luke worked in the gift shop, an amateur actor in the making, who knew Fisher and the rest is history. One of the best films of the year.

The violent and rebel twenty-five years old sailor Antwone Fisher (Derek Luke) is sent to three sessions for evaluation with the navy psychiatrist Dr. Jerome Davenport (Denzel Washington), after another outburst and aggression against a superior ranked navy man. Reluctant in the beginning of the treatment, he gets confidence in Dr. Davenport and discloses his childhood, revealing painful traumas generated in his foster house. Meanwhile, he meets Cheryl Smolley (Joy Briant), and they fall in love for each other. Resolving his personal problems, Antwone becomes a new man. This true familial drama is a touching and positive story of a man who finds a friend and is sent back to a regular life. The direction of Denzel Washington is excellent, making sensitive, attractive and with good taste, a story about child abuse. In the hands of another director, it might be a very heavy story. My vote is eight.

Title (Brazil): 'Voltando a Viver' ('Returning to Live')