The Informant

This film is something of a mixed bag! As a fan of Timothys work I was eager to watch this film just to see Tim Dalton,and not so much for the "Troubles" storyline which,and lets face it,Hollywood has done an abysmal job of bringing to the big screen. Dodgy accents aside,this is a fairly accurate film which shows the IRA as the thugs they are,murdering police officers and shooting children. I thought Timothys performance was pretty good,although the accent needed a bit of work. Cary Elwes was thoroughly annoying as the army lt trying to befriend "gingy", who was equally irritating because he constantly had that "i picked the wrong day to stop sniffing glue" look on his face. If you want to see a fairly accurate portrayal of the terrorism that existed in Northern Ireland in the 1990's warts and all,watch this movie! If you want to cling to the belief that the IRA are heroes fighting for truth,justice and a pint of Guinness instead of being the murderers and drug dealers they really are, then my advice is to get real!

This film depicts the work of the IRA with no sentimentality or romanticism and for that I commend it.

The storyline is convincingly written. The acting is very good all round but I would give an outstanding mention to Maria Lennon whose work I had never seen before and Timothy Dalton from who this is just one more excellent performance. The one downside were a couple of the accents, including (and maybe most noticeably) Dalton's. Accents have never been his strong point! That said, he lends the role the same toughness yet humanity that he has to several other characters in his career, Bond included - all-round believability.

There is a twist that I found disappointing but I won't spoil it for those who have not seen it and may be thinking of doing so.

I stumbled onto this on Showtime on a rainy night and expected little of it. To my surprise I was drawn into the plight of those trapped in the vicious stand-off of "The Troubles".

The movie conveys powerfully the oppressiveness of the weight of history that sustains the hatreds and the impossible dilemmas faced by people trying to navigate between the opposing forces.

The acting is generally excellent, particularly Maria Lennon as the wife torn between her husband and her loyalties. Anthony Brophy is superb as the trapped husband. The only weak link is Timothy Dalton who chews a bit too much of the scenery as the detective reeling in the unwilling informant.

The lengthy nude scene of Simone Bendix as Cary Elwes' lover is not "essential to the plot" but Simone is so stunning it would be churlish to complain.

Taut and effective. Give it a look.

Well I am in the middle of doing my thesis for my masters degree in history and my subject is the IRA. Now, this film, although it is quite good, beats around the stereotype picture I sometimes read about the English government would like to project as part of the criminalisation of the IRA. Hereby not defending any of the involved parts, I just find it sad to see, how narrowminded the irish basically are portrayed while the archtype of chivalry is of course english (and notice the stupid scotsman in the end of the movie). This could be something out of an english propaganda film!

If you look away from this, the movie is wellwritten and well played. there is a lot of human expressions of love and hate, and it all fits nicely together. I enjoyed the film, but thought that it just as well could have been a mobster movie...there were so many things that were wrong but still, it was nice... 5/10

This is arguably the best film there is about the troubles in Northern Ireland. Unlike films like Michael Collins, or In The Name of The Father, in this movie the IRA members are not shown as the romantic quasi-heroes they are thought to have been ages ago, they are shown as what they really are now: terrorists, capable of destroying the lives of not only their enemies, but also of many irish families who try to follow the normal course of their lives. The informant of the title is an ex-IRA assassin who makes a deal with the police, and gives the name of his employers. He and his family are then considered traitors of the "irish" cause, even though his wife, being more influenced by anti-brit propaganda, was against the so-called betrayal from the start. But she fails to escape the turmoil that follows: the poor girl is even raped by an IRA ganglord, as some kind of punishment for their betrayal, in a scene that certainly does away with the romanticism that can be expected from such a theme. This is certainly a view of the subject never shown in recent films about the Northern Ireland troubles. At the end of the day, unlike other similar films, there is no "moderate" faction of the IRA to solve things up, no Daniel Day-Lewis type guy to save the day, but only the feeling that things go on unsolved...