Memories

After seeing Akira it's natural to be curious of what Otomo's produced. This collection of short movies(all more than 20 minutes though) is a fun, action-packed and imaginative reminder why anime is among the best genres, and NOT restricted to kids(or in the case of these shorts, not really for kids at all).

The last short of the three is called Cannon Fodder. It features a very cool style unlike normal anime, some neat "camera" tricks and illusions of 3D, and a heavy but playful mood. It's quirky and good but not great.

The second short is called Stink Bomb, which is a crazy, fast-paced disaster/action story with a healthy dose of black humour. It's very well made, with insanely detailed tanks, helis, airplanes etc, and lots of explosions. The whole thing is funny and bizarre, and easily a classic.

The first of the three shorts, which in my opinion should have been saved to last, is Magnetic Rose. Here the humour of the two others is gone, and we have a very gripping and serious story set in a sci-fi environment. This is more like Otomo's Akira stuff; epic but with great characters. Some scenes are gut-wrenchingly emotional and disturbing. All set to a classic opera score, it is chilling and eerie and grand-scale in a way Hollywood never seems to get right.

If you like to watch the occasional anime, this is a very good choice. Don't know how easy it is to get a hold of, but it seems to be very popular at least in Japan.

This was an amazingly beautiful film, filled with great music that only pushed each scene along wonderfully. I thought this was a great piece of film. I have had the pleasure of showing this to friends that have always looked down on what anime is, and walk away stunned. Some might find these stories slow, but I think if you have any real appreciation of anime, you will find this to be an interesting piece of work. It consists of three stores. Koji Morimoto's "Magnetic Rose", Tensai Okamura's "Stink Bomb", and Katsuhiro Otomo's "Cannon Fodder". I would say that Magnetic rose was perhaps the deepest of these three stores. Offering a beautiful mix of classical music, with a futuristic settings to offer a sense of contrast. Stink Bomb being the more lighthearted of the three. While still maintaining a grim reality, and almost eerie sense of setting, using a more modern day look, and music. Then Cannon Fodder, right from an Orwell idealized future, with the loud sounds, and marches. These movies all offer up something different, and wonderful, while still working there way along a nice line of thought.

Amazing anime trilogy from AKIRA's Katsuhiro Otomo, who presents three unrelated sci fi stories directed by different directors (he did the last one, writers/first-time directors Tensai Okamura and Koji Morimoto did the other two). They are amazing vignettes with some stupendous animation in three different styles. Otomo's is especially unique in that there are no cuts – the "camera" moves fluidly through every scene without a jump or a stop. Morimoto's 40-min "Magnetic Rose" is stunningly animated, the most amazing of the two, telling of a space ship's investigation of a distress signal discovering a magnificent world created by a woman's memories – the music takes advantage of the operatic aria, Madame Butterfly, arranged by Yoko Kanno, who also supplies an excellent original score. "Stink Bomb," the middle segment, is clever and funny and fast-paced; Otomo's anti-war statement in "Cannon Fodder" closes out the film with a subtle bit of thought-provocation about a city whose entire purpose is the firing of cannons at an unknown enemy.

So there are three stories: Magnetic Rose, Stink Bomb and Cannon Fodder.

The last one is a very direct and slap over the head story about a nation that runs for the only purpose of loading a cannon and firing at an enemy nation that supposedly does the same. Magnetic Rose is a pure sci-fi story in a space setting about the power of memories, pretty well animated and with terrific atmosphere. I would argue that, as annoying as the characters were, Stink Bomb was the best one, deliciously satirizing the Japanese social, political and military structure as a hapless idiot tries to escape the terrifying cloud of gas that he is unwittingly generating.

All in all, a wonderful and entertaining retreat into real storytelling and animation art.

Katsuhiro Otomo's "Memories" combines the vision of Otomo's usual "God's revenge for the human race believing too much in science" with two first-time, although far from inexperienced directors. The first of the three films, "Magnetic Rose" is by far the least Otomo-esquire of the three pieces, although based on one of his short mangas. The film centering mainly on the sci-fi side of anime. Space freighters respond to a distress call in a bad sector of space, and become lost in the haunting memories of an intergalactic opera singer. The second piece, "Stink Bomb" shows, if possible, a humorous side to biological warfare, as an unsuspecting pharmaceutical tech accidentally ingests a biological weapon and becomes a walking disaster. The final film, actually directed by Otomo, called "Cannon Fodder" was by far my favorite, and the most disturbing of the three films. The basic story centers around a family living in a town whose citizens devote their entire lives to bombing an unseen enemy in the sky. This story is very politically motivated, very dark, and not at all a "happy little story". The animation is unlike anything I've ever seen from Otomo, and full of sweeping single-cut shots that give you chills. Overall, I highly recommend this movie collection for any anime fan. It most definitely incorporates the vision of three brilliant directors.