The Shadow

I don't really understand the bad rep this movie has gotten. Sure, its not "high art" (then again, Shakespeare, Dickens and Herodetus weren't meant to be, or perceived as, high art when they were written). What The Shadow was, and remains, in my eyes, is one of the best super-hero adaptations ever (the best until X-Men came out, in my opinion).

I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.

Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).

What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.

This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)

I recommend watching it, but only with an open mind.

This movie was the best effort to bring this unique hero to the big screen. Granted, although I like her in general, Penelope Ann Miller was not as strong a Margo as I would have liked, otherwise, I thought this was an outstanding achievement. The look and feel are perfect and I loved how they made sure many of The Shadow's regular crew made their appearances... Shrivey, Roy Tam, Burbank.

The main reason I wanted to comment on this movie, however, was because of the question raised by Patrick in London about why Baldwin's nose changed shape when he became The Shadow. Lamont Cranston's hawk-nosed profile was one of the most famous trademarks of The Shadow. Alec Baldwin, however, does not naturally have that kind of look (to be honest, Lee Van Cleef may be the only movie actor in history with the correct look to have been able to portray The Shadow without resorting to make-up or special effects). Personally, I thought it was a brilliant touch to make that profile an illusion which Cranston utilizes when he becomes The Shadow. It makes it more believable that no one would be able to figure out he is The Shadow. A profile as distinct as Cranston's traditional look would make it difficult to believe that no one could put two and two together... kind of like believing that no one could figure out that Clark Kent is Superman just because he wears glasses. To me, it was just one more thing that elevated this movie above the usual superhero genre flick because it showed an appreciation and respect for the source material that Hollywood is not necessarily known for.

A short comment about this movie from a German point of view, which may make a difference when we're talking about radio plays/comics adapted to the silver screen:

"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.

As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.

But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.

Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...

Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!

Before mentioning the story, I have to warn potential buyers of this DVD:

Universal Studios committed the unbelievable "sin" of photographing this in the original 1.85:1 widescreen but only offering it on DVD in formatted-to-TV, so you miss a good percentage of the great visuals. Not only that, they zoom the picture to fill the screen so it isn't sharp, either. I hope this situation is rectified. It's a disgrace.

As for the story, it's simply a very hokey-but very entertaining fantasy/adventure, based on the popular radio hero of the 1930s.

This is just pure escapism, not to be judged seriously because it's a dumb story. It's cartoon-like, an outlandish story that mixes action, comedy and a superhero with time-travel and all sorts of strange happenings. For someone who likes to gawk at the sights and sounds of the '30s and '40s, this is a fun film. The surround sound in here is fun, too, especially when The Shadow (Alec Baldwin) speaks.

Exciting version of the popular comic books and broadcasting tale about the immortal crusader called ¨The Shadow¨ with very watchable FX and lots of fun . Several visual designs provide the highlights for those in the mood for a journey back to the radio past or a quick superhero adventure . As our stalwart hero , a billionaire playboy named Lamont Cranston (Alec Baldwin) is a master of illusion and defender of justice thanks to his alter ego . Aided by companion Margo Lane (Penelope Anne Miller) and a Cabman (Peter Boyle) he battles super-criminal named Shiwan Khan (John Lone) . He discovers his destiny and a old legacy as a superhero called The Shadow , the invisible man who walks , a seemingly relentless crime fighter . A mask and raincoat he finds himself battling his nemesis , the deadliest descendant of Ghengis Khan . He's helped by an attractive woman and both of whom travel to dangerous streets N.Y. to thwart a nasty criminal . Khan is a cold and megalomaniac killer who murders cruelty his victims, he wants to take a power to dominate the world , he is supported by a particular ally , a smarmy villain (Tim Curry) and his hoodlums . The hero and villain have equal powers , yet the heroine can be hypnotised by one and no other . The picture charges into a tale of a hero who turned from evil in Tibet and reemerged in New York City as a superhero holding extraordinary power to fight in that most wretched lair if iniquity . As in 30's New York City, the Shadow battles his enemy who is building an atomic bomb. But the caped crusader is trapped inside a locked chamber being helped by his girlfriend .

The Shadow is shown in this highly stylized big screen adaptation of the 30's radio show , the once starred by Orson Welles . Film gets exotic locations , derring-do adventures ,rip roaring , action-packed , tongue in check , it's a cinematic roller coaster pretty entertaining and with well made set pieces action , including numerous and elaborate FX . This exciting picture provides splendid production design by Joseph Nemec , while done more dynamically elsewhere , are fun and outstanding . This is an ambitious fantasy adventure with breathtaking special effects ; it has some well-staged scenes whose effectiveness owes much to Russell Mulcahy's strong pictorial sense . Older kids , teenagers may find the proceedings a bit hokey and paying little attention to logic , but everyone seems to be having a good time . The picture is a crossover among comic-strip hero , superhero feats , Saturday matinée serials and old-fashioned thirties movies . As this runs like an old Republic serial of the thirties or Forties on a multi-million dollar budget . Its arresting visuals , lavish realization and crude energy put filmmaker Russell Mulcahy on the map . Much of the dialogue springs as if balloons from the printed page and the interpretation is appropriately rudimentary . The picture has great loads of action , special effects abundant , glamorous cinematography by Stephen Burum and spectacular Jerry Goldsmith's musical score , including an enjoyable leitmotif .

The motion picture includes an interesting script by prestigious David Koepp and was rightly directed by Russell Mulcahy . Russell for some time worked in Britain as a filmmaker of video clips , but returned to his native country , Australia , to make his first fictional movie , ¨Razorback¨ . He was able to get the backing for what proved to be his greatest success ¨Highlander¨ . It led to two sequels , the first of which was realized by himself titled ¨Quickening¨ . He subsequently directed ¨Resurrection¨with Charlie Sheen and ¨Talos the mummy¨ , among others . Despite major stars and big budgets with which to work have not fulfilled their potential and he seemed less commanding with players than with action . The flick will appeal to adventure fans and comic-books enthusiastic . Rating : Good and amusing. Well worth seeing.