Todo o nada

This is a great black comedy. A bunch of losers down at the job centre have no hopes of getting a job. As the film progresses, it picks up momentum as the big date approaches. Some great scenes of 80's Britain, the job centre, the clubs, the houses with paper-thin walls and low ceilings. You know what the finale is going to be, but it doesn't detract at all from the enjoyment of the film. It doesn't get political, as some other commenters have complained, but why should it? This is about the consequences of 80's Britain, not the causes. The characters are 100% believable, in their appearances and their behaviour. The fat one is the sort you see on a Saturday night in just about every city centre pub in England (and at the football matches too!). A pity some viewers from across the pond couldn't pick up the accents, that's not altogether surprising but consider that this film was probably not originally intended for worldwide distribution and if you had taken the accents away you'd have taken away also a lot of its charm.

PS: Sheffield, where the film was based, is actually quite a nice town in many areas.

When I first saw this movie, I absolutely loved it. With each successive viewing, I noticed the characters' emotions as they coped with the dirty hand that has been dealt to them and making the most of it. I also saw the immense bond between the men as they already shared the low-class existence and a rather bleak future but seeing nothing but an opportunity to be rich. And they were all willing to endure the humiliation in front of hundreds of people to achieve it.

Like M*A*S*H, the Full Monty shows people placed in a harrowing existence with seemingly no end in sight. Yet the laughs are sprinkled throughout nicely, and even though each man has their own personal fears to overcome, they find strength in each other, which makes the experience all the more fruitful.

The actors were absolutely top notch, particularly Robert Carlyle. I was already impressed with his performance from Trainspotting to know that he is very capable of carrying the central figure of the movie. Peter Cattaneo's direction was inspired, and he knew the right angles to use (check out the scene when the lads were auditioning new members, particularly Guy) for perfect comedic effect.

I admit that some of the sub-plots needed more fleshing out, particularly between Gaz and Nathan as well as Gerald and his wife. And as many times as I've seen the movie, I don't know much about Guy other than his love for Singing in the Rain and his obvious natural endowment that took the breath away from his mates!

The music was terrific as well. I dare anyone to deny that they had to consciously stop tapping their feet when hearing "Hot Stuff" after watching this movie.

I have been to Sheffield recently, so the movie holds even more personal meaning for me. And for all those complaining about the accents being difficult to understand, watch it again. It's in English not Chinese! The accents are part of the charm. I rate this movie a solid 8.5 out of 10 and worth seeing many times over.

I want to start off by saying, if you're looking for slap-shtick comedy and low- rent toilet humor, this is NOT the movie for you. It has its moments of "belt-in- the-face" fun, but they are consistently grounded in the real problems the lead characters face -- unemployment, loss of family, lack of self-respect, fear of ridicule and a bleak future that promises even greater failure. This is not a Farrelly Brothers kind of story...and that is what makes it so special.

Gaz is broke, on welfare, lives in the projects, is behind on his child support and is threatened with losing his son to his ex-wife unless he can pull together 700 pounds (about $1100). But this is Sheffield, England -- once a boomtown but now a deadening city of shopping malls and garment mills, where the factories (and the guys that worked in them) are empty shells of themselves. The women have jobs; the men have job fairs. Into this comes a touring "Chippendale's" dance troupe (aimed at women only; after all, they have the spare money) and an idea is born. Gaz and some mates will strip all the way, give the ladies "the full monty", as a way to earn some quick change.

The idea is preposterous. Only one of the six men in the new dance troupe is good-looking enough to pull it off (pun intended); the rest are either fat, skinny, old and/or ugly. But the movie's gentle suggestion is that not only is beauty in the eye of the beholder, but so is self-respect...and in following through with their plans, they gain a LOT more than just 2000 pounds each.

Robert Carlyle is good as the anchor of the piece, always pushing and planning and cajoling and begging and even stealing, as need be, but it's the rest of the cast that makes this movie work -- from Tom Wilkinson as a manager ashamed to tell his wife he's lost his job to Mark Addy as a man who's so ashamed of how fat and unattractive he is, he's driving his wife away right down to Hugo Speer and his joyful "let's have a blast" attitude.

"The Full Monty" is a gem of human comedy aimed not at the gut but at the sense of hope we all carry. I recommend it for anyone who needs a lift.

Charming film from the other side of the pond about a bunch of working class blokes at the ends of their ropes who decide to stage a strip show for cash. The gimmick is that they promise to go "the full monty," much to the delight of their wives and girlfriends.

"The Full Monty" was a minor sensation in 1997, and started a movie trend that exists to this day: the little indie film that could and makes it all the way to the Best Picture category at the Academy Awards. I don't know that it's quite that good, but you could probably fit three "Full Monty"s into one "Titanic," the film that DID win Best Picture that year, and if I had to pick one of them to watch again now, I'd pick the naked dudes over the sinking ship any day.

Grade: A-

Unemployment is no joke (as an ex-pat Brit living and sometimes working in the US, I can confirm that with a vengeance). But sometimes, with a little vision and a lot of confidence (or desperation - take your pick), you can either find a way out of the depths of despair, or at the very least lighten the load a little, even if only for a short time. You take your pleasure wherever you can find it.

This movie will undoubtedly strike chords with those who have been unemployed long term, especially in the north of England (or in the Midlands or indeed anywhere. Depression - economic, social or clinical - knows no boundaries).

It's a smile, unless of course it *doesn't* strike a chord with you. Then you'll see it as a politically charged documentary with a few unnecessary laughs that ring very hollow.

But this isn't another Boys from the Blackstuff and I don't think it ever intended to be. The characters in this story are less focussed on pleading "Gissajob" and more inclined to say "Gissasmile". There is social commentary, yes, and it's well made (in my opinion, obviously), but the bigger message, I think, is that when life sucks - and it can do, most of the time - you don't have to give in to the feelings of utter despair.

You can fight back, you can refuse to be bowed, and for everyone in the awful predicament of being willing and able to work but being unable to find anyone willing to give you a chance, there is the possibility of finding a ray of sunshine, even if only temporarily, in an otherwise grey and depressing condition.

And it's those little rays of sunshine that help to give you hope. A laugh here, a giggle there, a bit of extreme silliness once in a while - it all helps keep you sane.

And that's what is enjoyable about this movie: it's the story of a group of men trying to stay sane even if it means losing some of their dignity in the process. And the one thing you notice towards the end of the story - and it's certainly capable of being true of real life - is that in raising their own spirits, the main characters here also raise the spirits of those around them.

They also remind me of myself and some of my friends. I could see myself taking part in something like this, albeit reluctantly (since I'm pathologically shy), just for the hell of it.

And doing something just for the hell of it is what makes this movie one of my favourites.