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This cult film is both the follow-up to Joe D'Amato's notorious shocker 'Antropophagus', and one of the nastier films on the DPP 'Video Nasty' list. Those two facts alone will give many fans of cult horror reason enough to see it, and I'm pleased to say that the rest of the film isn't bad either; and while it's not quite as great as D'Amato's earlier film, Absurd plays out well as an overly gory slasher flick. Of course, you can't expect things like great acting and a plausible story line going into a film like this, and rather unsurprisingly; this film has neither. However, what it does have is a great gritty atmosphere, which is bathed in a scintillating soundtrack that succeeds in making the thrill scenes more exciting. The plot is silly in the extreme, but is somehow easy to buy as we follow a priest who travels to a small town on the trail of a supposed monster, who is currently lying on a hospital bed. The doctors are baffled to learn that his blood clots far faster than normal and this somehow makes him immortal. It's not long before the monster awakes and, naturally, goes on a killing spree.

George Eastman takes the lead role again and just as it did in Antropophagus; his imposing presence provides the film's main standout, despite him basically marauding around rather than actually acting. Obviously, the most important thing about this film for many will be the gore; and overall I'd say it just about tops Antropophagus. It was only two scenes that made the earlier film such a notorious shocker, and while there aren't a great number of highly nasty scenes here; they're more common and the film is more violent on the whole. Sequences involving a drill, a table saw and a severed head are among the best scenes in the movie. Director Joe D'Amato receives a lot of criticism, and while some of it is deserved; it has to be said that he has elevated this film over and above what you would expect of a grisly slasher. The atmosphere is superb, while the locations are well used and selected - and best of all, the director clearly knows how to build suspense; as the last twenty minutes of this film are truly gripping...and that's not bad at all considering that the characters are impossible to care for. Overall, anyone seeing this film will know not to expect great things - but its well worth seeing for the Video Nasty fan, and overall I'd say it's almost on par with the first film.

MONSTER HUNTER is the HALLOWEEN-esque 'sequel' to 1981's insomniac's dream ANTHROPOPHAGOUS. This time around D'Amato brings to us a sense of pace, making Monster Hunter much more enjoyable. The added gore (including an ultra-torturous scene involving an oven) and cool electronic music score is a nice bonus (I caught some music from PIECES in here as well...cool). The story (or lack thereof) brings back George Eastman as our favorite cannibal, this time not on a Greek island, but somewhere in the US being hunted by a priest (of all people). During this, he somehow manages to spill his guts (again, but does not eat them) on an iron fence outside a house. Eastman is taken to a nearby hospital. There, he recovers, kills the doctor (gorily too I might say), hacks up a few others and then returns to the house where he had his 'accident', and proceeds to stalk the babysitter and kids residing there. A bit boring at times (aren't all these italo-gore flix?) but Eastman's presence is over powering and the end involving a 'vegetable' overcoming her disabilities to face the beast is fairly ironic.

Joe D'Amato's "Rosso Sangue" aka. "Absurd" of 1981 is sometimes named a sequel to D'Amato's shocking highlight "Antropophagus" of 1980. This is not really true, as while both films star George Eastman as the vicious villain, and both films are extremely gory, the story lines have nothing at all to do with each other. I loved "Antropophagus", which is not only tremendously gory, shocking and disturbing, but also scary as hell. I also enjoyed "Rosso Sangue", but it is not nearly a great as its aforementioned predecessor. The film is, once again extremely gory, and exploitation-icon George Eastman is once again predestined for the role, but the film is not nearly as scary as "Antropophagus", and neither is it anywhere near as shocking. A small town is infested by a genetically mutated man (Eastman), who has the urge to brutally murder everybody he sees, as a result of a nuclear experiment gone wrong. Not only does he have the urge to murder, however, his mutations also made him very strong and immune to injuries... The film's main qualities are the great score, the extreme gore, and George Eastman. The huge Eastman really is one intimidating fellow, who always fits in his mostly sardonic roles. His greatest moments were Mario Bava's 1974 masterpiece "Cani Arrabiati" ("Rabid Dogs"), and "Antropophagus", but Eastman truly is an enrichment to any of the films he starred in, and "Absurd" is no exception. While he is not quite as scary-looking as in "Antropophagus" here, Eastman single-handedly carries the film with his maniacal performance. The other performances are quite forgettable, but this is not really of any importance. Overall, this is not nearly as great as "Antropophagus", but it is definitely a film that any fan of the very brutal kind of Horror/Exploitataion should enjoy. Recommended to my fellow Italian Horror buffs.

A priest is pursuing a madman who,the victim of a genetic experiment,has become a homicidal killer with blood that coagulates very quickly,making him virtually indestructible.The killer goes on the rampage in a small town.This ultra-gory sequel to Joe D'Amato's "Antropophagus" is very slow and boring at times but has also some creepy moments plus plenty of very strong violence and gore.The bandsaw killing is ten times nastier than the similar drill scene in Lucio Fulci's "City of the Living Dead".The gore flows freely resulting in a film that is simultaneously repellent and extremely funny.Highly recommended.

Joe D'Amato and George Eastman's follow-up to the notorious "The Grim Reaper" (Antropophagus) is sick, twisted and – oh yes – deliciously absurd! There's no real story and the amount of genuine chills is limited, but the gory murder sequences are sensational and they easily rank among the craziest stuff ever caught on film. Eastman once again portrays a Greek psycho-killer, though a different one than the fetus-munching monster in Antropophagus (love that title!), cheerfully butchering half the population of a small American town. Nikos isn't your ordinary madman, but a scientific guinea pig whose blood coagulates much faster and hence he instantly recovers from severe wounds, like gunshots or impalement. He's pursued by an unintelligible priest, a chain-smoking copper and his black assistant who isn't allowed to talk without permission. No wonder none of these blokes is capable of catching or even tracing Nikos and the body count increases immensely. Whenever George isn't barbarically killing someone using band saws, surgical devices or axes, "Absurd" is rather dull, slow-moving and borrowing story ideas as well as direct quotes from John Carpenter's landmark slasher Halloween. There's babysitters in peril, young kids spotting the bogeyman everywhere around the house and dangerous killers escaping from hospital beds. Still, if you're looking for really good horror cinema, just wait for the climax which is quite suspenseful and it makes the popular title "Absurd" all the more meaningful.