Caroline Duffy es una exitosa dibujante de Manhattan cuyos eclécticos amigos son a veces los protagonistas de su tira cómica.Caroline Duffy es una exitosa dibujante de Manhattan cuyos eclécticos amigos son a veces los protagonistas de su tira cómica.Caroline Duffy es una exitosa dibujante de Manhattan cuyos eclécticos amigos son a veces los protagonistas de su tira cómica.
- Ganó 1 premio Primetime Emmy
- 5 premios ganados y 5 nominaciones en total
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Caroline in the City was one of those shows that attracted a mixed reception: some loved it like me; some thought it was good but nothing special whilst the rest just slated it harshly. It's interesting to note that the show is more popular outside the US, although I'm sure there are a few Yanks who are keen on CITC as well.
The sitcom revolved around a Wisconsin native, Caroline who applies her trade as a cartoonist in Manhattan, New York. Her career and work life, couldn't be more perfect: her greeting cards and merchandise are selling, her comic strip is a hit in every major newspaper and she couldn't be any more happier as she is. Except she is also on the look out for love and thus after several attempts, by the fourth season she finds solace and love in the form of Richard- her assistant and colourist.
The casting of Lea Thompson, Malcolm Gets, Amy Pietz, Andy Lauer and Eric Lutes was spot-on and they all did a magnificent job as their characters, Caroline Duffy, Richard Karinsky, Annie Spadaro, Charlie and Del Cassidy. Lea is just great as the sweet, caring Caroline, whilst Malcolm is brilliant as the often dour- faced, miserable geek/struggling artist, Richard. The attraction involving the pair felt so real and they made such a convincing sitcom couple. Special mentions also go out to Amy, Eric,Andy and Tom. Most of the show's funniest moments revolved around either Richard's sarcastic banter or Richard and Annie mocking and insulting one another.
The first season was an instant hit in 1995-96 but by the time when Friends, Frasier were at their peak in the late 1990s, by 1998 onwards CITC was suddenly losing ground and ultimately the changes had put the nail in the coffin.
I didn't have a problem with Season 3, as I thought it was very good. The first two were just downright funny and brilliant, but with the fourth whilst there were some wonderful moments involving the pair, I just felt that there was too much pain towards the end, which was totally unnecessary. I was bemused as to why Caroline and Richard argued as much as they did in the fourth season when they were a couple, which I thought was pretty stupid. Particularly as after the 'Big Night' episode where they finally consummated their 4- year relationship, the episodes which had followed afterwards had them arguing, such as the arrival of Caroline's former high school 'friend' Randy and thus, the cracks in their relationship had appeared. What didn't make sense was how could Caroline have feelings for Randy, whilst she was with Richard at the same time, and the guy she had always wanted to be with?
The way the writers had handled the writing was shameful: different writers for different seasons? Now that I don't get. No wonder there was no continuity, no consistency, and no genuine ending. CITC became a silly soap opera towards the end of the final season that the impression that I and many other fans got, based on the changes they made, was that none of the writers cared about the show, any more. They didn't know whether they wanted CITC to be a work place sitcom or a romantic sitcom, although I'd go for the latter. Although it seems to me that they had numerous ideas up their sleeves, in an attempt to keep Caroline and Richard apart for as long as possible and preventing them from getting married to one another. What they mistakenly didn't realise is that as soon as fans sense a sitcom is no longer a sitcom and the ideas become so OTT, then there will be signs indicating that the show is no longer what it stands for- and there were signs throughout that final season, which denoted that CITC no longer stood for what it originally was in the beginning.
For instance, getting rid of Remo and moving Caroline's work environment from the loft was a massive gamble, which was a terrible error and a decision of which backfired completely. In its place, we got a dull office, characters like Plum, Dave and Reg-, who I liked; hence, silly twists in the shape of Richard discovering he has a child by his horrible ex Julia, of him telling Caroline he doesn't want any more children and Randy's appearance also emerged. Eventually, CITC lost its sense of direction and it got canned, which led us fans to ponder how on earth the show started out so brilliantly and perfectly at the beginning only to falter and go downhill in the end, all in the short space of 4 seasons.
I was disappointed and angry when I first read that the show had been cancelled- as much as the fourth season was bad, it was still okay. I still felt that CITC had some life in the series yet to be able to prolong its existence until the very end, as well as there would have been plenty of material for a fifth season. And even though, ratings were falling, I still felt they should have just gone ahead and produced it, rather than to just have an unresolved ending. I will never forgive the writers for concluding it on a cliff hanger. It wasn't the actors, of who were accountable for the show's demise, but the writers of the last season. Because of those errors, which weren't addressed throughout the series, Caroline In The City failed to fulfil its full potential as a show- so therefore despite the early promise, the constant chopping and changing, as well as the absurd ideas later on, had killed it completely.
Nonetheless, CITC is an amusing sitcom, which despite its faults, is a show that is worth watching and one that kept me interested up until the finale.
The sitcom revolved around a Wisconsin native, Caroline who applies her trade as a cartoonist in Manhattan, New York. Her career and work life, couldn't be more perfect: her greeting cards and merchandise are selling, her comic strip is a hit in every major newspaper and she couldn't be any more happier as she is. Except she is also on the look out for love and thus after several attempts, by the fourth season she finds solace and love in the form of Richard- her assistant and colourist.
The casting of Lea Thompson, Malcolm Gets, Amy Pietz, Andy Lauer and Eric Lutes was spot-on and they all did a magnificent job as their characters, Caroline Duffy, Richard Karinsky, Annie Spadaro, Charlie and Del Cassidy. Lea is just great as the sweet, caring Caroline, whilst Malcolm is brilliant as the often dour- faced, miserable geek/struggling artist, Richard. The attraction involving the pair felt so real and they made such a convincing sitcom couple. Special mentions also go out to Amy, Eric,Andy and Tom. Most of the show's funniest moments revolved around either Richard's sarcastic banter or Richard and Annie mocking and insulting one another.
The first season was an instant hit in 1995-96 but by the time when Friends, Frasier were at their peak in the late 1990s, by 1998 onwards CITC was suddenly losing ground and ultimately the changes had put the nail in the coffin.
I didn't have a problem with Season 3, as I thought it was very good. The first two were just downright funny and brilliant, but with the fourth whilst there were some wonderful moments involving the pair, I just felt that there was too much pain towards the end, which was totally unnecessary. I was bemused as to why Caroline and Richard argued as much as they did in the fourth season when they were a couple, which I thought was pretty stupid. Particularly as after the 'Big Night' episode where they finally consummated their 4- year relationship, the episodes which had followed afterwards had them arguing, such as the arrival of Caroline's former high school 'friend' Randy and thus, the cracks in their relationship had appeared. What didn't make sense was how could Caroline have feelings for Randy, whilst she was with Richard at the same time, and the guy she had always wanted to be with?
The way the writers had handled the writing was shameful: different writers for different seasons? Now that I don't get. No wonder there was no continuity, no consistency, and no genuine ending. CITC became a silly soap opera towards the end of the final season that the impression that I and many other fans got, based on the changes they made, was that none of the writers cared about the show, any more. They didn't know whether they wanted CITC to be a work place sitcom or a romantic sitcom, although I'd go for the latter. Although it seems to me that they had numerous ideas up their sleeves, in an attempt to keep Caroline and Richard apart for as long as possible and preventing them from getting married to one another. What they mistakenly didn't realise is that as soon as fans sense a sitcom is no longer a sitcom and the ideas become so OTT, then there will be signs indicating that the show is no longer what it stands for- and there were signs throughout that final season, which denoted that CITC no longer stood for what it originally was in the beginning.
For instance, getting rid of Remo and moving Caroline's work environment from the loft was a massive gamble, which was a terrible error and a decision of which backfired completely. In its place, we got a dull office, characters like Plum, Dave and Reg-, who I liked; hence, silly twists in the shape of Richard discovering he has a child by his horrible ex Julia, of him telling Caroline he doesn't want any more children and Randy's appearance also emerged. Eventually, CITC lost its sense of direction and it got canned, which led us fans to ponder how on earth the show started out so brilliantly and perfectly at the beginning only to falter and go downhill in the end, all in the short space of 4 seasons.
I was disappointed and angry when I first read that the show had been cancelled- as much as the fourth season was bad, it was still okay. I still felt that CITC had some life in the series yet to be able to prolong its existence until the very end, as well as there would have been plenty of material for a fifth season. And even though, ratings were falling, I still felt they should have just gone ahead and produced it, rather than to just have an unresolved ending. I will never forgive the writers for concluding it on a cliff hanger. It wasn't the actors, of who were accountable for the show's demise, but the writers of the last season. Because of those errors, which weren't addressed throughout the series, Caroline In The City failed to fulfil its full potential as a show- so therefore despite the early promise, the constant chopping and changing, as well as the absurd ideas later on, had killed it completely.
Nonetheless, CITC is an amusing sitcom, which despite its faults, is a show that is worth watching and one that kept me interested up until the finale.
This show has to be one of the cutesy-est ones out there. It's perfect to watch when you have nothing else to do or can't sleep. I've gotten into the habit of doing that lately. It's an amusing comedy, though not one of the best out there. All in all, it is a pretty good show and I would recommend it if you like cute comedies.
I started to watch this a little about 3 years ago when it played on a satellite station here. I was not expecting to like it because it has been slated by various critics across the US. However, I found myself enjoying it more and more as it went along. The characters were well portrayed and likeable and the writing was at least average.
Lea Thompson is gorgeous and her 'chirpiness' as Caroline was endearing, as was her attachment to Richard. He seems to have been something of a sore point in the show but I took to him straight away. He's fab because he's different and quirky. I think it's great that he didn't have to be an amazingly attractive, built guy, it gives more realism.
All in all, 'Caroline in the City' is fun and watchable, though not Emmy-worthy its certainly worth a look.
Lea Thompson is gorgeous and her 'chirpiness' as Caroline was endearing, as was her attachment to Richard. He seems to have been something of a sore point in the show but I took to him straight away. He's fab because he's different and quirky. I think it's great that he didn't have to be an amazingly attractive, built guy, it gives more realism.
All in all, 'Caroline in the City' is fun and watchable, though not Emmy-worthy its certainly worth a look.
I just rewatched this series, first time since the 1990s, and I probably love it more now! The comedy is great, the characters are even better and the staffing couldn't have been better. A positive, cult classic.
This show became an (undeserved) critical punching-bag during its too-brief run on NBC. It was similar to several shows which ran during the same period: female centered, urban, based in arts/media. All of them were lumped together and sniffed at by sour old critics. This was by far the best of the group, however. The degree to which the viewer identified with and appreciated "Caroline" depended on the degree to which one found Richard, and by extension Richard's budding romance with Caroline, appealing. I don't know if that was always the direction planned for the show's plot, but that had become the overarching direction it followed by the end of the first season. All the performances were excellent, though some of the characterizations were not designed to be warm and cuddly. Oddly, though I completely bought the Caroline/Richard relationship, the funniest episodes were often the ones which concentrated on other things (such as the one in which Caroline got in a public feud with JoAnn Worley over a deli sandwich). Unfortunately, the show was cancelled before the final cliffhanger was resolved, so we'll never know the outcome.
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- TriviaThis show shares a universe with both Friends (1994) and Frasier (1993). In Caroline and the Folks (1995), Chandler Bing (Matthew Perry) crosses over from Friends (1994) while Daphne Moon (Jane Leeves) and Niles Crane (David Hyde Pierce) crossed over from Frasier (1993) in the episode Caroline and the Bad Back (1995). In addition, Caroline Duffy (Lea Thompson) crossed over on Friends (1994) in the episode The One with the Baby on the Bus (1995).
- ErroresIn season 1, Caroline's mother Margaret Duffy is a slim, blonde, cultured, Midwestern American lady, but when she returns in Season 3, she has become a short, dumpy, red-haired German-American woman with a peculiar squeaky little accented voice, and an obsession for collecting tacky knick-knacks.
- ConexionesFeatured in The Larry Sanders Show: As My Career Lay Dying (1998)
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