Mickey ojos azules

This is a comedy all the way, and one of the funnier "gangster" comedies I've seen, in tone reminds me a lot of "Analyze This." Hugh Grant is the boyfriend and Jeanne Tripplehorn is his girl, but she refuses when he proposes because her father is a mobster (James Caan, in a perfect role) and she knows they would suck in her innocent auctioneer. The writing is refreshingly good and Grant's delivery makes it go. Here I disagree strongly with critic Ebert who thinks Grant was not right for the role.

My favorite scene, I laughed so hard I had to back it up and watch again, Grant has to pretend in a restaurant that he is "Mickey Blue Eyes" from a Kansas City gang, and his poor imitation of NYC gangster talk is hilarious. This film has no lasting value but is very entertaining, enough so that I think it deserves an "8". I saw it on DVD, nothing remarkable about the presentation, but nothing wrong either.

The previews that I saw for this movie promised it to be a very funny movie...and for the most part it was but it could have been better.

The movie is about a conservative British fellow (Hugh Grant) that runs an auction house in New York. He decides to propose to his girlfriend (Jeanne Tripplehorn) but she has reservations about marriage as her father has connections to the mafia. In her opinion, this marriage will not work as Grant's character will invariably be sucked into the organized crime life. He assures her that he won't and they decide to go ahead with the marriage. As you guessed it, Grant does become entangled and what ensues is a humorous "fish-out-of-water" comedy as Grant tries to get himself out of a mess.

For the most part, the characters were well played. Hugh Grant does a good job, albiet familiar to other characters that he's played recently (and probably not too unlike his real self) but it was nonetheless well played. Most of the humor revolves around his character and his ability to deliver the lines and timing is very well done. The same cannot be said for Jeanne Tripplehorn's character. She seemed to overact some scenes and others it seemed that she wasn't quite sure how to portray the character. At times, it almost made me feel uncomfortable trying to watch her find her role. James Caan did a very good job of playing the father and in some cases, he stole some scenes. The rest of the actors played their roles fairly well although many of these actors have been typecast as the mafia type character.

Although the movie was fairly amusing, there were places that it seemed to drag a little bit. A sign of a good movie for me is how much my mind wanders and this did happen in some places. In my opinion it could have been even funnier but in general it was pretty good. Overall, I found it to be entertaining and genuinely funny...7/10.

Just happened to rent this one on a whim, mainly due to the cast - Hugh Grant and James Caan - and was surprised to find a much better than average comedy. When the world of a sophisticated English-born art auctioneer in a Tony Manhattan auction house collides with the world of the New York mob, one expects a universe of comic opportunities, and the movie pays off in spades. James Caan is becoming one of those rare actors who is as adept at comedy as at heavier roles. The script is intelligently funny, and the movie is loaded with riotously incongruous situations. The scene where Caan attempts to teach the debonair Hugh Grant how to say "fuggedaboutit" in a hood's accent is alone worth the price of the movie. An overlooked delight.

Within this film, there is a restaurant scene, which in my opinion is without doubt one of the funniest scenes of cinema. I have never before laughed out loud so much at a seventy/eighty second stretch of film. Although this one scene steals the film for me every time I watch it, the entire film is filled with gags that really appeal. I have to confess that the plot is entirely clichéd and pointless, but I find that it is a spiritual successor to the black, white and golden age of comedy epitomised by Laurel and Hardy et al. in terms of the facial comedy especially, with James Caan and Hugh Grant excelling in their close up work. If you are looking at this review as an indicator of whether you should watch this film or not, I urge you to ignore the measly mark of 5.7 and take a punt on it. It obviously doesn't appeal to everyone, but if it does appeal to you, you will absolutely love it.....

Michael Felgate (Hugh Grant) is an art-house auctioneer who finds that the girl he wants to marry, Gina Vitale {Jeanne Tripplehorn} is the daughter of leading mobster, Frank Vitale {James Caan}. Initially thinking it will be OK if he doesn't do any favours for "the mob," Michael gets deeper and deeper in trouble to the point he not only might lose his girl, but also his life.

Amiable and at times funny, Mickey Blue Eyes is the sort of safe comedy fodder to while away an afternoon with. Boasting a fine comic turn from Hugh Grant as the fop out of his depth, and boosted by James Caan kicking back and enjoying the fun, it's a film that could have been much better had it not run out of steam. The mob spoof picture is such a great premise to work from, but the main joke quickly wears thin. Just how long you can run with the normal guy in amongst the mob gag, will probably determine how much you eventually get from Kelly Makin's film. Grant is just about charming enough to keep the film on the decent side of average, and some well staged set pieces really hit the mark. But it's unlikely the ending will leave you anything other than unfulfilled. Mixed for sure, but hardly a crime against comedy. 6/10