Ghost in the Shell

That anime could be this good. I'd thought I'd seen good anime when a friend brought me 'Akira', but this one is just awesome.

It has everything that one could want. An interesting plot, deep thoughts, nice dialog, hot chicks, cool action, neat tech, and animation that puts everything to shame which has ever been produced in the western world.

Now when I watch anime I usually expect (and dread) the scene which will explain something about the fundamental nature of life, the universe, or whatever. This is (the only part) where 'Akira' failed. This is where 'Final Fantasy' went down the drain. But 'Ghost in the Shell' shines here brightly.

While watching it for the first time I had always this nagging feeling that some such scene would turn up and ruin the truly stunning visuals. Not so. After the '2501' monologue the story really comes together and you start to be eager for story development instead of just looking for the many details and extravagant action sequences.

A word on the story: No, you will probably not 'get' the story the first time around. Especially in the English version you will have to make the connection between MoFA, MF, MFA and Ministry of Foreign Affairs, that is easy to get confused over. The whole storyline might not be quite as complicated as understanding some 'Aeon Fluxx' episodes, but you have to rewatch the story to get a feel for the interconnection of the different players - especially if you are not familiar with the Ghost in the Shell literature. The story,thank god, is not dumbed down for the average viewer. This is what makes rewatching it so enjoyable. It has also some nice reflections on what it means to be human - things you may ask of yourself after the movie finishes ('Who knows what's inside our heads. Have you ever seen your own brain?').

The animation is superb, and used to unusual effect. The details are exquisite - especially cloth effects and character motions. There are a few scenes that only have music or an accentuating sound effect in the background while the animators show off their full artistic talent. But it's not just show-off time, the visuals are tied in with the subject and leave the viewer time to reflect on the philosophical/sociological messages (like showing the cybernetic heroine look at tailors' dummies)

In short: This is a must see for anybody who likes anime. Definitely a movie for grown-ups, though, because the graphic violence may disturb kids and the philosophy will go right over their heads.

10/10

I liked everything about this film. Much has been made of the artwork, and with good reason. Voltron, this isn't. I am not an anime fan and haven't seen a lot of anime films. Most plot descriptions of anime films sound boring to me. I'm not into monsters and tentacles or cute wide eyed little girls fighting evil. (Not that cute wide eyed little girls shouldn't fight evil, I mean, I'm all about fighting evil, aren't we all?) Ghost in the Shell, on the other hand, represents the best of its genre and the best of any genre is worth a watch. This movie ought to appeal to anyone who enjoys cerebral films. It addresses interesting philosophical questions about identity, some of which we will no doubt be pondering in the not too distant future. (I'm perhaps foolishly optimistic when it comes to AI).

I should add as well that this is definitively in the cyberpunk genre. If you liked the old Max Headroom television series or movies like Wargames, this will no doubt appeal to you. Even the English dubbing isn't bad, even if it is a little bit fast (to keep up with Japanese).

Darken the room, sink low in your chair, turn the volume up (the soundtrack is spectacular), and fall into this movie. I wish there were more like it. The artwork is incredible (if you don't consider animation art, you should take a look at Ghost) and the plot and dialogue are three dimensional and thought provoking. Two thumbs up. As I say, best of genre.

"Ghost in the Shell" is an intricate masterpiece of cyber-punk fiction and storytelling, successfully melding intriguing philosophical ideas with a coherent, well thought-out (albeit) confusing plot.

Even more, it's a nightmarish vision of a society that's dominated by cyberspace and looking back now, is eerily prescient of today's computerized times. Many of the characters in the film are enhanced, someway or another by machines, to help them get the advantage in a vastly changing society.

I'll avoid going real deep into the plot simply because there's a whole lot to grasp and even I got more than a little confused trying to follow it. The story is that a team of high-level government operatives are hot on the trail of a notorious computer hacker called the "Puppet Master," who is wanted for various crimes in cyberspace and has taken a particularly fond interest in the team's tough, female cyborg leader.

Not surprisingly, as with the stigmas surrounding Anime', "Ghost in the Shell" is not short of nudity and graphic violence. But it's far from being gratuitous, and does not slow down the movie at all.

"Ghost in the Shell" was one of the first Anime' films to skillfully blend traditional drawn animation with computerized imagery. This helps to give the film a surreal, yet beautiful look. And the dialogue helps sometimes too, with helping to sort out the confusing plot and many of its mythical ideas about personal identity and human evolution.

This film is also even more revered today, in 2004, since some of this film's core themes helped to develop the plot basis of the insanely popular "Matrix" films, and some scenes from "Ghost in the Shell" were even homaged to in the first "Matrix" movie. The Wachowski Brothers certainly do owe a lot to this movie for the success of their work in America.

I think that to understand "Ghost in the Shell," it would help to accept that Anime' is much more complex and daring than traditional American animation. Most Japanese animation films, like this one, "Akira," or Mayazaki's "Spirited Away," are on a level of sophistication that will never be matched in America.

It has been said that the majority of American audiences would be afraid of Anime' because of the many stereotypes surrounding it, but that's why it's boundless - it's been given free reign to use those stigmas to its advantage in developing truly remarkable pieces of art that have gone largely ignored here in the U.S. "Ghost in the Shell" could very well be a mere reflection or a parable of a doomed society that's probably already accepted its dark fate. Most American animation would never touch up on this sort of subject matter.

"Ghost in the Shell" is my #3 choice Anime' film (behind "Spirited Away" and "Akira") because it's so full of ideas and is masterful in telling a dark story about our times.

10/10

There are many many many MANY themes to take away from this cinematic experience, perhaps it is abit too heavy for its own good. The story includes a cyborg agent investigating "The Puppet Master" which is a virus capable of infiltrating human hosts. So already we are presented with questions such as: What is reality? Could everything be a simulation? Do memories define us or do we define memories? We have creationism, ideology, afterlife...this is not for your average moviegoer. In fact films like The Matrix took inspiration from this, bear in mind this wasn't entirely accessible to western audiences at the time of its release. It's very heavy going and the script doesn't help. It feels mechanical, which makes sense considering it's a techno thriller and that our protagonist is an emotionless cyborg, but it's so mechanical that it just doesn't flow.

The lead characters are memorable, from the no nonsense cyborg Major Motoko Kusanagi to her fellow agent Batou. I loved the fact that many of the humans have cybernetic enhancements and is something that could easily be real in many years to come. I adored the computer systems, it was very green and rather cyberpunk-ish...perfect for a film from 1995. The animation was fluid, although not Studio Ghibli, and still has aged well. There are some scenes with just background music and images of the cityscape, this really drives the technological style at its core. The English dub was good apart from Major's voice actress...didn't really work for me. This is a good hard sci-fi anime, although hard to follow it's themes and style pushes this above your average animation.

Upon Ghost in the Shell's release in 1995, the Western world was still largely unfamiliar with manga, but had already had its head turned by Katsuhiro Ohtomo's Akira (1988). Blending philosophical musings with blistering action, Ghost in the Shell captured the imagination of it's new audience, helping kick-start the Japanophilia that runs so blatantly through most modern Western cartoons and lines the bookcases of many a teenager. While it certainly has its flaws, this was the first time that casual Western audiences who were new to manga had seen a cartoon be as meditative as is explosive. And for those that didn't catch it, no doubt they would have watched The Matrix (1999) four years later, a film that arguably 'borrows' a lot more from Ghost in the Shell that it lets on.

In the future, technology has become so far advanced that all aspects of life are interconnected through an electronic network. Major Motoko Kusanagi (Atsuko Tanaka), a soldier working for government agency Section 9, is a cyborg, and is able to access this network through plugs in the back of her head. She and her team are assigned to catch an elusive 'ghost-hacker' known as the Puppet Master (Iemasa Kayumi), an intelligent entity created by the government, who they lost control of when it became self-aware. When the Puppet Master surfaces in the mangled body of an artificial human shell, Kusanagi faces a crisis of identity.

Disappointingly, the film begins with gratuitous nudity, showing off the fine female form (with giant breasts, of course) of Major Kusanagi just before she takes a plunge off a building to nail some bad guys. Manga caters heavily for its audience, be it sexually-frustrated, highly- stressed businessmen or horny teenagers who have no doubt been bombarded with images of giggling, short-skirted school girls throughout their young life. Thankfully, these moments are brief, and prove to be not much more than a mild distraction from the stunning animation on show. Things are grim in the future, but they're certainly beautiful to look at.

The sexism aside, Kusanagi is an interesting character. When a man realises his wife and daughter are nothing more than an implanted memory, he fails to comprehend it. Kusanagi, with her mixture of organic and mechanical body parts and uploaded memories, struggled to define what it is to be human. Her hunt for the Puppet Master, who is seemingly a new kind of being, becomes a hunt for identity. Is it enough to be aware of what and who you are? The philosophy, although provocative, is heavy-handed. Conversations about humanity between Kusanagi and her second-in-command Bateau (Akio Otsuka) are delivered with a monotony worthy of a whiny emo teen, and I found the film's first half quite a head-scratcher. But things thankfully do become clearer, and the film is still, almost twenty years later, one of the best examples of the genre.

www.the-wrath-of-blog.blogspot.com