La fosa del terror

The Dead Pit (1989)

* 1/2 (out of 4)

A demented doctor is doing experiments on mentally ill patients at a hospital. Another doctor learns of the experiments and kills him, leaving his body in the basement. Twenty-years later an earthquake causes the evil doctor to return to life and soon his experiments continue.

If you were around in the video store era then you probably saw THE DEAD PIT on your local video store. The movie was a major staple back in the day and the amazing looking case is something that grabbed your attention even if you weren't a fan of the genre. With that said, the film itself certainly couldn't live up to that VHS cover and the end result certainly isn't something I'd recommend.

The biggest problem with this film is that there's really not much going on for the first hour. At 101-minutes, the film is way too long for its own good and especially since there's nothing going on during the first hour. We're introduced to the mad doctor. We're introduced to the current Jane Doe (Cheryl Lawson) who lives in the updated mental hospital. The majority of the running time has her running around, screaming and basically being scared of something in the hospital. This gets very boring very quickly.

The film finally comes to life during the final thirty-minutes when all Hell breaks loose. This is where the good stuff happens and that includes plenty of gore, zombies and some violence. If you're a fan of the zombie genre then I'd still recommend this movie but I'd keep the remote handy so that you can fast-forward to the finale. These final scenes are certainly a lot of fun and it helps that the energy level picks up.

THE DEAD PIT is a very flawed movie but I give director Brett Leonard credit for at least making the finale good. It's really too bad that the first hour didn't have a better pacing to it and it's really too bad that it took so long for the zombies to show up.

It's fair to say I've earned my stripes in regard to zombie movies. Through the course I've taken to delve deep into horror, I've seen countless titles given the highest honors to the lowest scum-of-the- earth production values cinema has ever witnessed. From A to Z grade, however, there stands a few shining stars that are worth discussing. "The Dead Pit" is one of these last glimmers of hope. Brett Leonard, the man responsible for both writing and directing 1992's "The Lawnmower Man," made his directorial debut with this undead feature; he did a fine job in presenting it.

The story begins at a mental hospital in California. Dr. Ramzi, a deranged doctor at the facility, has been murdering and experimenting on patients in the basement. Dr. Gerald Swan learns of his sinister activities; in fear of jeopardizing his career at the hospital, he decides to eliminate Dr. Ramzi and bury the truth for 20 years. Jane Doe, an unidentified woman suffering from amnesia, is admitted to the facility. After an earthquake occurs, visions allow her to slowly uncover the dark secret buried deep beneath.

This movie seems to function greatly for a variety of reasons. Although a few typical 80s production clichés exist they all seem to apply perfectly in the given scenarios the plot uncovers - the use of smoke machines in correlation with intense back lighting are exhausted thoroughly. The bumbling policemen standing outside discussing donuts was also a nice touch. I expect certain predictable elements to exist within the era I'm experiencing. It all works tremendously. The vacant hospital wings that were chosen as set pieces for this film are outstanding. The director clearly knew what he was doing; as a viewer, I felt isolated. The cast of actors/actresses hired to fill the character roles did a decent job - certainly no Emmy nominations to be had, but a solid enough attempt in their own right. As far as the musical score is concerned, expect typical, 80s off-beat harmonics - which, in my opinion, is what I look forward to. Clearly anything with a dark melody is par for the course.

This film can be classified as a zombie flick but it requires a bit of patience from the viewer. The pace seems sluggish for the first 40 minutes of the film but picks up nicely. There is plenty of violence and gore to satiate the blood thirst of any gore hound. The special effects and makeup are worth noting. Although I reserve a special pedestal for Tom Savini, the artists responsible for "The Dead Pit" are truly remarkable and come in a close second - their work displayed here is even a few notches down from , in my humble opinion, the greatest zombie masterpiece of all time, George A. Romero's 1985 feature "Day of the Dead." I consider this a true accomplishment; many Z grade zombie flicks from the 80s, primarily ones with an Italian-schlock quality (I'm not including Lucio Fulci when I speak of schlock, so please don't send a lynch mob to my doorstep!), fail miserably in achieving the same success.

When it comes to zombie movies in general, I think most could agree that Romero was responsible for reinventing and trend-setting a particular brand of undead fiend in 1968's "Night of the Living Dead." I don't consider it a crime if his influence is shared by directors and production teams alike. Although not in the top 5 of classic zombie re- tellings, "The Dead Pit" surely makes the top 10 - give it a try and you won't be disappointed.

Amusingly bad 80's zombie flick in which its main star spends the majority of her time wandering the halls of a mental institution in her underwear.

There is plenty of cheesy gore, nutty dialogue and cartoonish imagery to please fans of the genre.

Best moment: Two cops discussing their favourite donuts, oblivious to an approaching horde of zombies.

An avid horror fan this one has somehow evaded me since 1989, until I picked up a copy on VHS. Set in a mental institution (always a good location for horror movies) The Dead Pit delivers zombies, a crazed, evil doctor, a buxom heroine, lots of gore, some laughs (some possibly unintentionally?) and a very good use of colours (blue, green and red) 1980's style. This is a B-movie so expect some cardboard acting (Stephen Gregory Foster in particular), and some of the special effects/make up looks a bit cheap, it is also perhaps a tad long, but it is fun, perhaps best watched with a few beers.

Fun insane zombie crossed mad doctor style late 80s low-budget horror with hazy atmospheric lighting of illuminating blues and an otherworldly music score sure to drive anyone crazy. Think along the lines of someone banging pots and in doing so, capturing the suffocating madness of the institute. One of those - forget about making sense of it too, as with little thought in its narrative and visuals, it's hellish abandonment throws everything at you, but the kitchen sink.

After a minor quake breaks a seal of a hidden tomb in the cellar of a mental hospital. A surgeon returns from the dead as a demonic figure (who can make his eyes glow red whenever he wants). Still dressed up in his scrubs, and making sure he's wearing rubber gloves (a hard to break habit I guess?). He goes about continuing his horrific experiments on the physical brain and its connection to the mind on the unknowing staff and patients. While also scarring, and constantly showing himself (even waving) to a new patient that suffers from amnesia and who spends quite lot of time wandering the corridors in a revealing attire (that comes to the forefront in one daft dream sequence), or simply freaking out. You can see why they casted Cheryl Lawson. Her character's amnesia and hypnosis sittings organized by the head doctor (Jeremy Slater who comes out the best of the lot) are a tool for a predictably contrived plot twist that shouldn't come as a surprise.

What did though was the excessive, delirious third act, as the surgeon's ghouls come out from a glowing green pit and go on a gory rampage tearing people apart. The special effects (miniature model sets) and makeup do provide some killer goodies at the backend, like open brain surgery and skin melting. Did the latter make sense, not really, but nothing does here.