CALIFICACIÓN DE IMDb
5.4/10
9.4 k
TU CALIFICACIÓN
Mientras conduce por una carretera perdida, un hombre tendrá que elegir entre reunirse con la mujer de la que se había separado o emprender una nueva relación con su amante.Mientras conduce por una carretera perdida, un hombre tendrá que elegir entre reunirse con la mujer de la que se había separado o emprender una nueva relación con su amante.Mientras conduce por una carretera perdida, un hombre tendrá que elegir entre reunirse con la mujer de la que se había separado o emprender una nueva relación con su amante.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
Jennifer Morrison
- Meaghan Eastman
- (as a different name)
Keegan MacIntosh
- Van Driver's Son
- (as Keegan Macintosh)
A.C. Peterson
- Semi-Driver
- (as Alan C. Peterson)
David Hurtubise
- Step Magazine
- (as Dave Hurtubise)
Opiniones destacadas
This is a good movie. Although I must admit sometimes it's a bit slow. I've seen it at least twice, and both times it mediated a special feeling that moved me.
The five main reasons why I liked this movie, are (not listed in any particular order):
1. Richard Gere - He doesn't give a great performance, but hey ! It's Richard Gere, and I really like him.
2. Sharon Stone - On the other hand gives a great performance. I've never seen her this good.
3. James Newton Howards fantastic score. The music over the final scenes and the ending credits is so beautiful and emotional, that it can make me cry everytime that I listen to it. The score enhances and puts an emphasis on the developments in the movie in an extraordinary way.
4. The script - Although it's not that tight, it's still well written, with likeable characters and a good message.
5. The feeling that this movie mediates, through the above mentioned reason, and lots more.
In conclusion: I recommend this film. It will probably not be the best movie you've ever seen, but well worth your time. And as I said, it has a good message.
The five main reasons why I liked this movie, are (not listed in any particular order):
1. Richard Gere - He doesn't give a great performance, but hey ! It's Richard Gere, and I really like him.
2. Sharon Stone - On the other hand gives a great performance. I've never seen her this good.
3. James Newton Howards fantastic score. The music over the final scenes and the ending credits is so beautiful and emotional, that it can make me cry everytime that I listen to it. The score enhances and puts an emphasis on the developments in the movie in an extraordinary way.
4. The script - Although it's not that tight, it's still well written, with likeable characters and a good message.
5. The feeling that this movie mediates, through the above mentioned reason, and lots more.
In conclusion: I recommend this film. It will probably not be the best movie you've ever seen, but well worth your time. And as I said, it has a good message.
8AJ4F
I thought this film was quite good, not slow or dull by any means. It's as solid and entertaining as most "top rated" modern films of similar genre. Maybe a bit too subtle for some people? There seems to be a problem with shortening attention spans.
There is a well controlled air of the unknown through the whole thing. The rain-soaked scenery is compelling, the acting is realistic and the final sequence is powerfully done. You never quite know what's going to happen, which to me makes a good film.
Did it get bad press before it was even released? I think people sometimes go in with a bias that has no explanation. Theaters themselves can spoil movies by way of unruly viewers and other distractions. Just going to the wrong place on the wrong night can give a movie a bad rep. Get a big screen TV or projector and tune all that out.
There is a well controlled air of the unknown through the whole thing. The rain-soaked scenery is compelling, the acting is realistic and the final sequence is powerfully done. You never quite know what's going to happen, which to me makes a good film.
Did it get bad press before it was even released? I think people sometimes go in with a bias that has no explanation. Theaters themselves can spoil movies by way of unruly viewers and other distractions. Just going to the wrong place on the wrong night can give a movie a bad rep. Get a big screen TV or projector and tune all that out.
A very touching Movie with excellent acting. Denotes the psychological conflict of the three characters
I saw this movie for the first time today (I should be working on a project for my class...) and it was okay. Not horrible but not exactly anything amazing either. One thing I thought was interesting was the fact that they made one woman the embodiment of life and the other woman death (I'm trying not to spoil anything for those who may not have seen this movie yet). Once Vincent made his final decision on whom he wanted to be with, it was basically sealing his fate. Which was then reiterated during the operation scenes.
I'm not quite sure what this movie's about. I'm not saying that I suspect that I missed some deep, subtle secret concealed within the narrative that only a select few will ever grasp (this, I assume, is true of the alleged comedy that I've missed in various 'comedic' films) -- rather, I'm just not entirely sure that this film delivers what it might have had it had a more coherent flow and some semblance of actually going anywhere. Not that that sentence that I just penned is a great example of those qualities, but I digress...
The movie features fine performances from all involved, including Lolia Davidovich and Sharon Stone and the pretty-much-always excellent Richard Gere. Gere's character is convincing and real, but perhaps a tad too real because he's a pretty wishy-washy fellow and his is not the most compelling of roles. Then again, neither is anyone else's, really. The two female leads get marginally more to wrap their skills around, but the whole is way less than the sum of its parts.
A 98-minute film, "Intersection" seems a lot longer and I found myself calculating time-elapsed and time-remaining at more than one point. Hardly a good sign. Sure, there are no Ramboesque explosions and car chases (though a high-speed driving theme is at the movie's heart) but I'm not the type of male who has to have that kind of thing to keep me engaged. A story might be nice, though. I mean, a story that hangs together. In the absence of much direction, and in the presence of multiple and confusing layers of flashback, the actors' great work is sabotaged. It just doesn't really seem to go anywhere.
When the film finished I felt the sentiment echoed in that old Peggy Lee song..."Is that all there is?" And I don't like Peggy Lee, darn it!
The movie features fine performances from all involved, including Lolia Davidovich and Sharon Stone and the pretty-much-always excellent Richard Gere. Gere's character is convincing and real, but perhaps a tad too real because he's a pretty wishy-washy fellow and his is not the most compelling of roles. Then again, neither is anyone else's, really. The two female leads get marginally more to wrap their skills around, but the whole is way less than the sum of its parts.
A 98-minute film, "Intersection" seems a lot longer and I found myself calculating time-elapsed and time-remaining at more than one point. Hardly a good sign. Sure, there are no Ramboesque explosions and car chases (though a high-speed driving theme is at the movie's heart) but I'm not the type of male who has to have that kind of thing to keep me engaged. A story might be nice, though. I mean, a story that hangs together. In the absence of much direction, and in the presence of multiple and confusing layers of flashback, the actors' great work is sabotaged. It just doesn't really seem to go anywhere.
When the film finished I felt the sentiment echoed in that old Peggy Lee song..."Is that all there is?" And I don't like Peggy Lee, darn it!
¿Sabías que…?
- TriviaSharon Stone rang director Mark Rydell repeatedly, begging for a part in the film. Rydell automatically assumed that she was after the part of the mistress, and was quite surprised when Stone revealed that she wanted to play the frigid wife.
- ErroresThe letter Vincent wrote to Olivia in his car is in different handwriting than the one shown later near the end of the film.
- Citas
Vincent Eastman: [while on payphone] ... I'm crazy about you. I've always been crazy about you. I'm always gonna be crazy about you. Oh by the way, this is Vincent. Vincent Eastman.
- ConexionesFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1994 (1994)
- Bandas sonorasSonata in G Minor - First Movement
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Irena Grafenauer, Maria Graf and David Geringas
Courtesy of Philips Classics
By Arrangement with PolyGram Special Markets
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- How long is Intersection?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,355,893
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,818,502
- 23 ene 1994
- Total a nivel mundial
- USD 21,355,893
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