Chicas de calendario

Although I prefer the older films of the forties and fifties, I was quite touched by this one. Beautifully filmed in the "ee by gum" country of Northern England ( and with the sun, to boot ), this was a real pleasure for the eyes. I went to school in Lancashire so many of the sights were familiar to me ( though this was Yorkshire ) but the countryside is similar and apparently less wet than Lancashire, being to the east of the Pennines. The theme of the film was an interesting one and shows that you don't have to be young to be sexy - I found all our ladies very sexy and the calender had very good taste - it was delightfully erotic and not pornographic at all. The film reminded me of Billy Elliot ( also made in Ee by gum country ) but I liked that less and Full Monty which I found far less interesting. Like French Cinema, British Cinema nowadays doesn't produce many lively and interesting films - that prize falls to the Americans - but just once in a while, a little gem is produced ( other examples are Notting Hill and Four Weddings and a Funeral ). calendar Girls was just such a gem and I was very happy to discover it. I was also pleased to see Annette Crosbie from "One Foot In The Grave" whom I adore as an actress as I do Julie Walters whom I found most attractive in Educating Rita and who seems even lovlier in Calendar Girls. Bravo !

I've been getting a little tired of the computer-enhanced extravaganzas that have been flung at viewers over the past few years. You know what I'm talking about--the movies that are short on plot, acting or both which are bolstered up by loud FX and revolutionary digital animation so that it becomes "special effects in search of a picture". I'm delighted to say that CALENDAR GIRLS has nothing of the kind. It's all about the plot, all about the women involved, and all about laughing so hard you cry--or maybe about being able to forget tears in deep laughter, if only for a moment.

The acting is superb. One hardly needs to mention Helen Mirren. I read one comment that pans her Yorkshire accent; well, I attended it with an Englishwoman who is very familiar with such an accent and she specifically told me that her accent never slipped, so I've no idea where that comment came from.

Having been involved with the world of cancer treatment recently (fortunately with a happier outcome for my mother, a survivor of breast cancer) this movie strikes close to home. It's completely accurate; it's not pretty and it's often degrading, no matter how much the oncological staff tries to make it easier. The movie is also accurate in the kind of sentiments it expresses about cancer. People who have been touched by that filthy disease will do ANYTHING to fight it. (I sat on a spin bike for twenty-four consecutive hours in aid of breast cancer less than two weeks ago, so I do know what I'm talking about.) Yes, a few liberties with the real story have been taken. So what? The result is a coherent progression that is more interested in human beings than plot details. And isn't that what it should be about?

I've heard this dismissed as a movie for "older people". I'm proud to be of that number--after all, at the age of thirty-five I'm ten years out of the target demographic at which Hollywood films are aimed. If by "older people" they mean people who want a movie to be about something important as opposed to the latest spectacular light show, I'm glad to be of that number. I'd recommend this to anyone who's interested in a movie that is both hysterically funny and deeply touching. It has re-inspired me in the battle against cancer, and if it does that to anyone else, it will have made a worthwhile difference.

Greetings again from the darkness. Director Nigel Cole delivers a charming, touching, funny story with a message. Based on the true story of a few society women in England who decide to do a quasi-nude calendar to raise money for a cancer center. The well-known story itself holds few surprises, but the cast is so wonderful and the dialogue so crisp that one can't help but enjoy the film. Helen Mirren ("Gosford Park") and Julie Walters ("Educating Rita") lead the mostly female cast who bare it all ... sort of. As much as I liked the film, I do believe the two leads should have flipped roles to make this even more effective. Also, the pacing is true British, as many of the lines are missed due to U.S. audience out-loud laughter. Be forewarned if you see it in a full theatre ... you will miss a few lines. A wonderful movie for all ages and both sexes!

If you said to me that I'd enjoy a heart-warming tale about a group of stripping housewives from Yorkshire then I'd probably direct you to my current DVD collection, which includes such "heart-warming" films like "Desperado", "Predator" and "Die Hard". To put it bluntly, stuff like that normally turns me right off. So imagine my surprise to find myself genuinely enjoying this film which has a winning formula of gentle humour, a strong ensemble cast and, although I hate to say it, a heart-warming ending. And yes, it's another British film with people taking their clothes off. "The Full Monty" has a lot to answer for!

"Calendar Girls" is set in a branch of the Women's Institute in northern England where best friends Anne (Julie Walters) and Chris (Helen Mirren) tire of the relentless tirade of boring speeches and endlessly singing "Jerusalem". After her husband dies of leukaemia, Anne resolves to raise some money with Chris by producing an unusual version of the W.I. calendar. Having gathered enough support, they shoot a nude calendar and despite the reluctance of the W.I. leadership, the calendar's roaring success quickly brings fame and fortune to the women. But success isn't all it's cracked up to be, testing the relationships of the women with their families as well as each other.

I already felt that "Calendar Girls" was the sort of film that would fit in perfectly in the TV schedules on a quiet Sunday night when nothing else was on but I'm pleased to say that I greatly underestimated this film. True, it is a gentle film that rarely threatens to be controversial or the sort of thing that would upset your Granny. But the performances of the strong cast mean that the plot, based on a true story, never fails to captivate your attention. It's a perfect blend of tragedy and comedy and ultimately, that's the sort of thing that the film's audience is looking for.

On the flip side, I did feel it went on for too long and there were still aspects of the story that weren't fully explored such as the impact on Helen Mirren's son (John-Paul Macleod) or what happens to the women after the publicity died down. The ending also felt strangely rushed and was a bit of a letdown. Perhaps with better writing and pacing, this could have been an absolute classic but "Calendar Girls" is still a film very much worthy of your attention. It's not as saucy as "The Full Monty" but it is a simple, unassuming film with modest aspirations that manages to be a roaring success. It's a hidden gem of a film and perfect to give to your Granny for her birthday.

Based on a true story, eleven members of a women's institute group decide to pose nude for a rather untraditional annual calendar to raise money for charity.

With an all star cast lead by Helen Mirren and Julie Walters, we go on a journey through the ridicule and resistance that the ladies had to endure to achieve this amazing feat, which ultimately raised millions.

Calendar Girls is brilliantly performed and directed, and it has many heart wrenching tales that lie beneath the main story, each pertaining to the girls own reasons and drives to fight for what eventually became a mammoth success.

Heart Warming, Funny, Charming and Entertaining, undoubtedly a winner on every level.

8/10